Questo libro attraversa i cieli stellati della mitologia antica, e prosegue il proprio cammino soffermandosi a Tebe, in Beozia: qui la futura madre di Eracle, AIcmena, soffre doglie terribili, finché una fanciulla non riesce a ingannare le nemiche della partoriente e a permettere la nascita dell'eroe. Solo che la liberatrice di Alcmena, rea di aver sconfitto la divinità, viene trasformata in una donnola. Perche proprio in una donnola? Per rispondere a questa domanda Maurizio Bettini compie un viaggio attraverso i mondi dei racconti e delle credenze antiche sugli animali: per scoprire che queste ultime costituiscono non una collezione di incomprensibili bizzarrie, ma una vera e propria enciclopedia simbolica che aiutava a «pensare» la realtà umana attraverso le figurazioni di una fantasia millenaria. Seguendo le tracce leggere della donnola - animale dal corpo sottile, soggetto di infinite storie, nomi, credenze che spesso la ricollegano al mondo femminile - Nascere, che è insieme racconto ed esplicita riflessione di metodo, viene popolandosi man mano di streghe, levatrici, prostitute, spose mancate e spose infelici, conducendo il lettore dalla Grecia antica a Roma, dall'lrlanda medievale alla Scozia, e su su fino alla Scandinavia e al North Carolina degli inizi di inizio Novecento. Il racconto di Alcmena, storia femminile per eccellenza, ha varcato secoli e oceani per riproporre intatti i medesimi contenuti, le speranze e i timori di uno dei momenti centrali nell'esperienza femminile.
Maurizio Bettini (1947), classicista e scrittore, insegna Filologia classica all'Università di Siena. Autore di saggi di argomento filologico, metrico e linguistico, i suoi interessi vertono soprattutto sulla antropologia del mondo antico, disciplina a cui ha dedicato svariati volumi. A Siena ha fondato, assieme ad altri studiosi, il Centro "Antropologia e Mondo antico", di cui è direttore. È autore di romanzi e racconti e collabora alle pagine culturali di "la Repubblica".
WEASELS. WEASELS. THIS ITALIAN MAN REALLY WROTE 200+ PAGES ON WEASELS.
I read and took 16 pages notes on this entire book today (or... yeasterday). I should have started and finished it a while ago but it's done. I'm shaking. I've been sipping tea that I used mircowave water for hours ago and ate my soondubu dinner. I haven't stayed so late at the Library since my freshman year.
This book was an absolute joy (stunning translation work too). The writing is AMAZING. I have never known any academic work to use so many metaphors (Relating the mythos surrounding weasels as a Folia (of music) and then refering to the weasel as a constant leitmoteif! Whoa!). I imagine this book was a labor of love but the author clearly had fun putting it together.
Bettini has the sweetest concluding paragraph. "With this we must bid farewell to our Rescuer. In the Conclusion of the book, we will see other variants of Alcmene’s story that turn up unexpect-edly in far distant lands. These variants are so similar to the stories that we have already seen that we will have no trouble at all recognizing the notes of La Folia; but the weasel will not be there. Our mischievous little animal now exits stage right, leaving only humans to play the Rescuer—but it will still seem to us that we see it from time to time, slipping out from under the bed of the Woman in Labor."
Also, I was shocked to discover this book was written by a 70 year-old man. I honestly think this is the first time I've read anything that could be shelved in the "women's studies" section that wasn't written by a woman.
Wow. This book is ... so much more than it seems. So much more than the title suggests. My head is so filled with knowledge and also tangents I want to research further.
Book content warnings: cissexist/lesbophobic text goes into the really misogynistic mindset of the times
The first thing you have to know if you're interested in reading this book is that it's extremely academic! The language, the information, etc. It's all tailored to a scholarly audience. I think it took me about thirty minutes to read 5 pages and retain all the info.
The book is centered around one myth: the myth of Alcmene's birth to Heracles/Hercules (I'm not really versed in Greek Mythology; sorry if this site isn't completely trustworthy). The basic story goes that Zeus got Alcmene pregnant (with Heracles), and he announced to everyone that Alcmene would give birth that day to a son who would rule everyone around him. Jealous Hera tried to prevent Alcmene from giving birth until the next day (thus changing Zeus's "prediction"), but a weasel - or a woman named Galanthis/Galanthias tricks her or her "minions", so that Alcmene does indeed give birth to Heracles on the announced day (and Galanthis/Galanthias is punished by being turned into a weasel).
Whew. Greek myths are ... weird like that. There are so many different versions and variations on one single core story. Which is why there can be one huge, academic text on one single myth!
This book goes into the roles of each character in the myth, how women were treated in Ancient Greece, how weasels were seen and regarded back then, and how the role of midwives and midwifery has changed throughout the years. - And this is just the VERY tip of the iceberg. I can't even tell you how in-depth this book gets.
If you're interested either in weasels or the way women were treated in ancient Greek or Roman cultures -- or even in midwifery, this book is a definite must read. But you have to devote a ton of time to it.
Interesting, but clearly meant for a scholarly audience. Was a little more detailed than I was looking for, and it also seemed to kind of lose focus at points. Still, a lot of the information was cool to learn about.
Quirky, brilliant and educational. Worth getting ahold of (not so easy).
The author knows alot about childbirth, weasels, women, nurse-midwives, lay midwives , Greek and Roman mythology, and cultural attitudes around women and birth.
HOW I LOVE LA MITOLOGIA GRECA!!! ovviamente era un libro per un esame ma mi sono divertita a leggerlo (tranne i passaggi sporadici in cui mi veniva voglia di spararmi perchè divagava troppo)