El visionario del cómic de terror y pionero en el campo del color, Richard Corben, ha sido una voz de creatividad y cambio durante cuatro décadas. Por primera vez las legendarias historias cortas y las ilustraciones de portada de Corben aparecidas en Creepy y Eerie se recopilan en un tomo de lujo en tapa dura, y algunas de sus historias clásicas han sido escaneadas de nuevo desde las páginas originales para esta colección.
American illustrator and comic book artist best known for his comics featured in Heavy Metal magazine. He won the 2009 Spectrum Grand Master Award. In 2012 he was elected to the The Will Eisner Award Hall of Fame.
Richard Corben is a brilliant artist. Unfortunately, this is not a collection of his best work. Many of the pieces are from early in his career and the artwork is a bit rough. Having said that, there are some nice pieces included. For someone looking for a collection of definitive Corben artwork, you'll need to look elsewhere. However, this volume is a good source of early materia,l to compare against his later work.
This is a gift for Richard Corben fans. It collects all the stories he drew for Creepy and Eerie magazines in the 70s and early 80s. Some of them are just average (specially the scripts), but it's really amazing to witness the evolution of Corben's art during these years.
Highlights are his first experiments with color (specially the eye-popping "Likanklutz"), and the Poe adaptations.
Buena antología, mejor los de Eerie que los de creepy, tenemos un gran artista solo una compilación promedio. Los relatos adaptando los de Poe son soberbios, simplemente recomendable.
so many of these were sooo good and Corben's art style really is striking. not a 5 star read because i hate time travel and space, and also how unnecessarily pornographic some of the stories were?? why do all the women have the biggest tits imaginable and why are they always naked?? My favs: Child (made me literally cry) Forgive Us Our Trespasses (love a murderous priest) In Deep The Low Spark of High Heeled Noise (true ghost story) Bless Us Father (love the way it had multiple povs) The Believer (i love christmas!!)
Thank you Dark Horse for publishing this! What a wonderful edition of Corben's early works for Creepy and EErie. If you're a fan of Corben, this is a must-have... unless you're one of the lucky few to actually have the original issues of Creepy and Eerie... naw, that's not true, this book is worth having even if you DO have the originals.
Aunque por cuestiones de tiempo fue difícil, disfruté cada cuadro de esta maravillosa antología. 9 Meses se llevó lograrlo, pero valió la pena. Aquí encontramos historias de muchas ramas, principalmente enfocadas a una temática macabra; sin embargo, también encontramos relatos orientaos a una literatura Negra o Fantasía o Ciencia Ficción de la más ferrea escuela. Tenemos una variable del Frankenstein de Shelley, así como una historia salida de la mente de Hammett o Chandler dividida en tres partes. También, como hacía hincapié uno de estos días en mi cuenta de Facebook, leyendo este libro uno se dá cuenta de que la premisa de viajes en el tiempo, especialmente la utilizada en "Avatar" no es una idea tan original como parece. Ideas que se vienen planteando desde principios de los 70s, que ahora, se sienten igualmente clásicas y modernas al mismo tiempo.
No me queda otra cosa que hacer que el recomendarle altamente, especialmente a todos aquellos que aman como yo el género del terror, la Ciencia Ficción e incluso la Fantasía; y sobre todo, los comics y novelas gráficas en general. Maravilloso y nada aburrido. Siempre sorprendente. Insisto: fuertemente recomendado y muy ameno.
this is easily my favourite collection of comics ever, with a single dud (unprovoked attack on hilton hotel, personally a more holiday inn kinda guy myself) among every single perfect page not only did corben manage to inspire and cause me to mutter "oh mo dhiadh" under my breath like a farmer seeing two cattle riding for the first time with a seemingly different original technique, character design, completely far out colours within every story, but each tale is really cool too with with a usually either funny or upsetting ending personal highlights for me were pinball wizard !, within without you and you're a big girl now but honestly they're all unbelievable I unfortunately had to read this book online but if anyone could direct me to where I could buy an affordable physical copy in english I'd be amazingly gracious this book also contains the nicest pair of drawn tits I've ever seen on page 194
My favorite library has these Creepy/Eerie collections. They are all so amazing, and really informative for those of us who didn't grow up with a local comic book guy to school us on what's good and why. Corben had incredible style and a really amazing approach to shadow and color, this book lays out a progression of his unique style across years. Some of the stories themselves are clunkers, but that's what you're in for with this sort of anthology style comic storytelling. Despite this, every one of them is worth reading if just for the art. Normally I'd say colored comics are overrated but Corben really makes use of the form.
Realmente Corben no me parece tan bueno como para cuatro estrellas. A su dibujo le falta expresividad, todos los personajes me recuerdan al dibujo de La Cosa de Byrne - el personaje, no su magnifico trabajo en la serie -, y claro, cuando dibujas una "Cosa" tiene sentido, aquí no. Las historias, no obstante, con ese toque pulp y ese misterio a lo Twilight Zone son magníficas en muchos casos.
¿Por qué cuatro estrellas, pues? Por esas tardes en casa de mi tía Merche cultivando mi frikismo y devorando esas historias. Grandes recuerdos.
"Hasta el cuello", "En ti... sin ti" y algunas adaptaciones de relatos de Edgar Allan Poe ("El Cuervo", "El retrato ovalado", "Sombra") son lo más destacado de este recopilatorio. Otras historias complementan esta compilación, como "Licantorpe", "La tumba del terror", "Un odio palpable", "Niño", "Una mujer despechada", etc. Son relatos de corta duración aparecidos en las revistas Creepie y Eerie allá por los años 70's y 80's, y aunque algunas historias son entretenidas, bien es cierto que los guiones presentan altibajos.
I had fun reading CREEPY PRESENTS RICHARD CORBEN. The stories were alright, but the real deal here is seeing how this guy made such a buzz with his illustrations. His black and white work looks rad, but his style really shines (pardon the pun) when he shows light in full color doing odd, dramatic things. I read THE CROOKED MAN Hellboy story last year and just made a note to remember Corben. Cool stuff.
This volume includes each and every of the 40 illustrated tales that Corben contributed to Creepy (26) and Eerie (14) between 1970 and 1982. What's not to love? These collections by Dark Horse not only honor and celebrate the featured artist but also give the reader a nice sampling of both of these great magazines across a 12 year period. I'm fortunate that my library had this hardcover because it's not affordably available otherwise.
Corben is one of the undisputed masters of the comic art form. His use of color was, and still is, revolutionary. As far as storytelling goes, the Creepy and Eerie shorts could be hit or miss. They feel more "modern" and are less dense with text than the EC comics of the 50s; none of these stories are clunkers, and they're all entertaining, but Corben's artwork really elevates them above their pulp origins.
The storytelling is, of course, wildly uneven. But Corben is a legend for a reason. His style is always remarkable and these early offerings show why he remains a legend. I've seen some prior reproductions and Dark Horse's remastering of the original artwork is incredible. Along with the earlier Bernie Wrightson collection, this is an essential piece for a horror comics library.
I remember seeing Richard Corben’s artwork as a kid and being fascinated by it. Great collection of artwork and stories from Eerie and Creepy. Highly recommended.
Con Richard Corben solo hay dos opciones, o quejarte de la estética/fisionomia de su arte, o dejar que te fusile las pupilas y deje imagenes marcadas en tu cerebro. Yo soy de los segundos, a mi me encantan sus mujeres de curvas imposibles , colores detallados ,oscuros o su lapiz detallado a niveles demoniacos. Acá encuentro unas obras de lujo, historias que hizo para Eerie y Creepy, historias cortas de terror ,fantasía y mucho, TERROR.Me encantarón las historias de navidad, la de la mujer rata, la mascota Lovecraftina,la saga de los viajes en el tiempo, el hombre que lucha contra los tiburones...no, estoy equivocado. TODO ME ENCANTO. Es una edición preciosa, con una portada que la señora de la caja de la Libreria Nacional me vio algo asustada , pero no importa, el libro es una maravilla del noveno arte.
Reason for Reading: I used to love these horror story comic collections when I was a young teen and I believe I may have read some of this title's single issues but I am sketchy on which comics I did actually read, except of course "Tales from the Crypt", that I distinctly remember.
A fabulous collection of short horror stories from both Creepy and Eerie comic magazines. The stories were originally published through the years 1970-1982. They are both in black/white and in full colour, probably a fair representation of both are included. I must profess a preference for the black/white stories as the use of shadowing is much more terrifying, or at least creepy, to me than the bright redness of blood and gore when colour comes into play. Other reviewers talk about reading these original comics when they were 8,9,12 and while I see no problem with that as there are certain children who love to have the pants scared off them. My age recommendation is older because I am concerned about the hugely buxom women and eventually totally frontally naked women with a strategically placed object in the groin area. The violence is quite violent also and the stories pretty freaky. That said, they are a whole barrel of fun for the appropriate age group. I undoubtedly had a lot of fun with these eerie, creepy stories that compare to "Tales of the Crypt" or "Twilight Zone", if you've never read this kind of thing before. Richard Corben's art is delicious and he certainly deserves a collection of his own. It's a pleasure to read all these stories (some of which he did write) and find the same consistent quality artwork throughout. As to the quality of the stories, they vary. There are three well done retelling of Poe stories, near the end we have a couple of episodic stories which carry over for about three parts each and these were very good. There are stories about monsters, werewolves, madmen, serial killers, ghosts and plain old weirdos. I'll admit there were 2, I think, that I didn't "get", a couple that made me chuckle, and quite a few that made me think "sweet" at their unsettling endings. I don't particularly have a reason why but I did find myself enjoying the last half of the book containing the stories from the "Eerie" magazine better than the "Creepy" issues for some reason. A whole lot of fun and this volume is a good price, especially compared to the hefty price of the Creepy Presents Archive volumes. I'd love to collect these but price is definitely a factor for me and will drive me to the library, unless they come out with trades at half the price. But this special volume is priced to sell!