Beyond the First Draft by Laurel Yourke is the greatest novel revision guide bar none. I’ve been an editor for ten years now; I have learned more from this book than I learned in college classes and high-dollar conferences. The amount of knowledge in this book is worth ten times the retail price.
Yourke said, “Revision is even more important than talent, yet many novelists dread it. That's because they omit the ‘vision’ part.”
She genuinely wants writers to enjoy the revision process as much as they enjoy the writing process. I didn’t think revision could be this fun until I read her book. After each lesson, I felt excited to make revisions! Who would’ve thought that could even happen . . .
The foundation of Yourke’s teachings are built upon thesaurus syndrome versus deep revision. I’m sad to admit it, but even I’ve fallen prey to thesaurus syndrome, which is altering individual words instead of revising deeply. With deep revision, the writer will diagnose and strengthen characterization and plot. Once this clicks, you almost can’t help but to write a better novel.
I was so impressed by this book that I used it as a curriculum for the Yukon Writers’ Society (YWS) here in Oklahoma. As the organizer for YWS, I wanted my members to strive for greatness in their stories. I wanted them to understand what goes into an unforgettable novel. I am convinced that Beyond the First Draft has been the best thing to happen to YWS this year. Maybe even since I took over in 2017. We all learned so much—from beginner to advanced—and have been able to apply it to our stories. As a group, we soaked up Laurel’s teachings and applied them.
I highlighted so many paragraphs in this book too. I wrote notes in the margins and used sticky tabs for my favorite parts. This is a book you will come back to again and again. It also makes the perfect gift for a writer friend in your life.
My favorite lessons in Yourke’s book are:
—Abstract vs. Concrete Imagery
—Dilemmas
—The 4 Cs from Aristotle: 1) Characterization; 2) Credibility, 3) Causality, and 4) Coherence
—Inciting Incident
—Pressure Points
—Scene vs. Summary (this was life-changing for some of my members!)
—Sexy Syntax
Favorite Quotes:
“Instead of changing how or how often you revise, why not change your perception of the process? Revision isn’t a tedious cleanup after a lovely dinner; it’s the exciting culmination.”
“Why read a book on revising your novel? Because you love your characters.
So it can—and should be—an act of love.”
“Novels feel contrived when novelists insert mishap, luck, or talent as needed. Overnight rock star success can astound your protagonist, but never your readers. Nor should a contemporary deus ex machina, or divine intervention, rescue your helpless hero with a conveniently positioned ally or automatic machine gun.”
“Fiction creates the exquisite illusion of timelessness by maintaining the perfect pace.”
“Verbose, stiff, or impenetrable sentences don’t merely irritate—they bury the prose that evokes a small smile of price.”
“Unless you know exactly what you want to say, how beautifully can you say it?”
“Any word that can be a verb should be.”
“Verbs tease and tantalize. They dazzle, darken edges, and drizzle sensuality. Exercise them. Reduce flabby syntax. Better still, metaphorical verbs capture the complex, ephemeral nature of emotion.”
“Rhythm, variety, and echo orchestrate not just poetry, but prose. Some writers sense this intuitively: ‘That’s a pretty sentence!’”
Thank You
A very special thank-you to Laurel Yourke and her team for providing me with a copy of my new favorite book. I am indebted to you!
Five sparkling stars.