Sanne and Lemme are siblings in a traditional reindeer-herding family. The brother Lemme loves dirt biking and is eagerly looking forward to the new dirt bike track now under construction. In town, his sister Sanne meets a delirious man who babbles something incomprehensible about the ”devil’s children.” After their father’s outburst at the dinner table about how recklessly people, including Lemme, are destroying the grazing lands that the reindeer need, just for the fun of a new dirt bike track, Lemme leaves in a huff. Sanne follows and hops onto the dirt bike behind him. The teenagers disappear without a trace, and back at home their parents are consumed by grief and despair. Where are they, what happened? All that was found was Lemme’s dirt bike at the construction site for the new track. In the novel In Between Worlds, the writer weaves together elements of contemporary reality and Sami beliefs to form a mysterious twilight world.
A novel by the Sami writer and artist Máret Anne Sara (b. 1983), translated by Laura A. Janda. The Sami edition "Ilmmiid gaskkas" was nominated for the Nordic Council Children and Young People's Literature Prize in 2014.
Spennende fantasy for barn og ungdom. Skapninger basert på tradisjonell samisk livstro fører ungdommene Lemme og Sánne på en reise i underverdenen der de må prøve å redde seg selv. På veien lærer de mer om hvordan moderne mennesker påvirker klimaet og naturen på vidda.
Boken er opprinnelig skrevet på nordsamisk og oversatt til bokmål av forfatteren selv.
Det er god driv i historien, og universet i boken er kreativt og underholdende. Det som trekker ned er at språket er dårlig. Gjentakende ord, dårlig flyt og svake beskrivelser gjør at leseopplevelsen blir dårligere enn den kunne vært.
// TW: Boken inneholder noen nedsettende beskrivelser av psykisk syke mennesker og psykisk sykdom, og en del av fortellingen er basert på historiske hendelser om utsetting av "uønskede" barn.
A dreary hotchpotch of old legends and contemporary p.c. nonsense about pollution and sustainable development. Lemme and his sister Sanne love dirt bike riding and look forward to the completion of a brand new track near their home, where they still herd reindeers like their forefathers before them. When their father Juho rails against the new track, the kids leave home in a huff and encounter the spirit of an unbaptized child who throws a curse on them, turning them into... reindeers, of course! The book then follows the predictable adventures of the bewitched teens through the "chapadat", a deadly black cloud that is spreading its pall of doom over the world. The story is neither entertaining nor coherent and unlikely to put Sami literature on the map.
Dette er ei bok som har vore vanskeleg å gjeva nokre stjernor, rett og slett fordi eg ikkje er i målgruppa. Boki tek føre seg viktige utfordringar knyta til det å vera ein minoritet i Noreg. Miljøperspektivet er ogso gjeldande. Boki er jamvel og naturleg nok ikkje meint på eit vaksent publikum og det vert fleire runder med litt enkle dialogar og for tydelege løynde poeng. Boki vart lesen av meg knyta til ei oppgåve på universitetet.
Språket er korkje fantastisk eller dårleg, men midt på treet.
Svaret lå der hele veien, så en god krim vil jeg kanskje ikke kalle dette. Men den er nydelig skrevet, litterær vakker. Jeg sitter igjen med å ha fått lov til å komme ett skritt inn og nærmere en kultur så nær, men som jeg kjenner så lite. Jeg ønsker meg flere bøker som kan gi meg noe mer forståelse av samisk kultur. Har blitt ett par begreper rikere både på norsk, samisk og engelsk, og det trives jeg veldig godt med!
This was a real page-turner. Two Sami children living modern lives riding dirt bikes and texting friends find their lives turned upside down by a myling--the spirit of an unbaptized baby. I don't want to create spoilers, but a noaidi--a Sami shamna--figures prominently in helping them figure out how to solve the predicament they find themselves in.
The indigenous tale, tellings, superstitions, crossing over with the environmental concerns of today build up a solid foundation for a highly cinematic fantasy world. At times the journey of the characters reminded me of the TV series Stranger Things but even more interesting than the Hollywood production, as it is grounded in the exotic Nordic forests, in the Arctic ice, with true legends and belief systems wiring the tale.
The shortcoming of the book is the writing. Too much repetition and waiting around for action, not very subtle in terms of linguistic craftsmanship. I felt the whole piece could have been written as a short story and would have been more effective. The ending was quite enigmatic and poetic to my surprise.