The TL;DR:
Worth reading? Yes.
Worth placing in the to-read-again pile? I don’t have any inclination to re-read this one.
Steamy? There is steam.
Romance? It’s missing something but I liked it enough to be happy for the HEA.
Did I feel like not finishing or throwing the book? No.
[I’ve attempted to keep myself in the realm of at most only referencing what the blurb says or implies, but a few things I mention below may get too close to spoiler for some.]
I’m sitting here writing this review and debating what all to say because the first thing in my thoughts after finishing the story isn’t what I expected to be thinking.
🤔 I liked the story.
It shocks me to say so not for the premise in any way but only because I did have some trouble with implementation. So much so I began writing notes for this review as early as ten percent in. But I’m struck a little by the small piece of contentment I have in finishing. Despite the troubles I had, I found satisfaction in the ending and HEA.
So, I’ll start off by saying I enjoyed the closeted athlete element brought to the story by Tyler. (Something I never thought I’d say about a book with a heavy sports angle. Lewis managed to pull me into the world of tennis. Bonus points in Serves favor.)
Tyler is a great character and I appreciated his struggle with being closeted, depression and anxiety.
As always, I loved Hidden Creek, and seeing even little glimpses of this setting is great in my opinion.
This story also brought the world stage into view through the tinted glasses of the profession tennis circuit. An element, as I mentioned before, I found entertaining.
Now for the part explaining my choice of three stars.
There are some things I would have liked to see (see being the keyword): more about Tyler’s depression and anxiety, more about -and from- Chip, and more of the important -connecting- moments standing center stage for a bit rather than stuffed into the sidelines where we only hear about it.
As a quick aside, I discovered a major dislike for the prologue style used here. An absolute first for me considering, until now, I’d never met a prologue I didn’t appreciate. But, lo and behold, I’m not a fan of dropping a major moment in the romance as the intro point. It’s a romance novel, if we’re reading, we know (or should) what we are getting. This kind of prologue offers nothing useful to setting the tone or establishing anything about the story or characters. It just tells us what we already know going in: it’s steamy.
For feeling satisfied in the ending, becoming engrossed in Taylor and Chip’s story did prove difficult. This romance feels rushed and it shouldn’t. It feels a little lackluster and, again, it shouldn’t. The pieces, and opportunities, are there but not always connected well.
It’s a little jarring.
There are a few notable moments where even a few extra lines in the right place could have bridged the gaps a beat before the story charged fulltilt on what instead comes off as misplaced momentum. In other places opportunities are missed to show the gravity or emotional intensity mentioned later.
So the resulting effect is not smooth.
And the pace early on is reckless to where it doesn't quite make sense.
For example, at what point does the EMT —who is supposed to be a headliner of this story—, of all people, show more than offhanded concern for the injuries of his love interest? Some caution? It feels out of character.
Also Taylor and Chip’s familiarity with each other sets in faster than it should based on what is established by the story itself. They give off a vibe of closeness and comfort with each other right away, though nothing really shows why or how this dynamic occurred between them so fast.
Insights into them that would have been useful in the beginning happen later instead. It feels misplaced and, as a result, lacks effect. There is nothing to show the build of their feelings or the why of how they evolve with the action in the story. We are told but not shown and it’s stark to me here.
And something else too. The sidelining of Chip. (Ironic, or perhaps an unintentional reflection of his part in being the love interest of a closeted athlete.) Is been wrestling with being unable to connect to Chip and after about 50% in it occurred to me...
Chip is a sidekick in his own romance story. It happens through missed opportunities to show how hard the hiding is for Chip, from Chips POV rather than hearing about it from Tyler, and even the lack of showing romance buildup from him.
We see more of the trials faced by a closeted athlete. Too a point. Even then we hear more about the tribulations than see them; so they lose a little of their effect.
I didn’t go through the tension, the highs, or the lows with Tyler and Chip because they happened behind the scenes. Everything center stage was good, apropos, and valid but missing some crucial connections to fully invest me in their romance.
A few extra things...
Grammar-wise the story could have used one more look through to catch a couple of minor instances where the speaker flips in odd places, confusing who the speaker is.
The constant drop of Chip’s age is irritating and beside the point. Sure his worldly inexperience should play a factor. But he is an adult. Reminding us of the age gap is pointless when it’s underutilized in the story itself. Give him an endearment, something to refer to either of them as instead of “the older man” “the younger man.” It’s not endearing. It’s flimsy and lacks any gravity whatsoever.
I also feel there were some missed opportunities surrounding Tyler’s depression.
We get why Tyler closets himself, stop repeating the spiel in lecture mode to Chip and let me see it. Let him see it.
And I think that illustrates my only real issue. What’s here is a good story, but unfinished and not shown nearly enough to fully engage me and give the gravity of the plot its due.
Overall I’m wary of further books by Lewis but curious nevertheless. And it doesn’t deter me from further books in the Hidden Creek series. I’ll continue on to the next and, perhaps, look into something else from Lewis at a later date.