This thoroughly researched and detailed exploration of the life and work of Hildegard of Bingen is academic scholarship at its best but for the general reader, someone like me, perhaps a little inaccessible. It examines the music in such depth that much of it went over my head, and, more to the point perhaps, was of little relevance. This was not a fault of the book, which is an excellent one, I feel, but I was not the target audience, although I appreciated leaning more about the life. A book for serious music lovers, musicologists, teachers and students, and a valuable contribution to Hildegard scholarship.