Cold Spring, James K. Baxter's unpublished second collection of poetry, bridges the gap between his first book, Beyond the Palisade (1944) and Blow Wind of Fruitfulness (1948). Its forty poems - chosen from some three hundred which he wrote at the ages of seventeen and eighteen - cover one of the more turbulent periods of his life. After a series of difficulties with his first publisher, Baxter determined never to break up the collection and excluded these poems from his later books. However, the manuscript was recently discovered among the papers of his war-time friend Noel Ginn, and this intriguing volume can now be read for the first time.
James Keir Baxter was a poet, and is a celebrated figure in New Zealand society.
In his critical study Lives of the Poets, Michael Schmidt defines Baxter's 'Jacobean consonantal rhetoric'.Schmidt has claimed that Baxter was 'one of the most precocious poets of the century' whose neglect outside of New Zealand is baffling. His writing was affected by his alcoholism. His work drew upon Dylan Thomas and Yeats; then on MacNeice and Lowell. Michael Schmidt identifies 'an amalgam of Hopkins, Thomas and native atavisms' in Baxter's 'Prelude N.Z.
GOATed collection from the GOAT NZ poet, James K. Baxter. Here’s a wee taster from the poem: “In the lion rocks”:
“In the lion rocks and the sands of sorrow Ground from volcano grief; in the grave ways Of the body, when death has grown bone In me and sown that muddy sun of sureness That marks the man: I will remember you. For your oblivious and flower-like grace Poised on a blade of time. Most for your green And cultured ignorance of my mountains of madness.”
Needless to say I was breaking out the sticky notes again with this one.