CREDO. I believe. No other statement is so full of intent and subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting oneself on the frontline. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto.
CREDO creates a bridge from the philosophical to the practical, presenting a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises. CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing is a raw look at what motivates authors today.
In 2023, Rita Banerjee will be joining Warren Wilson College as the new Director of the MFA Program for Writers and as an Assistant Professor of Creative Writing. She is the author of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, Echo in Four Beats, the novella“A Night with Kali” in Approaching Footsteps, and Cracklers at Night. Her work appears in Hunger Mountain, Isele, Nat. Brut., Poets & Writers, Academy of American Poets, Los Angeles Review of Books, Vermont Public Radio, and elsewhere. She is a co-writer of Burning Down the Louvre (2022), a documentary film about race, intimacy, and tribalism in the United States and in France. She received a 2021-2022 Creation Grant from the Vermont Arts Council for her new memoir and manifesto on female cool, and one of the opening chapters of this new memoir, “Birth of Cool” was a Notable Essay in the 2020 Best American Essays. You can follow her work at ritabanerjee.com or on Twitter @Rita_Banerjee!
Many passages here resonate beautifully for me and others perhaps will connect for another reader & writer. Some of my favorites connect writing to other art-forms, risk and creativity.
I had an expectation of more focus on writing for change making and resistance. I think I need to go to Roxane Gay, Cleo Wade and other sheroes.
While the book as a whole is sprawling and may impede rather than promote healthy writing practice, at times, it as historic anthology of writers on their own work and practice is in itself a nice contribution to the canon. There are notably some voices and themes missing from this anthology, but what is included is provocative and will assuredly support the engagements and indulgences of amateur and professional writers alike.