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357 pages, Kindle Edition
First published May 24, 2014
The Veil and the Crown takes the already half-legendary lives of Joséphine and her cousin and childhood friend Aimée du Buc de Rivéry and simply surrenders to the romance of them. One ends up at the heart of Napoleonic France, the other is swept eastward into the Ottoman world, and somewhere between Martinique, Paris and Constantinople, History appears to have drunk several glasses of champagne and decided plausibility was a concern for lesser evenings. How has nobody properly novelised this before?
Historically, the execution is rather wobbly. The research often feels superficial, the settings are blurry, and the historian in me occasionally escaped the narrative altogether to mutter objections about quite a few details. This is emphatically not where I would send someone wanting to learn about early 19th century history, the Directory and French Empire or the court of Sultan Abdul Hamid I and the Harem of Topkapi or even pirates and life in the French sugar plantations or the social expectations for girls in that time.
And yet I had a marvellous time.
What sold me was Wesley’s decision to keep the bond between the two women at the heart of both books. Two extraordinary futures and one friendship stretched across continents and revolutions. Their supposedly prophesied destinies, whether one believes the legend or regards it with a very Napoleonic raised eyebrow, give the story exactly the sort of grand, improbable sweep it needs. Subtle it is not. Irresistible it rather is.
The execution never quite matches the material, but the material is so delicious that I happily forgave a great deal. This was the story I desperately wanted someone to turn into fiction, and I take whatever is available.
Would watch the film adaptation any time though preferably with someone else writing the screenplay.