WINNER OF THE 2016 NATIONAL JEWISH BOOK AWARD FOR POETRY
Moss is oceanic: his poems rise, crest, crash, and rise again like waves. His voice echoes the boom of the Old Testament, the fluty trill of Greek mythology, and the gongs of Chinese rituals as he writes about love, nature, war, oppression, and the miracle of language. He addresses the God of the Jews, of the Christians, and of the Muslims with awe and familiarity, and chants to lesser gods of his own invention. In every surprising poem, every song to life, beautiful life, Moss, by turns giddy and sorrowful, expresses a sacred sensuality and an earthy holiness. Or putting it another way: here is a mind operating in open air, unimpeded by fashion or forced thematic focus, profoundly catholic in perspective, at once accessible and erudite, inevitably compelling. All of which is to recommend Moss's ability to participate in and control thoroughly these poems while resisting the impulse to center himself in them. This differentiates his beautiful work from much contemporary breast-beating. Moss is an artist who embraces the possibilities of exultation, appreciation, reconciliation, of extreme tenderness. As such he lays down a commitment to a common, worldly morality toward which all beings gravitate.
The man who never prays accepts that the wheat field in summer kneels in prayer when the wind blows across it, that the wordless rain and snow protect the world from blasphemy. His wife covers him with a blanket on a cold night---it is, perhaps, a prayer? The man who never prays says kindness and prayer are close, but not as close as sleep and death. He does not observe the Days of Awe, all days are equally holy to him. In late September, he goes swimming in the ocean, surrounded by divine intervention.
Almost Complete Poems represents much of the life work of poet Stanley Moss. The poems appear to be sincere babble. Moss is literate but undisciplined. The poems lack coherence. It’s not my life’s work to read them.