In these thirty-two stories, Dawson confirms and extends his mastery of a form he helped the projectivist tale, in which a heightened sensitivity of attention registers in hair’s-breadth detail not just physical realities but emotional events occurring in transformational, dreamlike, intuitional dimensions.
This may have been the book most responsible for me wanting to be a short story writer when I was young. Dawson's experiments in language and form blew my mind when I was in high school, and the ironic quality of his straight-forward work was great. It had a very serious, non-joking sort of irony that is rarely found today.