"I am very much interested in abstraction in language, in pushing language to the point that it becomes fact itself rather than some intermediary or condition."—Lyn Hejinian
Written between November 20, 2000, and September 24, 2001, SLOWLY explores a longer breath than Hejinian's previous poetry, and a more variable, percussive rhythm than her previous prose. The distinction between Sentences and Lines; that which pitches a work towards poetry or secures it within prose, is more difficult here than before, and whatever it is, it stops. It backs up and picks a new direction: "A pelican becomes a cloud, a cloud becomes / a wire, a wire binds Shostakovitch to the stained wall / of a small room becoming this in other words that / becoming my decision And how!"
Lyn Hejinian (born May 17, 1941) is an American poet, essayist, translator and publisher. She is often associated with the Language poets and is well known for her landmark work My Life (Sun & Moon, 1987, original version Burning Deck, 1980), as well as her book of essays, The Language of Inquiry (University of California Press, 2000).
'There carefully by water momentarily a painter paints light but it must be on something briefly Light does not form to free us Light emotionally drifting forms faintly Light out of nowhere forms boldly It falls—on your face or mine On phrases between films On dialogue in frames Light is constructed in the way of things out of what and shadow out of what Light darts shadows back deeply But light and shadow are not things, they are furtively ways of things (things slightly)’ (p39)
Very different from “My Life” …. where “My Life” is based on loosely constructed memories, “Slowly” is rooted in existing deliberately in the present moment, and this allows for Hejinian’s language to be more fully formed, less refracted. Very beautiful work!
Slowly is a 43 page poem (with section breaks) best read in a single sitting.
The book details aspects of the everyday routine, but the narration quickly turns philosophical about most observations or tasks. There's a playfulness with words here as well. I feel like the book left me with impressions about not only time and language, but pigeons and Beethoven as well. I'm not sure how much more I got beyond impressions, but I enjoyed my time reading.