Horse is almost twenty, a college drop-out with a job in a steel mill and a girlfriend named Fern with golden brown hair down to her waist. But his drinking, poetry writing, and above all a predilection for the disreputable combine to make him an outsider kicking against the conventions of a small college town in the 1940's. Horse is the only novel of James K. Baxter, New Zealand's greatest poet.
James Keir Baxter was a poet, and is a celebrated figure in New Zealand society.
In his critical study Lives of the Poets, Michael Schmidt defines Baxter's 'Jacobean consonantal rhetoric'.Schmidt has claimed that Baxter was 'one of the most precocious poets of the century' whose neglect outside of New Zealand is baffling. His writing was affected by his alcoholism. His work drew upon Dylan Thomas and Yeats; then on MacNeice and Lowell. Michael Schmidt identifies 'an amalgam of Hopkins, Thomas and native atavisms' in Baxter's 'Prelude N.Z.
The prose in “Horse” (the only novel written by New Zealand poet James K. Baxter, and published posthumously) is unsurprising poetic now and then, and has sparked in me an interest in finding and absorbing more of Baxter’s poetry.
“Horse” is billed as a fictionalised account of when Baxter was working on farms and in factories after dropping out of Otago University in the 1940s. In the afterword, Baxter describes the outcast character Horse (Timothy Harold Glass) as “my collaborator, my schizophrenic twin, who has always provided me with poems … he, or somebody rather like him, inhabited this town twenty years ago, daring to use my name and wear my features.”
The religious imagery shows, too, and presages Baxter’s somewhat turbulent religious journey. I definitely recommend this book if you’re interested in reading snapshots of New Zealand’s past.