Dickens Departing into Collins Country
According to Dickens’s friend and biographer John Forster, Dickens wrote his short story Hunted Down because he was offered the princely sum of £ 1,000 for it by an American weekly paper, The New York Ledger. Of course, the fact that a writer had the opportunity to earn a small fortune with a story does not necessarily detract from its value as a piece of literature or a source of entertainment. Nevertheless, in the case of Hunted Down, whose antagonist was, once again, inspired by a real-life murderer, Dickens seems, to me, to have been out of his element; maybe even trying to poach in Wilkie Collins Country.
Hunted Down has a first-person narrator by the name of Mr. Sampson, who is the chief-manager of a life insurance company. One day, Mr. Sampson makes the acquaintance of a gentleman named Julius Slinkton, who says that he has come to make terms for a life insurance on behalf of a friend of his, a Mr. Beckwith. He also repeatedly enquires about a certain Mr. Meltham, who also sold insurances but withdrew from the business and sought solitude since the woman he intended to marry died unexpectedly. Mr. Sampson also learns that Mr. Slinkton had two nieces, one of whom died after a short but serious disease, the other niece, a Miss Margaret Niner, also being of frail health. You can possibly imagine how all this is going to go on.
If there is anything very positive that can be said about the story, it is Dickens’s use of a first-person narrator who keeps certain information from his readers in order to surprise them the more at the end of the story. Saying that, however, one might – rightly – argue that withholding information for a coup de théâtre is not exactly what makes a good unreliable narrator; this kind of perspective is much more suitable when it comes to presenting the reader with a mentally deranged, a prejudiced or a downright devious character, and Mr. Sampson is definitely none of these.
We might also say that the downfall of Mr. Slinkton, the murderer of his niece, is effected in a very contrived and hardly realistic way, which makes the story rather fanciful. Apart from that, readers will soon get weary of the narrator’s obsession with the way Mr. Slinkton wears his hair in that it is quite strange what importance Mr. Sampson attaches to his customer’s parting, likening it in his imagination to a garden path that he is being led up. In a work of the scope of Dombey and Son the narrator’s frequent mention of Mr. Carker’s white teeth might not become too repetitive and even help to identify and define the character, but in a short story the obsessive references to Mr. Slinkton’s parting are of a different calibre. In fact, Mr. Slinkton does not really come to life at all any more than his parting does.
In his failure to do so, however, he is sinning in the company of his niece – the one that is actually supposed to be alive, Margaret Niner, but who is just another of Dickens’s drab and passive female characters. Also Mr. Meltham, who has a major hand in hunting Slinkton down, readily sacrifices his life for the sake of cheap melodrama – because the woman he wanted to marry has died, and now that he brought down her murderer, his life is void of purpose, a drudge and burden for him and so on and so on … A few months after Mr. Slinkton’s downfall, Mr. Meltham passes away; in real life, he would probably have taken up golf, or married the other Miss Niner.
It’s quite obvious that when writing Hunted Down Dickens wanted to try his hand at what Wilkie Collins was good at, without, though, achieving Collins’s skills of creating interesting heroines and (relatively) believable plots.