I have read and reviewed Codename Lazarus and Spy Trap by AP Martin, both of them great books, focussing on historical aspects of WW2. Sentence of Death is a considerable shift into a new genre and I was very interested to see how AP would cope with the new challenges such a change would present. I have to say he did a masterful job. I loved that, as with his other books, he did his research - into location, setting, police procedures, and myriads of other little details that have to be absolutely right. The overall feel of this book is authentic and it is, therefore, a convincing crime thriller.
The opening chapters offer a somewhat quiet, though interesting, ground-setting and an introduction to the principal characters who seem to talk a lot about Wagner’s operas. The book jumps forward, however, during Olivia’s lunch with Caroline’s reporter daughter, and leaps into the stratosphere when we are suddenly made aware of why the author had been focussing so much on Wagner’s Ring Cycle. His use of the Ring as impetus for the killer’s MO is brilliantly creative. I loved it. These operas feature strongly throughout the book and I have to say, my interest in them has definitely been piqued. I found myself surfing the net to find out more about them.
An unusual feature of the book is the author’s use of multiple first person viewpoints. This is a difficult technique to handle but Martin makes an excellent job of it. I often come across reviewers who complain about ‘head-hopping’ or ‘shifting points of view’. They claim to be confused by that. I get rather irritated by that. Either they are not paying attention or just want people to know how aware they are of literary techniques. More and more modern writers, however, couldn’t care less about POVs so long as the reader is fed all the information they need and able to involve themselves more deeply with the characters. It may be that AP Martin might have to face such complaints in future reviews. I would urge him to ignore them. I loved getting into three heads.
Sentence of Death is an excellent debut mystery thriller. It is a fast read, intelligently written, with great characters, authentic locales, and the awe-inspiring grandeur of Wagner’s Der Ring des Nibelungen an ever-present influence on the story’s action. Great stuff. Well worth a read.