Levin plunges into psychic depths to confront desire, fear and loss. These poems expand borders as her language strives toward transcendence. The life and work of post-minimalist sculptor Eva Hesse serves as a starting point, yet these poems extend far beyond ekphrasis in their imaginative renderings of Hesse’s life against the demands of her art. In exploring the persona’s struggle to create art, Levin’s poems engage the reader and connect us to the demands of work, marriage and the everyday.
Here's the intro paragraph to the review I've written that may appear in journals soon. "What do you know about Modernism? The Process Art Movement? How do you feel about Modern Art? You don’t have to answer to see that MY OCEANOGRAPHY is a collection of excellent poems, but it helps to know something just as it does to wear those headphones in a museum or visit a gallery with cognoscenti. Harriet Levin has written the poems about and in the voice of major 20th century artist/sculptor Eva Hesse. If you know Hesse’s biography and work, you’ll be hard pressed to detect artist from poet. If both are new to you, the twin experience will be a journey to depths."