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224 pages, Hardcover
First published September 1, 2004
A readable, beautifully illustrated survey of bird art in the English-speaking world, focussing mainly on the eighteenth and nineteenth centuries. Elphick is a fine writer, the plates are handsome, and the included bird prints are stunning also.
Elphick’s approach is to sketch the life and work of the major painters, engravers, and lithographers he admires. He traces the evolution of bird art from its fanciful and symbolic medieval beginnings to its more scientific and illustrative function today. He comments on how changes in print manufacture and styles of ornithological method have altered bird art, and demonstrates good knowledge of quite a range of different fields.
At times I felt that the book spent too long describing the lives of the artists, and not enough time explaining how styles of bird art have changed. Particularly in the final chapter, the book becomes a kind of honour roll, a series of mini-biographies in which each person is said to be one of the “finest” or “greatest” bird painters ever to live in Britain or America. Elphick does have thoughtful things to say about the structure of a painting, and make many parenthetical remarks about different traditions in China, India and the West. These passages could have been expanded.
All that said, it is an enchanting book. Art or bird lovers will enjoy it in equal measure.