Mary by Janis Cooke Newman is a book written about Mary Todd Lincoln’s life up to her release from an insane asylum. It flits back and forth between the present (the asylum) and her past life. This is a jumble, but:
•A little weird that there are really only three women we get to know—Mary, Minnie (her friend in the asylum), and Robert’s wife Mary—and all three are viewed to be unbalanced because of their sexual feelings toward their husbands. The terror of Lincoln toward having sex with Mary is one thing, but now that we have a reverend who is the same way toward his wife, and Robert too with his wife, it feels as though the men in the story may all be staid and repressed and only going about their duty. I get it’s supposed to underline how Mary shouldn’t be in an asylum, she’s just passionate, but it’s a strange choice. Also she seems consistently horny at all times. Hearing her husband lecture? Shopping? After she’s been crying over her dead brother? Mourning the loss of Willie? All great times to want to have sex. She begs him, saying he can BEAT HER if he’ll just have sex with her. Once she contemplates RAPING him (“startle him into taking me before he had the chance to wake”). What is the author DOING? Between her, Minnie, and the Mary that weds Robert, ALL of them love their husbands and NONE of their husbands love them or want to have sex with them or be romantic toward them. Every woman is sex-starved and lacking in romance and all the men are cold, aloof, and passionless.
•I also didn’t like the novel casting Robert as the villain. I’m sure they had friction, but would Robert order his mother around? At one point he LITERALLY tells her to get into the kitchen—“you should be in the kitchen”. If Mary is “unsexed” by involving herself in politics, then Robert isn’t being dutiful and Christian and honouring and obeying his parents, something one would think a boy of the time would wish to do. Another instance of this is when they are on the train going to hear Lincoln speak and Robert screams at her that she’s violating social customs—and he isn’t? If I had yelled at my mother in public as a child, scolding her, I would have been in HUGE trouble, and I was not born in the 19th century. I understand that the Lincolns were permissive parents, but this seems a step too far to let your son chastise you and tell you how to behave where anyone and everyone can hear it.
•Even at Lincoln’s death Robert is painted as restrained, that he MAY have cried but stopped when seeing Mary’s grief, even though a firsthand account from Secretary of the Navy Gideon Welles says he “bore himself well, but on two occasions gave way to overpowering grief and sobbed aloud, turning his head and leaning on the shoulder of Senator Sumner”.
•After Lincoln dies, Robert is so ashamed of Tad’s poor speech he has a cruel metal device implanted in his mouth and Mary bears it because it pleases Robert even though it hurts Tad, and eventually she takes it out because it’s made Tad quiet and Robert has stopped visiting. Too bad that it was MARY who had it put in after a dentist prescribed it and she removed it to eventually seek elocution lessons.
•The Friends of the Lincoln Collection say that Robert and his mother were actually very close; he comforted her when Lincoln was away and they enjoyed doing many similar things, like reading literature and poetry, learning piano together, and speaking (fluently) in French. When he became an adult in the ‘60s, he would come home from college to travel with her as they both enjoyed it. He even said after moving to Chicago to be with his mother and brother after his father’s death that “I presume that I must put up with it, as mother’s pleasure must be consulted before my own,” when living in a tight, unpleasant place. But the book paints it as his mother demanding to come with him while he—as usual—explodes on her and wants her to stay away from him. It seems—at least from the once lost now found insanity letters—that Mary turned against Robert while in the asylum and because of Myra Bradwell’s influence and not before.
The more I read, the more difficult it was to continue and I had to keep stopping because every evil was laid at Robert’s feet. He hated his mother. He hated his father. He hated his siblings. He hates his wife. Nevermind that his wife and his mother had the falling out in reality; no! Actually it was Robert being unloving and incapable of being AROUND love that sent Mary (his wife) away. And he CLAIMED she didn’t want Mary there, but Mary suspects it was him, not her. In trying to repair some of the damage that historians have done to Mary’s image, the author has torn Robert to shreds. The fact that most of it—all? I know he was not very close to his father, but his father was not around much when he was younger. I also know he didn’t like comparisons to his father, but most wouldn’t—isn’t true makes me question how much of the rest of the novel is a distortion of what happened.
•This book is a weird one. It’s got great style and I keep reading to know more, but it never seems to end. There seems to be more and more. At the halfway mark, I’m just circling previous topics. Mary is sad. She’s horny. Lincoln says control yourself. Robert says she’s terrible. She tries to be a better wife and mother. She’s sad and horny. She’s shopping. She’s in the asylum. She’s sad. She’s sad and horny. She’s shopping. Lincoln rebuffs her and she tries to be a better wife to him so he’ll want her. Robert says she’s awful. She tries to be a better mother. On and on and on. If the author wanted to paint a picture of Mary being a sad, lustful woman who was never touched by her husband who despised her and was repulsed by her, job well done.
•Kind of weird the text never delved at all into her verbal and physical abuse toward him and the only mention of her having a temper was whenever he wouldn’t be ambitious, and then the author was careful to say she NEVER took it out on him but just furiously cleaned things around him. Even if some of the reports were exaggerated or made up, there’s enough—throwing books, chasing with a knife, hitting with wood, throwing coffee in his face—to make some seem credible.
•There’s no mention of how Mary claimed Robert was hoarding her items for himself, or how he looked after her money and earned her an extra $4000 in interest.
•It also never touched upon her wild jealousies of anyone coming near to Lincoln, like when Mary Mercy Ord rode next to Lincoln, prompting Mary (Lincoln) to fly into a rage in public. Her anger pushed people away, including Julia Grant, but the author never puts it down in text. Instead, Mary is usually sad, lonesome, and desirous of her husband’s company. You can make Mary a sympathetic person without hiding her faults and lying about other figures.
•Also this is a petty quibble—two petty quibbles, but there was no mention of Laura Keene cradling Lincoln in the box, staining her dress? And when Lincoln dies, the author has Robert going to Ford’s Theater three or more times a week during the day when no plays were going. I read this, accepted it, then went “wait a minute”. Knowing how rabid the populace went after the assassination—a mob formed to lynch Junius, Edwin received death threats (both Booth brothers who had NOTHING to do with it and in fact Edwin supported Lincoln and kicked Wilkes out of his house once over politics)—I couldn’t imagine it reopened and went “business as usual!”. It didn’t; it was closed for a criminal investigation, then given back to Ford who tried to put on a play in July (3 months later) and Stanton snatched it back again, paying Ford off and closing the theater down.