The Lost is the start of a new series introducing a fledgling detective partnership working out of Northumbria CID and this unfolding case is the first major incident that the combined team are faced with. This first encounter is a hugely impressive novel, both atmospheric and very involving with minute to minute developments keeping the reader focused and marks the start of a promising working relationship between DI David Stone and DS Frankie Oliver. Slightly different to previous novels that I have read by Mari Hannah, the investigation is much more character driven and shown from a variety of different perspectives. In the main, the points of view showcased are that of both individual detectives and the mother and stepfather of a missing ten-year-old boy, Daniel Scott.
A month into their partnership, DI David Stone and DS Frankie Oliver are still gauging the lie of the land and a little unsure of their opposite number. DI Stone has returned to his roots and nearby brother with his transfer back to the North requiring the loss of a rank and leaving the Met Murder Team. He initially comes across as a moody and undynamic loner, clearly labouring under a dark cloud and something of an enigma. DS Frankie Oliver is a third generation detective and local lass, as popular with her colleagues as she is passionate and dogged, with an innate sense of humour. Both Stone and Oliver and realistically drawn creations, each with their own strengths and weaknesses with DS Oliver at times hot-headed and often prone to overstepping the mark but honest to a fault with the bit between her teeth from the get-go.
In a case which at first presents as a standard missing persons situation, ten-year-old Daniel Scott goes missing whilst his mother, Alex Parker, is holidaying in Majorca and what should prove a fairly routine task for uniform gradually transpires into something far more sinister. DS Frankie Oliver twists the arm of DI Stone to take the case on thanks to a quiet night at the station and a personal agenda, only for Daniel to return home unharmed and a potential family crisis to be averted after what appears to have been a simple miscommunication. Superintendent “Windy” Gail orders the team to end plain clothes involvement and not delve into the matter further, only for a series of nasty events to follow and slowly dismantle the lives of the Parker family... As the new detective duo investigate they uncover a series of juicy secrets, lies and very convenient omissions amongst the small cast that surrounds the extended Parker clan; Daniel Scott, Alex and Tim Parker, Alex’s sister, Kathryn Tailford Irwin, live in French au pair, Justine Segal and Tim Parker’s business partner, Jamie Curtis. Stone and Oliver are intent on identifying the common denominator and nailing down means, opportunity and most critically, motive, which proves a far more dangerous task than either can imagine.
The Lost took almost fifty-pages to really settle into its stride and for me to become comfortable with just what just was unfolding, not because of the multiple perspectives which frequently alternates, but because DI Stone and DS Oliver do not cover themselves in glory in their first meeting with anxious and panicky mother, Alex Parker. In truth they make a pigs ear of the situation and I couldn’t work out exactly what was going on with DI Stone floundering and DS Oliver all at sea as to just why he is behaving so oddly as evinced by her slightly aggressive demeanour. Although DI Stone’s issue is clarified as the case is eventually resolved, my reticence surrounding his character meant that I didn’t warm or connect with him, unlike the leading characters of both of Mari Hannah’s previous two series. However, ameliorating these slight niggles are a huge numbers of positives, from the awareness to the undercurrents between the well-realised and complex characters to the constantly shifting focus that is dictated and driven by the evidence gathered. Impressively this is all nailed down with a timeline informed by authentic police procedure, with a realistic eye for forensic analysis hold-ups through to the added strain of rural policing cuts and the value of local knowledge. Mari Hannah informs and educates along the way with her attention to plausible procedure in tandem with engaging storytelling. The novel flows well and I found nothing jarring or awkward about the shifting points of view which allowing a free-flowing 360 degree focus on getting to the bottom of the events surrounding the Parker family.
Convincing and authentic, The Lost, is a brilliant mix of credible police investigation and slippery characters with a lot to hide and potentially more to lose. A sensitive case with uncomfortable disclosures in store, the ongoing focus is driven by the unfolding evidence meaning actions are justified. The pace is brisk and the barnstorming final quarter with some audacious twists simply magnificent! Astutely well-observed, the nuanced personal dynamics between both DI Stone and DS Oliver and Alex and Tim Parker adds another dimension to the story. Hannah perceptively exposes fleeting glances, dark looks and uncomfortable silences and the tension is consistently palpable in the Parker household as the unfolding drama reveals how calculating and duplicitous they all are!
Undoubtedly the more appealing of the pair, DS Frankie Oliver is an absolute diamond but DI David Stone left a much weaker imprint on the novel for me and hopefully his character will make a more favourable and assured impression in the follow-up. The Lost is a top calibre police procedural in the class of Sarah Hilary and Jane Casey and I cannot state enough how superior the novel is to the run of the mill police procedurals on the market. A gritty plot mired in layers of complexity, cleverly wangled out of a cast of inveterate liars! Excellent stuff!