Raul Germano Brandão (Foz do Douro, March 12, 1867 – Lisbon, December 5, 1930) was a Portuguese writer, journalist and military officer, notable for the realism of his literary descriptions and by the lyricism of his speech. Brandão was born in Foz do Douro, a parish of Porto, where he spent the majority of his youth. Born in a family of sailors, the ocean and the sailors were a recurrent theme in his work.
Brandão finished his secondary studies in 1891. After that, the joined the military academy, where he initiated a long career in the Ministry of War. While working in the ministry, he also worked as a journalist and published several books.
In 1896, Brandão was commissioned in Guimarães, where he would know his future wife. He married in the next year and settled in the city. Despite living in Guimarães, Brandão spent long periods in Lisbon. After retiring from the army, in 1912, Brandão initiated the most productive period of his writing career. He died on December 5, 1930, age 63, after publishing a profuse journalistic and literary work.
Published works:
1890 - Impressões e Paisagens 1896 - História de um Palhaço 1901 - O Padre 1903 - A Farsa 1906 - Os Pobres 1912 - El-Rei Junot 1914 - A Conspiração de 1817 1917 - Húmus (1917) 1919 - Memórias (vol. I) 1923 - Teatro 1923 - Os Pescadores 1925 - Memórias (vol. II) 1926 - As Ilhas Desconhecidas 1926 - A Morte do Palhaço e o Mistério da Árvore 1927 - Jesus Cristo em Lisboa, with Teixeira de Pascoaes 1929 - O Avejão 1930 - Portugal Pequenino, with Maria Angelina Brandão 1931 - O Pobre de Pedir 1933 - Vale de Josafat
It is a seminal work but must reflect the author's talent. Still, it hints at some themes he would later address and how he combined naturalist, symbolist, and impressionist elements. Raul Brandão dedicated his entire life to writing and left behind a unique work in the context of national literature. He is considered one of the greatest Portuguese writers, although little read, having been overshadowed by the presence of Fernando Pessoa in the literary panorama of the time—a work of singular creative freedom to read and discover.
"Coligindo estes contos durante a elaboração longa dum romance Os descalços — eu não os refundi nem emendei. Seja-me permitido, portanto, dizer singelamente que eles não representam a minha maneira actual de sentir nem de escrever."
"O outro n'uma raiva infindável, louco, cahiu sobre elle, cheio de força, apertando-lhe o pescoço entre as mãos, beijando-o, esfregando-lhe a cara pela d'elle com força, a ponto de pedaços pôdres de carne cahirem..."
"Morreu. - E morta, inchada de pança, envolta em farrapos, com manchas verdes já de podridão nas faces, era immunda - mais immunda e mais nojenta ainda que a cadella que gania parindo..."
"Foi n'esta beira de costa, pintalgada de verde e de amarello, alegre e cantante como um avental de Valença, banhada por esse farrapo de mar que flutua azul entre Villa do Conde e Aveiro - que a nossa mocidade inteira se passou..." Raul Brandão