British writer Hector Hugh Munro under pen name Saki published his witty and sometimes bitter short stories in collections, such as The Chronicles of Clovis (1911).
His sometimes macabre satirized Edwardian society and culture. People consider him a master and often compare him to William Sydney Porter and Dorothy Rothschild Parker. His tales feature delicately drawn characters and finely judged narratives. "The Open Window," perhaps his most famous, closes with the line, "Romance at short notice was her specialty," which thus entered the lexicon. Newspapers first and then several volumes published him as the custom of the time.
This story exemplifies Saki’s ability to transform social anxiety into lethal comedy. Set within the brittle etiquette of polite society, the story unfolds with deceptive simplicity, gradually revealing how fragile civility becomes when confronted with irrational fear.
The humour arises not from chaos, but from the meticulous maintenance of appearances in the face of disruption.
Saki’s prose is controlled to the point of elegance. Every sentence advances tension while preserving decorum, creating a comic dissonance that intensifies with each polite evasion.
The mouse itself is less a creature than a catalyst, exposing the disproportion between cause and reaction.
Structurally, the story thrives on escalation through restraint. Saki understands that excess dulls satire; instead, he allows implication to do the work. Social rituals become absurd precisely because they are observed so carefully. The result is humour that feels earned, almost inevitable.
Viewed through a postmodern lens, The Mouse interrogates the performative nature of adulthood. Fear is not eliminated by maturity, only concealed beneath protocol. Saki reveals how institutions of politeness often function as elaborate avoidance mechanisms.
The tone remains impeccably dry. Saki never signals where the joke lies, trusting the reader to recognise it. This trust elevates the comedy, transforming a minor incident into a meditation on repression and self-deception.
The Mouse is a small story with disproportionate resonance—a reminder that civilisation’s veneer can crack under pressures both trivial and profound, and that laughter often follows the sound of that crack.
The ending definitely made me smile (though I should've seen it coming), and the very humorous prose throughout elicited plenty of chuckles from me too. Surprisingly raunchy and funny for the time it was written - well-worth the ten minutes it took to read it! Thanks, Marc!
A man has an uncomfortable experience on a train involving a mouse and a fellow passenger. Cute, and very British. Audible edition; from a free collection of Saki's work. Narrated by Frederick Davidson.