Kate runs her own advertising agency, and has no time for loafers. She spent years financially supporting and having bad sex (the kind where satisfaction is knowing her partner had a good time) with her artist fiancé, until she found him in bed with another woman. Artist fiancé went on to marry his rich lady, and Kate took herself off to a hotel for a good long think.
There she met Jared. Jared was wearing jeans and said he lived by his wits, so Kate wrote him off as a no-good-nik. She did spend two days in bed with him and discovered what she’d been missing. Jared went to Canada, and Kate started dating rich Richard. Three months go by. Richard is handsome, wears suits, and is good for business. He’s just put a ring on it, when Jared turns up again.
‘Darling, I’m back from Canada,’ says Jared, ‘aren’t you pleased to see me?’ Kate’s … not really. I mean, giving him a fake name and not sticking around to wave him goodbye to Canada should have been a pretty good indication that she wasn’t interested in anything long term. Jared, however, isn’t the type to take a hint. He solemnly and gently declares he’ll help her through her pain over the past fiancé, and tolerate her quibbles over the present fiancé, so long as she comes to her senses pretty quickly. He’s in love, they belong together, he’s invested in sticking very close to her so she’ll soon see the light.
I’ve had a great week for reading strong, financially independent and competent heroines. Sure, Kate’s a bit wonky headed about men and what she ultimately wants out of life. Her outlook on getting a man who has the same ambitions she does is sound, and while it’s obvious to the reader that she’s been too quick to write off Jared, I didn’t read her judgement as inherently wrong. She’s had a bad experience with the past fiancé, and learned to be more clear about what she wants.
I had to overlook that when she got emotionally stressed out by the whole man juggling she didn’t feel up to doing any work. Heroes always go to work. In fact, they throw themselves into their work and the only sign of their emotional upheaval is that they look pale and thin because they aren’t eating or sleeping. I think Kate could have battled through and stayed at the office.
I also had a few moments when I just wasn’t sure about her priorities. She’s young and has made a success of her business, but she owes a number of her contracts to her romantic association with Richard. And she thinks the big score she’s in the process of landing is also courtesy of her involvement with him. This felt unusual. I’m more used to heroines complaining about how they can’t get ahead on merit because of the boys’ club social networks. Kate’s perfectly comfortable with taking advantage of it, and that gave me a moment’s pause. Only a moment, because why shouldn’t she? Of course … basing business deals on romantic associations isn’t a solid foundation when the romance goes sour.
I liked Jared for most of the book. He was very attracted to Kate and thought she was fun and interesting and he respected her work. He was almost perfect … and then he raped her.
Okay, so this is 1980s romance, and heroes could get very pushy. It all gets very emotional and Kate hasn’t been quick enough handing back Richard’s ring. Plus, past fiancé is also stirring up trouble, because his wife isn’t as understanding as Kate was about just how bad at sex he is. He’d like to come back and have bad sex with Kate, and he’ll let her look after him again, and they’ll be happy. Kate says no thanks, but Jared’s over all these boyfriends showing up, and Kate repeatedly telling him that she’s not interested.
So Jared’s now going to teach her that final lesson with some goodbye hate sex. Kate doesn’t treat the scene as rape. I’ve read the other reviews here on Goodreads, and no one else calls this out as rape. I struggled over it myself for a while, because of how clear Kate was that she hadn’t been raped. She notes that he still cared enough to make it enjoyable for her. She reasons that she’s in love with him, which to her mind is consent, but Jared goes into the scene with the express purpose of having sex with Kate whether she wants it or not.
Jared’s full of remorse later, but the later is also troubling. Jared convinces Kate’s building manager to give him the key to her flat and he returns after the rape, and Kate wakes up, crying, in his arms. He’s there to comfort her, but there were a lot of characters in this book clearing the way for Jared to do whatever he wanted with and to Kate, on the basis that he seemed like a nice guy. It’s always troubling how much secondary characters willingly enable threatening behaviour.
Since it is the 1980s, there are no lingering sinister overtones, or hints that Jared will ever be anything other than a caring and loving husband. Moving on, Kate still has to realise what she really wants, and forgive Jared over the detail of his career (it’s really no spoiler that he’s much filthier rich than Richard).
The scene cast a shadow over what was a really good romance. It’s positive that there’s no hint that Kate will have to give up her career, and that she doesn’t have to become all sweet and surrender herself for Jared to love and want to be with her. There’s a lot to like about this book, but I just wish it had come without the rape scene.