What forays the reader at the very onset about this poem is the diverse planes of awareness in which the poet journeys. In this poem, Aurobindo's visualization is unworldly and celestial. He perceives worlds behind worlds and the whole creation moving, or rather fluctuating, towards the deific.
‘Savitri’ shows humanity as a minor portion against the massive silouhette of a vast cosmos, not simply material but a composite and gigantic universe made of a grading of planes of perception. The human being and his entire world stands explicated. Man here seems to be scampering the stage with his unproductive minute mind and his half light or ideals.
And yet, man is not downgraded to an inconsequential habitation. His actions, his pains, his ideals, are all shown in their proper viewpoint. Man is epitomized as not only great but Divine in his potentiality, and definitive fulfilment. Beginning as a "death-bound littleness", man arises at the conclusion as the vanquisher of death, as the ‘Illustrious Immortal’ who contributes deliberately in the Divine's work here to build a creation based upon the ‘Divine Truth’.
Since this poem is the outcome of over-head stimulus, both its vision and its grasp, is galactic. It is the manifestation of a truth-vision by one of the greatest seers this Sanatan Bhoomi ever produced. It is a central and interstellar truth beginning with the origin of the world and rising towards man's eventual divine fulfilment on earth.
Affirming that, "a death-bound littleness is not all we are," it moves with the mounting aspiration of man, "to the frontiers of Eternity." It passes beyond it into the realm of the Eternal Day fronting the supreme Creative goddess, the World- Mother, with its moving prayer and flourishes in bringing down upon earth a supreme demonstration of the Divine Power which makes possible the double victory of man and the Divine by conquering all the forces of darkness and Ignorance here and at last establishes the divine life on earth. It is this "Divine event" to which the entire creation of Savitri tends.
This poem is the record of a seeing, of an understanding which is not of the conjoint kind and is often very distant from what the general human mind sees and experiences.