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Batman: Knight of Vengeance #2
Flashpoint: Batman İntikam Şövalyesi #2
Barry Allen zar zor tanıdığı bir dünyaya uyandı, ancak bu bir numara ya da paralel Dünya değil. Bir şey ya da birileri zamanda değişikliğe yol açarak Barry’nin dünyasının yerine bu dünyayı koydu. Ve bu yeni dünya güvenli bir yer değil.
Güçlerinin ya da dostlarının desteğine sahip olmayan Barry, bu gerçeklikte oğlu ölürken kendisi hayatta kalan, Bruce'un babası Thomas Wayne'e, yani yeni Batman'e ulaşıyor. Artık dünyayı eski hâline getirmek için birlikte çalışıyorlar. Başarısız olurlarsa bu çarpık, trajik dünyadan asla kurtulamayacaklar.
(Tanıtım Bülteninden)
Güçlerinin ya da dostlarının desteğine sahip olmayan Barry, bu gerçeklikte oğlu ölürken kendisi hayatta kalan, Bruce'un babası Thomas Wayne'e, yani yeni Batman'e ulaşıyor. Artık dünyayı eski hâline getirmek için birlikte çalışıyorlar. Başarısız olurlarsa bu çarpık, trajik dünyadan asla kurtulamayacaklar.
(Tanıtım Bülteninden)
24 pages, Paperback
First published January 1, 2011
4 people are currently reading
46 people want to read
About the author
Brian Azzarello
1,296 books1,106 followersBrian Azzarello (born in Cleveland, Ohio) is an American comic book writer. He came to prominence with 100 Bullets, published by DC Comics' mature-audience imprint Vertigo. He and Argentine artist Eduardo Risso, with whom Azzarello first worked on Jonny Double, won the 2001 Eisner Award for Best Serialized Story for 100 Bullets #15–18: "Hang Up on the Hang Low".
Azzarello has written for Batman ("Broken City", art by Risso; "Batman/Deathblow: After the Fire", art by Lee Bermejo, Tim Bradstreet, & Mick Gray) and Superman ("For Tomorrow", art by Jim Lee).
In 2005, Azzarello began a new creator-owned series, the western Loveless, with artist Marcelo Frusin.
As of 2007, Azzarello is married to fellow comic-book writer and illustrator Jill Thompson.
information taken from http://en.wikipedia.org/wiki/Brian_Az...
Azzarello has written for Batman ("Broken City", art by Risso; "Batman/Deathblow: After the Fire", art by Lee Bermejo, Tim Bradstreet, & Mick Gray) and Superman ("For Tomorrow", art by Jim Lee).
In 2005, Azzarello began a new creator-owned series, the western Loveless, with artist Marcelo Frusin.
As of 2007, Azzarello is married to fellow comic-book writer and illustrator Jill Thompson.
information taken from http://en.wikipedia.org/wiki/Brian_Az...
Ratings & Reviews
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Displaying 1 - 14 of 14 reviews
October 11, 2017
the joker as terrible as ever
June 17, 2023
Ta, essa segunda edição superou minhas expectativas... foi angustiante ver as ações do Coringa, mesmo sabendo quem é o Joker. Apesar de já saber, o plano do Joker foi "genial", surpreendendo o leitor.
Realmente, não importa qual mundo seja, o Coringa sempre será insano e não terá planos básicos para aterrorizar Gotham.
Realmente, não importa qual mundo seja, o Coringa sempre será insano e não terá planos básicos para aterrorizar Gotham.
July 25, 2017
İşte bu beş yıldızı haketti 😃.
September 24, 2017
Ohaa ohaaa!
December 4, 2023
Holy crap- that was friggin’ twisted! Can’t wait to see how this wraps up!
October 18, 2024
finalmente ho capito perché il batman di flashpoint é cosí apprezzato
January 3, 2025
HOLY PLOT TWIST… this Thomas Wayne batman world is so fucking cool.
January 10, 2016
Poetic Graphic Art
Still life in action motion is graphic eye-pop. This particular comic book is an excellent example of graphic comic art of both verbal and visual. At times this comic book set the standard for poetic graphics. Poetic graphics are attention span grabbers. You know them after you read (see) them and you see (read) them again for their so good.
A poetic graphic display on page nine is a demonstration of the subtle essence shared by visual and verbal. of poetic graphics. It's mind-pop. The scene displayed on page nine conveys both beauty and a sadness. There beauty to be realized by the minimal nature of the array of related images. Just enough is present to make just enough information about the horrifying scene. Poor children. The innocent are shown to suffer in the story of this comic book and more so. Through the medium of graphic fiction is non-fiction reported about real life. Real mental-pop, this stuff. Memorable moments of mental-pop are realized in this comic book. Thoughtful. Entertaining. Satisfying. Fun.
Still life in action motion is graphic eye-pop. This particular comic book is an excellent example of graphic comic art of both verbal and visual. At times this comic book set the standard for poetic graphics. Poetic graphics are attention span grabbers. You know them after you read (see) them and you see (read) them again for their so good.
A poetic graphic display on page nine is a demonstration of the subtle essence shared by visual and verbal. of poetic graphics. It's mind-pop. The scene displayed on page nine conveys both beauty and a sadness. There beauty to be realized by the minimal nature of the array of related images. Just enough is present to make just enough information about the horrifying scene. Poor children. The innocent are shown to suffer in the story of this comic book and more so. Through the medium of graphic fiction is non-fiction reported about real life. Real mental-pop, this stuff. Memorable moments of mental-pop are realized in this comic book. Thoughtful. Entertaining. Satisfying. Fun.
June 20, 2014
Too short
Too short
The story line is good but the detail is lacking making the comic too short, sort of like watching a half hour show without the commercials
Too short
The story line is good but the detail is lacking making the comic too short, sort of like watching a half hour show without the commercials
September 9, 2016
What a story. Effin' hell, this was gloriously agonizing. So many feels.
November 30, 2016
This is really twisted, sad and disturbing.
I love the use of shadows and dark spaces
I love the use of shadows and dark spaces
May 20, 2017
Not to much in alternative story lines but this one us good, disturbing but good.
Displaying 1 - 14 of 14 reviews