I would read more of this for the interesting zombie premise (which reminds me of the far more recent and insightful The Merciless King of Moore High) but I can't keep pushing through the extremely intense misogyny and sexualization of women in the narrative (which is far, far less critical than it thinks it is) to do so. Anytime I think a female character is getting some character development, it's actually a side tour into the author's fetish corner, or another reveal that when men aren't around, women are only capable of discussing and fighting over men, comparing their breast sizes, and talking in voyeuristic detail about their periods, body hair, and sex lives, even if they're survivors of repeated rape. Especially if they're survivors of repeated rape. The amount of sexualized torture female bodies go through in this manga is in some ways par for the course for horror, but it's not clever, or self-aware about its intended message in depicting those violences; its barely saying anything at all about violations of female autonomy, by this point in the series, except for the obvious (it's titillating to the author and the protagonist, no subversion here). Abandoning ship, like many seem to, post-Oda and her literal trash compaction. Cannot believe the hype after all this, but can believe that awards would go to this series, given how awards work, lol.