I guess I've never been a Scott fan, and this book is another sharp reminder as to why. It's similar to Bloom, but just even worse. It's a disaster, to be blunt.
I liked the creativity. For a while, anyway. That's one thing I have to applaud Scott for: she always seems to have an out-of-the-ordinary story up her sleeve. But can she really pull it off? Not in this case. The Playboy parents were interesting at first but later got terribly melodramatic and boring. The father was so predictable after a while and too unrealistic for my tastes. Everyone always tries to justify his actions, like the mother, for instance, and it gets so tiring. Because you can't make an excuse out of this seventy-two year old "living in his own world" and "loves you in his own way". It's just dumb. The mother was equally tiresome. From the start, she was oblivious and seemed too ditzy. (Not exactly parental role model, right?) In typical novel land, the mother gradually sees her mistake and becomes a real mother later on. Here, it happens in the last 5 pages of the novel. Not only is it rushed, but it's underdeveloped and lacked emotion. I was ready for tears and major confrontation, but I guess Scott is bad at confrontational scenes, so it lacked any depth.
I hated the structure of the story. A novel shouldn't even be labeled as a "structure". You can say you liked the structured writing, the structure of a thesis essay, but never a creative work. But it's definitely present here. The events repeat itself, with few variations: 1) Protagonist goes to school, where she tries to be invisible. 2) She then goes to work, where she banters with Finn and fawns over how "real" Josh is (with a name as stereotypical as Josh, it's hard to fathom how "real" this character can get). 3) She then meets up with best friend Teagan and recounts all details related to Josh. 4) Hannah then goes home and faces drama about how short her mother's skirt is and how she once loved her father. 5) REPEAT steps 1-4 for the rest of the novel. This is beyond predictable. I feel like I'm looking at the water cycle, complete with the routinely events and lack of suspense. I know exactly what's going to happen; all I'm waiting for is the ending.
Not only was the lame structure of the story, well, lame, I also despised how childish the characters and writing was. Most of it was in dialogue. I love witty banter styled dialogue, but this was not it. This was just the ramblings of teenagers who needed to dissect every little detail of attention the opposite sex displayed. Take the animal crackers and the life alarming dilemma (notice my sarcasm?) as to getting Josh coffee or not, for instance. Hannah has to ponder over the meaning of animal crackers so much that I wanted to strangle her and say, "They're just crackers! Get over it, already!" With coffee: "Buy him the damn coffee!" I'm not saying teenagers don't obsess, especially when it comes to the opposite sex, but Hannah is being so extreme about it that it renders her a complete fool. How am I supposed to resonate with such a protagonist?
With my other reviews, I always mention the true Scott touch: repetition a la Scott. It's happened so often that I even had to name it. Sad but true. Hannah's life revolves around claiming she once loved Jackson and now hates him, complaining about her mother's passion for dressing low, fantasizing about Josh, and obsessing over Finn's mouth. These four key events play out like a cassette on repeat, never dying down. Once the drama with Jackson is done, it's on to Josh. After Josh, back to Jackson, then to Finn. You know the deal. I wouldn't even mind so much if it wasn't always just complaining. Heck, I lied. I WILL mind even then. Hannah's like Lauren (from Bloom) in that sense, always whining and never actually being proactive until the fifth to last paragraph on the second to last page.
Another similarity to Bloom: Hannah's love interest. Truly, I must nominate Finn for being the Universe's Most Awkward Love Interest in the world of fiction writing. Scott turns a normally likable and cute character into a lovesick, awkward geek. In any other book, I would have thought it was adorable that Finn would blush in Hannah's presence. But here, I see Finn as a socially inept fool. Which he isn't. He's just so awkward, and I feel like he was never meant to be portrayed like that. Finn is supposed to be sweet, patient, shy, but manly at the same time. Perhaps it's due to choppy writing, but the moment Finn blushes, I groan and wish he can disappear so I don't have to be reminded of what a ridiculous character he is.