This book was a wonderful read! Incredibly detailed and well-researched, spanning vastly different cultures and people, it had me hooked right from the first chapter. I read The Pumilio Child online, via ‘The Pigeonhole’, which offers authors – a lot of new voices - a platform for their work.
It's ironic to think I almost did not read this book! I did not particularly enjoy my last read on Pigeonhole, and was therefore not too keen to invest time in another book that might cause disappointment. I had decided to limit myself - at least for a while - to traditionally published books (which came with reasonable number of prior reviews).
Something about the theme of this book caught my attention though. ‘The Pumilio Child’ seemed to promise interesting peeks into the life and times of 14th-15th century China as well as Italy (and has been some time since I read anything close to historical fiction). I am glad I decided to give it a try – on the day the last installment was released, no less – because first time author Judy McInerney has done a splendid job of crafting an unputdownable page turner. It truly has been a long time since I stayed up till 2 in the night to finish a novel (given how precious my beauty sleep is to me)!
The story begins in China, with the privileged life of our young protagonist, Ya Ling, whose neatly planned out life is laid out in front of her, seemingly predictable in its luxury. Since this is a story spanning continents – of course her life doesn’t go as planned (read the book for details!) – and she ends up being shipped all the way to Italy. The narrative takes us believably through Ya Ling’s transformation from an impetuous, good-at-heart- but inconsiderate-at-times teenager to a mellow, compassionate and strong woman.
Along the way there are numerous characters, each adding their unique touch to the canvas, all exhibiting various shades of grey. The characters are well developed - no one character is entirely good or entirely bad; they have all been given flexibility to learn and grow throughout the story.
I enjoyed the fact that McInerney did not waste words on lengthy descriptions of places and things, which she well could have, given the various settings she has used. She has managed to convey succinctly the essence of each backdrop, while sustaining focus on the people and the story arc.
Also worth noting is that the author has taken care not to let the book devolve into a spiral of doom and gloom. This is significant because of the heavy and often dark themes the story deals with. McInerney has managed to intersperse dark episodes with casual human interactions and intelligent, observant wit.
Another interesting point regarding this book is that the character of the painter Andrea Mantegna is based on the actual painter Mantegna, who lived in 15th century Italy. However, his life has been fictionalized for the purpose of this story, as McInerney has taken pains to emphasize.
Various references to Mantegna’s real life paintings and frescoes are interwoven into the story. Mantegna’s Mantuan masterpiece, known today as ‘Camera degli Sposi’ is central to the latter part of the story. Towards the end of the book, details of individual characters featured in the paintings of the ‘Camera’ are discussed in the story (I will not reveal any more, to steer clear of any spoilers). Here, I feel strongly that including pictures of the real ‘Camera’ augmenting the text would add to the reading experience and bring the entire narrative to life (I relied on Google-image-search while I was reading this part of the book).
Regarding the format of the book, Pigeonhole has an interesting feature of allowing comments and discussions from readers to run alongside the book’s text. While this can sometimes be distracting (and can even include spoilers with some eager readers front-running the narrative), in this particular case, it was quite useful.
Input from readers familiar with the background and culture of people and places dealt with in the story, helped put the narrative in perspective. It would be great if some of the factual inputs from these comments could be included as footnotes to the text wherever relevant (if the book does go through another round of editing-and-publishing). It adds value and depth to the story, which a reader might miss if he or she does not already know certain historical facts / cultural practices.
The only (minor) quibble I might have with the story is regarding a certain emotional reunion in the later part of the book. Given McInerney’s subtlety throughout the book in how she portrays a variety of circumstances, I might have expected the treatment of this episode to have been a touch more realistic – subdued and gradual as opposed to dramatic and instantaneous. However, this minor nitpicking aside, I found the writing to be wonderfully balanced and relatable. It would be unfair to complain, since the writing, on the whole, has been characterized by extremely believable people, their circumstances and reactions.
Oh, and as the last note: I did not know what ‘Pumilio’ meant before reading this book. I did try asking Google about it, but I did not get any relevant results. Which is a good thing. It is definitely more rewarding to read the book without a knowing, and allow the writer to educate you.
Overall, I would definitely recommend this book to anyone interested in authentic depictions of cultures and people from half a millennium ago, along with strong characters and a solid story arc. And I would be quite keen to read anything else from the same author in the future.