The main motto of the book could easily be "Do everything to get your happiness, because it's so hard to find and it's so fleeting"
This book (published in the year 2000) was heavily inspired by the trailblazing for its genre Forsyte saga, that came out between 1906-1921, and it SHOWS. Not to mention the amount of times the phenomenon of the Forsyte saga was addressed by one of the characters here, since they all live around the same time and work in the publishing house.
What I love about the
family saga genre
as a rule, and here in particular, is how unexpected and unpredictable it is. Yes, you can bet your money on the fact that everything will evolve around one - as a rule, rich - family for generations and that it'll be filled with DRAMA. Everything else is fair game and is everyone's guess. Except for the main character, in this case, Lady Celia Lytton, everyone can be killed off, suffer a disease, have a tragic accident and leave the plot of the book at any given moment.You never know, if the new character you meet will stay with you till the end or if it's just a supporting character. At certain point, even the main character can be disposed of, simply because the new generation is knocking on this door and is ready to rule the plot.
The author writes in a way, that doesn't seem judgmental to one's vices and favorable to the same vices in another person. There are no monsters and heroes here, simply people, who make mistakes, who live their lives, who suffer and find happiness depending on the situation they're in. You will easily love a character for doing A, and then hate the same character for doing B. Although, at times you would wish a little more subjectivity from the author, since all the heroes are flawed, yet every time they get away with it. I will say though, this story is more matriarchal: women tend to be the center of the story, and although the men play an important role, it's the women who run this book and have more "meat" to their stories.
The book is set from
1904 to 1920.
Because of that, the characters go through a lot of different situations, that change them, but also it shows how in the end, a lot of stuff stays the same. There would be a chapter, in which one year would pass, and during that time the character would get married, give birth to a child and be utterly unimpressed with it. And there would be MULTIPLE chapters depicting one problem or situation, that happens fairly quickly in time. This made me feel like a spectator or a family friend: getting letters or Instagram updates, only having a vague idea about their lives for years, and then coming to visit them and being present during some dramas, having first row seat to all the tea.
The book mentions certain historical facts all the time: the death of King Edward, Titanic, First World War, women's rights movement, influenza in the 1919/20, the rise of Coco Chanel, jazz music etc. Some of it was rather delicately mentioned, some of it was detrimental to the plot, but other times it was just there for the sake of being mentioned and didn't bring anything to the story. It was as if the author was doubting her ability to transport the reader 85 years in the past, so she peppered us with these little historical facts left and right. It got better near the end, but it almost stopped me from enjoying the book in the beginning.
A few words about Lady Celia Lytton, since she carried this first book on her back. Right from the start I got transfixed by her, because she demonstrated that she could have it all: aristocratic background, affinity to fashion and everything to do with high society, but she went against said society, married (what her parents considered 'beneath her station'), due to quite a scandal, the man she loved. She was ambitious and worked her way up in her husband's publishing house, achieved brilliant success, managed to also have children and combine everything. Yes, she had it easier due to her status, but nonetheless, it was a marvelous achievement in the early 1900s and 1910s. Now, other characters found her at times difficult to deal with, but they also admired her other times. But then, the thing that happens in all family sagas, happened here and it made me so angry at Celia, or the author, or I don't know who even.
SPOILER ALERT ❌❌❌❌❌❌
Celia meets a writer at work, she's transfixed by his looks, charisma and personality, they start a working relationships, which leads to flirtation and then an affair. Now, from the first pages of this book the author writes how Celia discovers of an arrangement between her parents, where he slept with every maid he could get his hands on and her mother had a lover. Celia is shocked, but her older sister jokingly tells her it's nothing out of the ordinary, since everyone does it and she will too, as soon as her marital relationship becomes unsatisfactory. Celia was genuinely horrified and told her sister she would never do it to her husband, and what a prophesy it was. Fast-forward over ten years of marriage, where everyone around her had an affair, since apparently it was a "class thing", and neither the author, nor some characters judge her for starting an affair. But while it was forgivable, even encouraged to have some fun, it was out of the question to ruin the status quo. In other words, as soon as Celia decided to leave her husband, even her supporters turned against said decision. At this point, I was rather rooting for her, whatever she wanted to do. I hate cheating in real life and in romance novels, but since it's neither, more power to you! Plus, I suspected (and was LATER right) that her husband had already cheated on her, so you know...
But then everything had to do with her emotional torture of making a decision: to leave or not to leave. She would find the courage to leave her husband, then change her mind, then find lost courage again, then change her mind again. It was exhausting to read, since frankly, I wasn't invested enough in either relationship to care. When I suddenly realized, that all that confusing back and forth took almost one third of the book, but happend during a month or more, while there were YEARS meshed together in one chapter, I got annoyed. Because really, who wants to read something so pathetic, when we could've had more action packed chapters, as it was in the beginning?
The epilogue to this book could serve as a logical end to the whole thing, but there are two more books. They'll deal more with the kids and their coming into the plot as their own people with set personalities, rather then simply accessories and plot devices in the first book. I already started book 2 and I'm enjoying it more, since I'm more invested in the characters. We saw them from their birth and through their childhood, so the emotional attachment is stronger, then with Celia.