Why do pedants let great writers and poets off the hook? Why do they let the grammatical and spelling "heresies" of writers like Jane Austen, Dickens, Shakespeare, Milton or the Brontes pass without the same outrage and criticism that they reserve for the regular civilian? Why is the average person illogical and killing English if they use something like shall or will incorrectly when those writers are not? I always wondered, and I never understood either how they couldn't see that English is a living thing, a constantly shifting and evolving beast as opposed to something static. Look at how hugely different Anglo Saxon is to Middle English, then at how different that is to Renaissance English, and then again to Victorian English. Nor why could they not see how language is sometimes progressive? One example is how I've often naturally used "they" instead of writing "he" or "she" to avoid being sexist one way or the other even though it's incorrect English to the pedants. Is that not progressive in that it often facilitates more appropriate, private or accurate expression, even leaving the gender politics out of it? It's always seemed to me that English is adaptive and innovative e.g. look at all of the new words being added to the dictionary each year, often to describe things and situations that didn't necessarily exist in the past, such as "texting".
The reason why I picked up this book was actually that a friend complained about textspeak and said that it meant that kids wouldn't be able to write and that it would kill English. A specific gripe that they had was that you should type 'cause in text messages because they insisted that it was the "correct" abbreviation for because. I argued that wasn't particularly utilitarian when it literally only saves one character, plus people widely use cos, bc or other variations which are just as understandable, so why does it have to be 'cause and nothing else? I even looked up what an abbreviation was: a shortening of a word as my instinct had it, so why couldn't cos be an abbreviation? This is a good example of what I mean by English adapting: here using cos or bc is an adaptation to the constraints and speed of informal texting. I wouldn't complain if someone used 'cause but it certainly looks aesthetically ugly and unwieldy to me: few use it in the context of texting. (Use of English is also an aesthetic concern for me.)
But then again, I think that it's actually the writers and speakers who tend to 'make' English and that it doesn't come from some inviolable law. And when I picked up this book, although I was already sold on the basic premise, Kamm said that not only is there not that inviolable law in the first place, English is made by the people who use it, from luminaries such as Dickens to the texters, along with many similar things to my thoughts about it. I'm not going to lie, it was wonderfully reassuring to be told that well, it doesn't especially matter if I still can't understand when to use who and whom or what a split infinitive is (true stories), because English is organic, and to have faith in your ability to use it. (I probably should add here that as a congenitally deaf person I am especially very insecure about my grammar because I was never formally taught grammar, and because so many deaf people have poor English due to not being able to hear it used around them.)
In this book, other than making rather amazing and wonderful claims such as that pedants actually aren't interested in language and that English is actually in extremely good health and there is no danger of decline (of course! It's obvious even if I couldn't put my finger on why my friend's catastrophising seemed 'off'), Kamm is forensic about it, tackling many of the shibboleths of pedants one at a time. He explains clearly and succinctly why they are wrong to be overly pedantic about it by examining the history of it, the logic of it, and by providing examples from canonical literature or broadsheet journalism.
Unlike someone like me, Kamm is someone who genuinely understands grammar and he knows how to make the argument. I appreciated his lack of academic complication (Gloria Steinem: "I recognize the fact that we have this ridiculous system of tenure, that the whole thrust of academia is one that values education, in my opinion, in inverse ratio to its usefulness — and what you write in inverse relationship to its understandability. [...] Academics are forced to write in language no one can understand so that they get tenure. They have to say 'discourse', not 'talk'. Knowledge that is not accessible is not helpful.”) but also Kamm's acknowledgement of the subjectivity of 'style' in writing. Like George Orwell says, break a rule rather than say anything barbarous so, for example, you don't have to always use the active voice or always use short and clear sentences, because fashion and variety are real factors in language. Just compare Romantic poets to modernist poetry for an example of this.
Kamm touches on the subject that pedants are probably exerting some kind of bourgeoisie looking down on people for being less "educated" in not following their shibboleths while letting the famous writers off the hook for similar transgressions, which is a factor I hadn't considered. I would add that I think that people often have a propensity to be liberal or conservative, and that this is probably one of the dividing areas in this if they actually aren't very interested in language and the history of it. Language has to be appropriate to the situation and leeway is necessary depending on the context (context is often what makes something understandable or not). Please note that I definitely appreciate standardised English. I just think that going too extreme into pedantry is not a great thing: a little leeway on the sides of things is expressive and progressive, which is Kamm's argument too. That's all, don't misunderstand me; I'm not saying 'spell and construct sentences however you like with wild abandon'.