Once again Graham Norton surprises me with his writing abilities in this well drawn story of small town Irish life and remote rural farming families. When it comes to relationships, there is not much in the way of cheering fare, with disappointment, intrigue, darkness, and stoicism from two different eras. Divorced New Yorker Elizabeth Keane returns home to Ireland and Buncarragh with the death of her mother, Patricia, to put her affairs in order. She is less than keen on her remaining family, riddled with conflict and devious machinations, but she has to clear her mother's house with a view to selling it. The house is in dilapidated state and more worryingly, infested with rats which scuppers Elizabeth's plan for residing there for the short duration of her stay. Elizabeth thinks she knows her mother inside out, but her confidence in this takes a huge knock when she discovers a pile of ribbon wrapped letters in the back of Patricia's wardrobe. In this narrative that goes back and forth in time, Patricia's life is slowly revealed as to how she ended up being a confirmed spinster and life long devoted single mother to her beloved daughter, Elizabeth.
Elizabeth has a 17 year old son, Zach, who she is over protective of and is constantly on her mind. He is visiting his gay father, Elliot in California, a man he has seen little of since his parents acrimonious split. Elizabeth is left reeling as she delves in her mother's life, her unsettling romance with her father, Edward Foley, a farmer living in a remote area by the sea. She meets with her mother's best friend, Rosemary O'Shea, and those who knew her father and her griefstricken and disturbed grandmother. A codicil to her mother's will brings further unexpected surprises. In the present, Elizabeth is faced with more unexpected shattering shocks regarding Zach that are to lead to life changing moves in her future. This is a hugely compelling family drama, of mothers whose children are everything, and of the darkness, heartbreak, intrigue, mental health issues and secrets that bubble within the facade of families, past and present. I found this to be an engaging and absorbing read that I recommend. Many thanks to Hodder and Stoughton for an ARC.