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Frankenstein Collected: The Collected Frankenstein Stories
Frankenstein Collected brings together in one volume the unedited 1818 edition of Frankenstein , as originally written by Mary Shelley, and the later re-edited 1831 edition. Together, these books influenced generations, helped start the science fiction genre, and are among the most thoughtful horror stories of all-time.
Also included in Frankenstein Collected is the play Presumption; or, the Fate of Frankenstein based on the original novel, a review of Frankenstein by Mary's husband Percy Shelley, and Mary's own thoughts on Presumption . Illustrations are included both from the original works and events from Mary's life.
Works included in Frankenstein Collected
Frankenstein; or, the Modern Prometheus (1818)
Frankenstein; or the Modern Prometheus (1831)
On Frankenstein; or the Modern Prometheus - a review by Mary's husband Percy Bysshe Shelley
Presumption; or, the Fate of Frankenstein - a play based on Frankenstein by Richard Brinsley Peake
On Presumption; or, the Fate of Frankenstein - Mary's thoughts on the play taken from a letter to Leigh Hunt
Background on Frankenstein from
Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797–1851) that tells the story of Victor Frankenstein, a young scientist who creates a grotesque but sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared on the second edition, published in France in 1823.
Shelley travelled through Europe in 1815 along the river Rhine in Germany, stopping in Gernsheim, 17 kilometers away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. Galvanism and occult ideas were topics of conversation among her companions, particularly her lover and future husband Percy B. Shelley. In 1816, Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley was inspired to write Frankenstein after imagining a scientist who created life and was horrified by what he had made.
Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states that the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results. The novel has had a considerable influence on literature and popular culture and spawned a complete genre of horror stories, films, and plays.
Since the novel's publication, the name "Frankenstein" has often been used to refer to the monster itself. This usage is sometimes considered erroneous, but usage commentators regard it as well-established and acceptable. In the novel, the monster is identified by words such as "creature", "monster", "demon", "wretch", "abortion", "fiend" and "it". Speaking to Victor Frankenstein, the wretch refers to himself as "the Adam of your labours", and elsewhere as someone who "would have [been] your Adam", but is instead "your fallen angel" (which ties to Lucifer in Paradise Lost , which the monster reads, and which relates to the disobedience of Prometheus in the book's subtitle).
Also included in Frankenstein Collected is the play Presumption; or, the Fate of Frankenstein based on the original novel, a review of Frankenstein by Mary's husband Percy Shelley, and Mary's own thoughts on Presumption . Illustrations are included both from the original works and events from Mary's life.
Works included in Frankenstein Collected
Frankenstein; or, the Modern Prometheus (1818)
Frankenstein; or the Modern Prometheus (1831)
On Frankenstein; or the Modern Prometheus - a review by Mary's husband Percy Bysshe Shelley
Presumption; or, the Fate of Frankenstein - a play based on Frankenstein by Richard Brinsley Peake
On Presumption; or, the Fate of Frankenstein - Mary's thoughts on the play taken from a letter to Leigh Hunt
Background on Frankenstein from
Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797–1851) that tells the story of Victor Frankenstein, a young scientist who creates a grotesque but sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared on the second edition, published in France in 1823.
Shelley travelled through Europe in 1815 along the river Rhine in Germany, stopping in Gernsheim, 17 kilometers away from Frankenstein Castle, where two centuries before, an alchemist engaged in experiments. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. Galvanism and occult ideas were topics of conversation among her companions, particularly her lover and future husband Percy B. Shelley. In 1816, Mary, Percy and Lord Byron had a competition to see who could write the best horror story. After thinking for days, Shelley was inspired to write Frankenstein after imagining a scientist who created life and was horrified by what he had made.
Though Frankenstein is infused with elements of the Gothic novel and the Romantic movement, Brian Aldiss has argued that it should be considered the first true science fiction story. In contrast to previous stories with fantastical elements resembling those of later science fiction, Aldiss states that the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results. The novel has had a considerable influence on literature and popular culture and spawned a complete genre of horror stories, films, and plays.
Since the novel's publication, the name "Frankenstein" has often been used to refer to the monster itself. This usage is sometimes considered erroneous, but usage commentators regard it as well-established and acceptable. In the novel, the monster is identified by words such as "creature", "monster", "demon", "wretch", "abortion", "fiend" and "it". Speaking to Victor Frankenstein, the wretch refers to himself as "the Adam of your labours", and elsewhere as someone who "would have [been] your Adam", but is instead "your fallen angel" (which ties to Lucifer in Paradise Lost , which the monster reads, and which relates to the disobedience of Prometheus in the book's subtitle).
492 pages, Kindle Edition
Published March 19, 2018
59 people are currently reading
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About the author
Mary Wollstonecraft Shelley
2,353 books8,653 followersMary Shelley (née Mary Wollstonecraft Godwin, often known as Mary Wollstonecraft Shelley) was an English novelist, short story writer, dramatist, essayist, biographer, travel writer, and editor of the works of her husband, Romantic poet and philosopher Percy Bysshe Shelley. She was the daughter of the political philosopher William Godwin and the writer, philosopher, and feminist Mary Wollstonecraft.
Mary Shelley was taken seriously as a writer in her own lifetime, though reviewers often missed the political edge to her novels. After her death, however, she was chiefly remembered only as the wife of Percy Bysshe Shelley and as the author of Frankenstein. It was not until 1989, when Emily Sunstein published her prizewinning biography Mary Shelley: Romance and Reality, that a full-length scholarly biography analyzing all of Shelley's letters, journals, and works within their historical context was published.
The well-meaning attempts of Mary Shelley's son and daughter-in-law to "Victorianise" her memory through the censoring of letters and biographical material contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in the later years of her life added to this impression.
The eclipse of Mary Shelley's reputation as a novelist and biographer meant that, until the last thirty years, most of her works remained out of print, obstructing a larger view of her achievement. She was seen as a one-novel author, if that. In recent decades, however, the republication of almost all her writings has stimulated a new recognition of its value. Her voracious reading habits and intensive study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's recognition of herself as an author has also been recognized; after Percy's death, she wrote about her authorial ambitions: "I think that I can maintain myself, and there is something inspiriting in the idea". Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.
Mary Shelley was taken seriously as a writer in her own lifetime, though reviewers often missed the political edge to her novels. After her death, however, she was chiefly remembered only as the wife of Percy Bysshe Shelley and as the author of Frankenstein. It was not until 1989, when Emily Sunstein published her prizewinning biography Mary Shelley: Romance and Reality, that a full-length scholarly biography analyzing all of Shelley's letters, journals, and works within their historical context was published.
The well-meaning attempts of Mary Shelley's son and daughter-in-law to "Victorianise" her memory through the censoring of letters and biographical material contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in the later years of her life added to this impression.
The eclipse of Mary Shelley's reputation as a novelist and biographer meant that, until the last thirty years, most of her works remained out of print, obstructing a larger view of her achievement. She was seen as a one-novel author, if that. In recent decades, however, the republication of almost all her writings has stimulated a new recognition of its value. Her voracious reading habits and intensive study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's recognition of herself as an author has also been recognized; after Percy's death, she wrote about her authorial ambitions: "I think that I can maintain myself, and there is something inspiriting in the idea". Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.
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Displaying 1 of 1 review
October 9, 2019
Thoroughly entertaining. I didn't realize how much modern Frankenstein monster deviates from its source material. I found the monster very compelling, and loved the way the narrative unfolded. I read the original 1817 version. I'm still not really sure what the difference is between this and the later versions. I read in a few places that the 1817 version is denser, filled with errors, and harsher in tone. I found it was a relatively quick, easy read, few errors, and tone to be consistent with the story. Anyway, a good October read.
Displaying 1 of 1 review