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131 pages, Kindle Edition
First published January 1, 1922
🔹A severe looking old lady then enters the room. You rise and bow. "I am Miss Doe's grandmother. Some one [sic] has been smoking in here," she says, and sits down opposite you. Her remark is not, however, a hint for a cigaret [sic] and you should not make the mistake of saying, "I've only got Fatimas, but if you care to try one—" It should be your aim to seek to impress.
🔸(At the opera) As soon as the music starts, all your attention should be directed toward discovering someone who is making a noise—whispering or coughing; having once located such a creature, you should immediately "sh-sh" him. Should he continue the offence, a severe frown must accompany the next "sh-sh," a lorgnette—if available—adding great effectiveness to the rebuke. This will win you the gratitude of your neighbors and serve to establish your position socially, as well as musically—for perfect "sh-shers" do not come from the lower classes.
🔹"Bridge whist," or "Bridge," as it is often called by the younger generation, is rapidly replacing whist as the favorite card game of good society, and "bridge" parties are much en vogue for both afternoon and evening entertainments.
🔸When introducing a young lady to a stranger for example, it is not au fait (correct form) to simply say, "Mr. Roe, I want you to shake hands with my friend Dorothy." Under the rules of the beau monde (correct form) this would probably be done as follows: "Dorothy (or Miss Doe), shake hands with Mr. Roe."