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Life and death takes on an entirely new meaning for half-angel, half-human hero James Stark, aka, Sandman Slim, in this insanely inventive, high-intensity tenth supernatural noir thriller in the New York Times bestselling series.
James Stark is back from Hell, trailing more trouble in his wake. To return to LA, he had to make a deal with the evil power brokers, Wormwood – an arrangement that came with a catch. While he may be home, Stark isn’t quite himself…because he’s only partially alive.
There’s a time limit on his reanimated body, and unless Stark can find the people targeting Wormwood, he will die again – and this time there will be no coming back. Even though he’s armed with the Room of Thirteen Doors, Stark knows he can’t find Wormwood’s enemies alone. To succeed he’s got to enlist the help of new friends – plus a few unexpected old faces.
Stark has been in dangerous situations before – you don’t get named Sandman Slim for nothing. But with a mysterious enemy on the loose, a debt to pay, and a clock ticking down, this may truly be the beginning of his end…
362 pages, Kindle Edition
First published August 28, 2018


When you're Hollywood dead you can die a hundred times and still come back for the sequel.James "Sandman Slim" Stark knows all about that kind of death, too—he's been dying and coming back Hollywood-style (while going through rather more personal pain pretty much every time, it's true) for ten books now. But... this time is different; this time it's worse—Stark's come back from Hell, back to Los Angeles (and yeah, smartass, there's a difference), but his body's still dead, and this time it's not getting better. There is one necromancer who might be able to resurrect him fully, but that guy works for an organization whose methods and goals are somewhat... incompatible with Stark's.
—p.1
That's how you know someone really likes you. Anyone can give you chocolate and flowers, but when they'll disembowel someone for you? That's true love.
—p.17
Sandman Slim wouldn't exist without the music that inspires me and keeps me writing. This book is for Lustmord, Klaus Schulze, Bohren and Der Club of Gore, (early) Tangerine Dream, and Nine Inch Nails.For me, though, somehow what came most readily to mind while reading this installment was Blondie's 1981 classic "Rapture" (YouTube link).
Count to sixty and start again, trying to time the drive. It's well over an hour. In most towns that would mean we're halfway to Argentina, but in L.A. it means we could be circling the block looking for parking.
—p.36
Sandman Slim wouldn’t exist without the music that inspires me and keeps me writing. This book is for Lustmord, Klaus Schulze, Bohren and Der Club of Gore, (early) Tangerine Dream, and Nine Inch NailsIn addition, there were the usual amount of film school critique and film references. Recently, Kadrey has been reviling Nicolas Cage films.