HOW DO YOU SOLVE A PROBLEM LIKE MARIA?
“If you can’t get rid of the skeleton in your closet, you might as well teach it to dance.” ― CIA officer Robert B. Baer.
“Why were we so full of hope in those days? Looking back, I see so clearly that violence was worsening. Living through that time, we didn’t see that. We believed in our capacity to grow a great country. A just society.” ― Guatemalan, Kaimana Wolff.
“See, if you look at the drug war from a purely economic point of view, the role of the government is to protect the drug cartel. That's literally true.” ― Economist Milton Friedman.
Ah, illegal narcotics. It’s like gambling in a way. Nearly impossible not to make a tidy illicit profit from such poison. In the last century the global consensus on narcotics gradually came to criminalization of them by moral crusaders. This century however, the West takes the opposite approach. Legalizing them and making it acceptable and okay to light up and get one’s fix. If the societal trend continues, the drug lords of the world may die off, unable to adapt. One person who is tries to adapt is the baddie of the book today’s review focuses on.
Adaptability is one of the great strengths of thriller novelist Tom Wood and his fictional anti – hero Victor the Assassin. Over the course of 7 books, Wood has gone from strength to strength, establishing himself as one of the top contemporary British thriller authors in the game today. His creation, Victor the Assassin is the black knight in a genre full of lily-white knights in shining Armor, a true anti – hero who captivates us as he does the cruel, necessary things that other thriller heroes falter at doing.
Living by the Mattis maxim, ‘polite, professional but have a plan to kill everyone you meet,’ he’s a higher class of killer, dignified as he sends you to your doom. In book 7, he successfully adapted to new circumstances, negotiating a severance agreement with his masters in the Anglo – American intelligence community while being pursued by a do – gooder who just didn’t know when to quit.
Now, back on the private circuit, Victor The Assassin finds himself experiencing the freedom he had lost in book 1, that as a private gun for hire, not beholden to the global powerplays of professional spies and geopolitical chess masters. In “Kill for Me”, we get a first taste of that freedom as Victor finds himself engaged in “conflict resolution” of a “sibling rivalry” and finds the situation highly suitable to break out his set of special skills that have caused death and suffering to hundreds of bad men and women around the world. Now to the review. When both sides are bad, can you pick your own?
The novel begins at a beach on the East Coast of Guatemala. Victor is making a gun buy, having mail ordered a great British export, the Accuracy International AX 50, the best anti material rifle in the world. The people selling the rifle however have other ideas, having come up with a simple rip off the customer with a hail of bullets scheme using their AX 50 as bait for rich criminals. Unfortunately, for them, Victor picks apart their trap, and leaves them all choking on their own blood as the wild stray dogs of the Central American countryside come to pick the flesh off their still breathing corpses.
We then cut fives weeks back, explaining how we got to this point. The most powerful drug lord in Guatemala Heloise Salvatierra suffers a bombing attack on her limousine, the bomb being a present from her sister Maria who is fighting over the inheritance their father Manuel left them. Deciding that they’ve reached an impasse, Heloise and her French boy toy Lavandier decide on the classic solution of a professional assassin from out of town to decapitate their enemy faction. They fly to Madrid and after a surprising job interview, Victor is hired, but unbeknownst to him, Heloise breaks one of the rules he laid down. Methodically stalked by hot shot competition, Victor sets to work in a new hemisphere and a new chapter of his life. From lavish mansions to seedy tropical bars, as Victor gets deeper into the job, he finds himself facing a predicament where no side should be trusted. And as he gets closer to his prey, only one question remains. How do you make sure your own side wins out in the end?
In terms of plot, Kill For Me is a masterpiece. More of an epic crime thriller than the spy novels of the earlier books, it nonetheless packs all the tradecraft, research and enough weapons for a gun nut or thriller devotee to be satisfied. The writing style is still slick and cinematic, with the story flowing without interruption. When reading this story, it feels like the author has wanted to write this book for some time, an epic crime drama that departs from the pure espionage of his past works.
And it shows. I am not a fan of most crime thrillers but since reading the Orphan X books which blend neo noir vigilante arse kicking with the tradecraft and weapons of spy thrillers, I’ve come to appreciate them a little more. Wood has done something similar here, crafting a story about a crime family breakdown, full of larger that life players, graphic brutality and a whole lot of manipulation. The worst of human nature is out in force in this story, with the evil seemingly holding all the cards, the only good guys and girls impotent and only the amoral gunmetal grey spectre of death having any hope of vanquishing the bad guys.
Action and setting? Superb. The last time the author tried to write a crime thriller in book 6, I felt he didn’t put in enough action scenes. Here however, it’s packed to the brim with glorious action scenes, that do the intended epic crime drama justice. From the in-media res opening where our man massacres ill – trained cannon fodder, to a back-room bar card game gone wrong and even an infiltration of a massive super yacht worthy of the most challenging splinter cell game levels, the author continues to place Victor into new, exciting situations where the body count jumps by leaps and bounds.
Moving the action from Europe, Victor’s primary place of work and play has also expanded the variety of backdrops on which the action takes place. From cartel Haciendas in the Central American mountains, to a plush super yacht where vice and death go hand in hand and a climax in a massive, gaudy Casino – hotel property development where one of the best gun battles in the series takes place, Victor’s world hasn’t lost the trademark cinematography that has made it pack that extra punch in a packed genre.
Research? Despite being an epic crime thriller, a genre which is known for authors being willing to play fast and loose with the real-world details of the narrative, the author has not skimped for this novel. Similar to how Greg Hurwitz brought the sort of violent gunplay found in a Gray Man/Mitch Rapp novel to a crime drama, Wood maintains all the tricks, tradecraft and authenticity of the previous espionage plots Victor found himself in. From an accurate depiction of the preparation work one needs to do in setting up an anti – material rifle (not ready to fire out of the packing grease), to the unarmed combat tactics Victor uses, we also have an excellent demonstration of scouting tactics and even the dynamics of survival/resistance to interrogation methods. Kill For Me is a very smartly written crime drama, with all the details having a place and purpose in Victor’s overall scheme as he begins closing in on the big payday.
Characters? Quite a few standouts, but for brevity’s sake I’ll focus on three. Victor and the Sisters. First, Victor. After fleeing from his work as a deniable asset, for one of the most powerful men in the Company and a mid-level officer of the firm, Victor has started a new chapter in his life as a contract killer. And boy is he loving it. Thrust into a situation where his client is fickle, and where he hasn’t operated before, he nonetheless takes to Central America like a shark to water. For most of the story he is on top form, methodically setting up the end game while knocking off those foolish to try get in his way. He even breaks out his borderline sociopathic manipulation skills in the climax to trap his enemies in a situation where they cause their own self destruction. Wood also gives us a more human Victor. He strikes up a casual relationship who unbeknownst to him is an officer of the law. He gets caught at one point and is briefly on the back foot for a few minutes. But as soon as you see the persona briefly breaking, it reasserts itself and more bodies hit the floor. Bit by bit, Victor has come far as a character despite wearing a mask made of plastic surgery, a thousand lies, a million omissions and half a dozen false identities. I cannot wait to find out a bit more about him.
Next, we have the sisters. Heloise and Maria. Sibling rivalry can be destructive especially when one is fighting over control over the inheritance. Both are larger than life characters, strong, tough women who in a patriarchal, Hispanic society have bent the men around them to their will through sheer strength of personality alone….and also unpredictable madness and psychopathy. As Central American crime lords, they are not at the top of the tree like the Mexicans, but slap bang in the middle of the Americas, gives them a lot of advantages, namely a monopoly on a choke point and US law enforcement not coming to kill them. However, due to their twisted upbringing and the business they’re in, they squander these advantages and the final battle which Victor comes into is the start of their downfall. Heloise and Maria make great antagonists and channel the real life ruthlessness of legendary female criminals like the paranoid Griselda Blanco or the Mexican Queen Of the Pacific who haven’t been given a time to shine in most media focusing on the global war on drugs.
Constructive criticism? Nothing I can say really. I was satisfied with Kill For Me and consider it a marked improvement over book 6, the author’s previous attempt at making a crime drama. It maintains the momentum of book 7 and for once, I can say that it is a book within the series that new readers can pick up and start from.
Division leads to decadence, decay and death. So ends Kill For Me where all four things happen. And Victor is the death in the piece. No boundaries, no borders. Going beyond the confines of Europe has paradoxically breathed new life into contemporary thriller fiction’s most ruthless and implacable harbinger of death. With its fun, unpredictable plot, large destructive set pieces which are a delight to read and behold, and a cast of intriguing, bombastic characters that our anti – hero runs into or runs through like a knife, Kill For Me is one of my top thrillers of 2018, and a perfect start in the new chapter in the life of an assassin.
RECOMMENDED.