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Greenglass House #1
Дом из зелёного стекла
Главный герой - двенадцатилетний Майло Пайн, приемный сын хозяев постоялого двора в Нагспике, городе контрабандистов. Заведение с названием "Дом из зелёного стекла" располагается в огромной обветшавшей усадьбе, которая выглядит так, будто её наспех слепили из плохо сочетающихся друг с другом домов, собранных в дюжине разных городов.
В самом начале рождественских каникул гостиница обычно пустует, поэтому Майло надеется как следует отдохнуть. Но тишину первой же морозной ночи нарушает настойчивый звон колокольчика. И один за другим в гостиницу заселяются пятеро постояльцев. Появление каждого из них окутано некой тайной, которая оказывается переплетена с историей "Дома из зелёного стекла". Озадачивает Майло и его случайная находка - фрагмент навигационной карты. А знакомство с Мэдди, младшей дочерью кухарки, подстёгивает юношу начать детективную игру, цель которой - выяснить, зачем приехали все эти люди и куда ведёт эта странная карта. Он ещё не знает, какая нелегкая задача ему...
В самом начале рождественских каникул гостиница обычно пустует, поэтому Майло надеется как следует отдохнуть. Но тишину первой же морозной ночи нарушает настойчивый звон колокольчика. И один за другим в гостиницу заселяются пятеро постояльцев. Появление каждого из них окутано некой тайной, которая оказывается переплетена с историей "Дома из зелёного стекла". Озадачивает Майло и его случайная находка - фрагмент навигационной карты. А знакомство с Мэдди, младшей дочерью кухарки, подстёгивает юношу начать детективную игру, цель которой - выяснить, зачем приехали все эти люди и куда ведёт эта странная карта. Он ещё не знает, какая нелегкая задача ему...
496 pages, Hardcover
First published August 26, 2014
About the author
Kate Milford
16 books1,184 followersKate is the author of THE THIEF KNOT, GREENGLASS HOUSE, GHOSTS OF GREENGLASS HOUSE, BLUECROWNE, THE LEFT-HANDED FATE, THE BONESHAKER, THE BROKEN LANDS, THE KAIROS MECHANISM, and the forthcoming THE RACONTEUR'S COMMONPLACE BOOK (February 2021).
Originally from Annapolis, MD, Kate now lives in Brooklyn, NY with her husband Nathan and son Griffin and their dogs, Ed and Sprocket. She has written for stage and screen and is a frequent travel columnist for the Nagspeake Board of Tourism and Culture (www.nagspeake.com).
Originally from Annapolis, MD, Kate now lives in Brooklyn, NY with her husband Nathan and son Griffin and their dogs, Ed and Sprocket. She has written for stage and screen and is a frequent travel columnist for the Nagspeake Board of Tourism and Culture (www.nagspeake.com).
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Displaying 1 - 30 of 4,721 reviews
April 20, 2014
When I was a kid I had a real and abiding love of Agatha Christie. This would be around the time when I was ten or eleven. It wasn’t that I was rejecting the mysteries of the children’s book world. I just didn’t have a lot to choose from there. Aside from The Westing Game or supernatural ghostly mysteries sold as Apple paperbacks through the Scholastic Book Fair, my choices were few and far between. Kids today have it better, but not by much. Though the Edgar Awards for best mystery fiction do dedicate an award for young people’s literature, the number of honestly good mystery novels for the 9-12 set you encounter in a given year is minimal. When you find one that’s really extraordinary you want to hold onto it. And when it’s Kate Milford doing the writing, there’s nothing for it but to enjoy the ride. A raconteur’s delight with a story that’ll keep ‘em guessing, this is one title you won’t want to miss.
It was supposed to be winter vacation. Though Milo’s parents run an inn with a clientele that tends to include more than your average number of smugglers, he can always count on winter vacation to be bereft of guests. Yet in spite of the awful icy weather, a guest appears. Then another. Then two more. All told more than five guests appear with flimsy excuses for their arrival. Some seem to know one another. Others act suspiciously. And when thefts start to take place, Milo and his new friend Meddy decide to turn detective. Yet even as they unravel clues about their strange clientele there are always new ones to take their places. Someone is sabotaging the Greenglass House but it’s the kids who will unmask the culprit.
To my mind, Milford has a talent that few authors can boast; She breaks unspoken rules. Rules that have been dutifully followed by children’s authors for years on end. And in breaking them, she creates stronger books. Greenglass House is just the latest example. To my mind, three rules are broken here. Rule #1: Children’s books must mostly be about children. Adults are peripheral to the action. Rule #2: Time periods are not liquid. You cannot switch between them willy-nilly. Rule #3: Parents must be out of the picture. Kill ‘em off or kidnap them or make them negligent/evil but by all means get rid of them! To each of these, Milford thumbs her proverbial nose.
Let’s look at Rule #1 first. It is worth noting that with the exception of our two young heroes, the bulk of the story focuses on adults with adult problems. It has been said (by me, so take this with a grain of salt) that by and large the way most authors chose to write about adults for children is to turn them into small furry animals (Redwall, etc.). There is, however, another way. If you have a small innocuous child running hither and thither, gathering evidence and spying all the while, then you can talk about grown-ups for long periods of time and few child readers are the wiser. If I keep mentioning The Westing Game it’s because Ellen Raskin did very much what Milford is doing here, and ended up with a classic children’s book in the process. So there’s certainly a precedent.
On to Rule #2. One of the remarkable things about Kate Milford as a writer is that she can set a book in the present day (there is a mention of televisions in this book, so we can at least assume it’s relatively recent) and then go and fill it with archaic, wonderful, outdated technology. A kind of alternate contemporary steampunk, if there is such a thing. In an era of electronic doodads, child readers are going to really get a kick out of a book where mysterious rusted keys, old doorways, ancient lamps, stained green glass windows, and other old timey elements give the book a distinctive flavor.
Finally, Rule #3. This was the most remarkable of choices on Milford’s part, and I kept reading to book to find out how she’d get away with it. Milo’s parents are an active part of his life. They clearly care for him, periodically checking up on his throughout the story, but never interfering with his investigations. Since the book is entirely set in the Greenglass House, it has the feel of a stage play (which, by the way, it would adapt to BRILLIANTLY). That means you're constantly running into mom and dad, but they don't feel like they're hovering. This is partly aided by the fact that they’re incredibly busy. So, in a way, Milford has discovered a way of removing parental involvement without removing parental care. The kids are free to explore and solve crimes and the adult gatekeepers reading this book are comforted by the family situation. A rarity if ever there was one.
But behind all the clues and ghost stories and thefts and lies what Greenglass House really is is the story of a hero’s journey. Milo starts out a soft-spoken kiddo with little faith in his own abilities. Donning the mantle of a kind of Dungeons & Dragons type character named Negret, he taps into a strength that he might otherwise not known he even had. There is a moment in the book when Milo starts acting with more confidence and actually thinks to himself, “And I didn’t even have to use Negret’s Irresistible Blandishment . . . I just did it.” Milo’s slow awakening to his own strengths and abilities is the heart of the novel. For all that people will discuss the mystery and the clues, it’s Milo that holds everything together.
Much of his personality is embedded in his identity as an adopted kid too. I love the mention of “orphan magic” that Milford makes at one point. It’s the idea that when something is sundered from its attachments it becomes more powerful in the process. At no point does Milford ever downplay the importance of the fact that Milo is adopted. It isn’t a casual fact that’s thrown in there and then forgotten. For Milo, the fact that he was adopted is part of who he is as a person. And coming to terms with that is part of his journey as well. Little wonder that he gathers such comfort from learning about orphan magic and its potential.
I’m looking at my notes about this book and I see I’ve written down little random facts that don’t really fit in with this review. Things like, “I did wonder if Milo’s name was a kind of unspoken homage to the Milo of The Phantom Tollbooth. And, “The book’s attitude towards smuggling is not all that different from, say, Danny Champion of the World’s attitude towards poaching.” And, “I love the vocabulary at work here. Raconteur. Puissance.” There is a lot a person can say about this book. I should note that there is a twist that a couple kids may see coming. It is, however, a fair twist and one that doesn’t cheat before you get to it. For the most part, Milford does a divine job at writing a darned good mystery without sacrificing character development and deeper truths. A great grand book for those kiddos who like reading books that make them feel smart. Fun fun fun fun fun.
For ages 9-14.
It was supposed to be winter vacation. Though Milo’s parents run an inn with a clientele that tends to include more than your average number of smugglers, he can always count on winter vacation to be bereft of guests. Yet in spite of the awful icy weather, a guest appears. Then another. Then two more. All told more than five guests appear with flimsy excuses for their arrival. Some seem to know one another. Others act suspiciously. And when thefts start to take place, Milo and his new friend Meddy decide to turn detective. Yet even as they unravel clues about their strange clientele there are always new ones to take their places. Someone is sabotaging the Greenglass House but it’s the kids who will unmask the culprit.
To my mind, Milford has a talent that few authors can boast; She breaks unspoken rules. Rules that have been dutifully followed by children’s authors for years on end. And in breaking them, she creates stronger books. Greenglass House is just the latest example. To my mind, three rules are broken here. Rule #1: Children’s books must mostly be about children. Adults are peripheral to the action. Rule #2: Time periods are not liquid. You cannot switch between them willy-nilly. Rule #3: Parents must be out of the picture. Kill ‘em off or kidnap them or make them negligent/evil but by all means get rid of them! To each of these, Milford thumbs her proverbial nose.
Let’s look at Rule #1 first. It is worth noting that with the exception of our two young heroes, the bulk of the story focuses on adults with adult problems. It has been said (by me, so take this with a grain of salt) that by and large the way most authors chose to write about adults for children is to turn them into small furry animals (Redwall, etc.). There is, however, another way. If you have a small innocuous child running hither and thither, gathering evidence and spying all the while, then you can talk about grown-ups for long periods of time and few child readers are the wiser. If I keep mentioning The Westing Game it’s because Ellen Raskin did very much what Milford is doing here, and ended up with a classic children’s book in the process. So there’s certainly a precedent.
On to Rule #2. One of the remarkable things about Kate Milford as a writer is that she can set a book in the present day (there is a mention of televisions in this book, so we can at least assume it’s relatively recent) and then go and fill it with archaic, wonderful, outdated technology. A kind of alternate contemporary steampunk, if there is such a thing. In an era of electronic doodads, child readers are going to really get a kick out of a book where mysterious rusted keys, old doorways, ancient lamps, stained green glass windows, and other old timey elements give the book a distinctive flavor.
Finally, Rule #3. This was the most remarkable of choices on Milford’s part, and I kept reading to book to find out how she’d get away with it. Milo’s parents are an active part of his life. They clearly care for him, periodically checking up on his throughout the story, but never interfering with his investigations. Since the book is entirely set in the Greenglass House, it has the feel of a stage play (which, by the way, it would adapt to BRILLIANTLY). That means you're constantly running into mom and dad, but they don't feel like they're hovering. This is partly aided by the fact that they’re incredibly busy. So, in a way, Milford has discovered a way of removing parental involvement without removing parental care. The kids are free to explore and solve crimes and the adult gatekeepers reading this book are comforted by the family situation. A rarity if ever there was one.
But behind all the clues and ghost stories and thefts and lies what Greenglass House really is is the story of a hero’s journey. Milo starts out a soft-spoken kiddo with little faith in his own abilities. Donning the mantle of a kind of Dungeons & Dragons type character named Negret, he taps into a strength that he might otherwise not known he even had. There is a moment in the book when Milo starts acting with more confidence and actually thinks to himself, “And I didn’t even have to use Negret’s Irresistible Blandishment . . . I just did it.” Milo’s slow awakening to his own strengths and abilities is the heart of the novel. For all that people will discuss the mystery and the clues, it’s Milo that holds everything together.
Much of his personality is embedded in his identity as an adopted kid too. I love the mention of “orphan magic” that Milford makes at one point. It’s the idea that when something is sundered from its attachments it becomes more powerful in the process. At no point does Milford ever downplay the importance of the fact that Milo is adopted. It isn’t a casual fact that’s thrown in there and then forgotten. For Milo, the fact that he was adopted is part of who he is as a person. And coming to terms with that is part of his journey as well. Little wonder that he gathers such comfort from learning about orphan magic and its potential.
I’m looking at my notes about this book and I see I’ve written down little random facts that don’t really fit in with this review. Things like, “I did wonder if Milo’s name was a kind of unspoken homage to the Milo of The Phantom Tollbooth. And, “The book’s attitude towards smuggling is not all that different from, say, Danny Champion of the World’s attitude towards poaching.” And, “I love the vocabulary at work here. Raconteur. Puissance.” There is a lot a person can say about this book. I should note that there is a twist that a couple kids may see coming. It is, however, a fair twist and one that doesn’t cheat before you get to it. For the most part, Milford does a divine job at writing a darned good mystery without sacrificing character development and deeper truths. A great grand book for those kiddos who like reading books that make them feel smart. Fun fun fun fun fun.
For ages 9-14.
December 25, 2015
A mostly-fun adventure/mystery story geared for young readers but captivating enough for adults. I would recommend reading it during winter as it oozes with great imagery of snow drifts, fire places, creepy hotel hallways, dazzling windows and more. Intermixed between the mystery are interludes of heartfelt emotion regarding adoption. Sometimes the story loses focus and becomes distracted, but quickly gets back on pace. There are a LOT of characters, many of which never develop well enough to have any mental picture of them. Still, the writing is good and kept me turning the pages.
December 3, 2014
There was never any question in my mind that this would turn out to be a five-star review (once I started reading, at any rate). It's not that the book is atmospheric. It is, and strongly so. And it's not that the characters are immediately and intensely engaging. They are, and without stretching or warping. And it's not the flirtation with archetype, pastiche, and homage in the setup with smugglers, customs agents, and a company town. Though it does a fantastic job of both presenting them and reigning them in to a story you can nevertheless lose yourself in.
No, the power (for me) of this book is Milo and his parents. Their shared love and openheartedness show clearly on every page, but positively shine in Milo's interactions with the guests. He resents their intrusion on his vacation, but he's still kind and giving—while still remaining a believably twelve year-old kid. I loved his flourishing as Meddy encourages him to stretch with their roleplaying game. I loved how he experimented, safely, with identity and capability and story. And I loved how his parents supported and trusted him in his exploration and investigations.
But the book stuck the needle at the end of its five stars with Milo's haltingly conceived Christmas gifts. The beauty of those moments was powerful and moving and I'm tearing up again just remembering them. They were idealistic (as from a kid), thoughtful (as befits an emerging adult), brave (as from a truly open heart), and humble (as from someone learning his place in his world). Those moments touched me, and not least in Milo's parents' calm, stolid support.
Add in a handful of laugh-out-loud moments and you have a book I'm sure I'll be thinking about at odd moments for the next months. This was truly a fantastic read, entertaining, touching, and valued. I'm thinking our holiday budget might just extend to picking up a copy of our very own (as this one came from the local library).
No, the power (for me) of this book is Milo and his parents. Their shared love and openheartedness show clearly on every page, but positively shine in Milo's interactions with the guests. He resents their intrusion on his vacation, but he's still kind and giving—while still remaining a believably twelve year-old kid. I loved his flourishing as Meddy encourages him to stretch with their roleplaying game. I loved how he experimented, safely, with identity and capability and story. And I loved how his parents supported and trusted him in his exploration and investigations.
But the book stuck the needle at the end of its five stars with Milo's haltingly conceived Christmas gifts. The beauty of those moments was powerful and moving and I'm tearing up again just remembering them. They were idealistic (as from a kid), thoughtful (as befits an emerging adult), brave (as from a truly open heart), and humble (as from someone learning his place in his world). Those moments touched me, and not least in Milo's parents' calm, stolid support.
Add in a handful of laugh-out-loud moments and you have a book I'm sure I'll be thinking about at odd moments for the next months. This was truly a fantastic read, entertaining, touching, and valued. I'm thinking our holiday budget might just extend to picking up a copy of our very own (as this one came from the local library).
May 9, 2022
Finished the book a few minutes ago. It was near perfect. It rivalled the best books I've ever read. I daresay that Greenglass House is better than most Harry Potter books. It was a wonderful read. What is funny is that I am - even now - lacking words to praise this magical book.
I cannot sit still writing this review. Saying this book is grimdark would not be true, but even if it were to be so, it is so much more than that. This book is a historical fiction, a Fantasy, a book about riddles and mysteries, a book about magic, a book about loneliness, a book about Christmas and friendship and kinship.
I now realise why I stopped writing longer reviews at various points on this site. It is because at these points, a few monumentally superb books came along, and sapped my synapses' ability to be teeming with ideas to share. I will try to be verbose just a while before contemplating the sequel, which might be just equal in terms of Epicurean currencies, to its predecessor.
I have also to deal with the sneaky suspicion that the book affected me in this way and placing me in a crowd of minority. It seems like this book affected me strongly because it was compatible with me. There is no Greenglass.com, AFAIK. There is no fanfic around this series. Though I am not sure of the veracity of these statements I am sure you know what I am hinting at. Let us proceed.
The book is set in the real world but with magic just round the corner. It reminds me of witches and wizards forgetting their spells, of Rapunzels never being rescued. Of Griffins dying out, of dragons' bones being mistaken for dinosaurs. Of magic carpets and lamps staying in their caves forever. The book reminds me of the first human to turn 80, lifting his eyes to the sun that now did not seem so shiny new anymore.
Kate Milford would do amazingly well if the sequel is as good as book 1. Greenglass house has a Chinese main character, and the jade like name for the book is no coincidence. I think that there is only one way book 2 would be as good as book 1, and that if the author has deeply thought about it before sending book 1 to her editor.
Finally I am concluding by not promising if this book will strike a similar chord with others. This is a book about children having an adventure, but does it make the book for children? I think so, because the adults, especially the latecomers and the parents of the MC, are barely detailed. This is a discrepancy just because I myself am an adult. And maybe therein lies its lack of catching fire for the larger reading community. Harry Potter was a success because it had people of all ages sharing space. Here I think the book is not set in its time enough for it to please most. I don't think it is always the timeless books that gain notoriety and immortality. It is the carved wooden figure that becomes a more valuable chess piece, not a plastic nor the ivory ones. It is the Vinyl records that have greater shelf life, not the gramophones nor the laser discs.
I cannot sit still writing this review. Saying this book is grimdark would not be true, but even if it were to be so, it is so much more than that. This book is a historical fiction, a Fantasy, a book about riddles and mysteries, a book about magic, a book about loneliness, a book about Christmas and friendship and kinship.
I now realise why I stopped writing longer reviews at various points on this site. It is because at these points, a few monumentally superb books came along, and sapped my synapses' ability to be teeming with ideas to share. I will try to be verbose just a while before contemplating the sequel, which might be just equal in terms of Epicurean currencies, to its predecessor.
I have also to deal with the sneaky suspicion that the book affected me in this way and placing me in a crowd of minority. It seems like this book affected me strongly because it was compatible with me. There is no Greenglass.com, AFAIK. There is no fanfic around this series. Though I am not sure of the veracity of these statements I am sure you know what I am hinting at. Let us proceed.
The book is set in the real world but with magic just round the corner. It reminds me of witches and wizards forgetting their spells, of Rapunzels never being rescued. Of Griffins dying out, of dragons' bones being mistaken for dinosaurs. Of magic carpets and lamps staying in their caves forever. The book reminds me of the first human to turn 80, lifting his eyes to the sun that now did not seem so shiny new anymore.
Kate Milford would do amazingly well if the sequel is as good as book 1. Greenglass house has a Chinese main character, and the jade like name for the book is no coincidence. I think that there is only one way book 2 would be as good as book 1, and that if the author has deeply thought about it before sending book 1 to her editor.
Finally I am concluding by not promising if this book will strike a similar chord with others. This is a book about children having an adventure, but does it make the book for children? I think so, because the adults, especially the latecomers and the parents of the MC, are barely detailed. This is a discrepancy just because I myself am an adult. And maybe therein lies its lack of catching fire for the larger reading community. Harry Potter was a success because it had people of all ages sharing space. Here I think the book is not set in its time enough for it to please most. I don't think it is always the timeless books that gain notoriety and immortality. It is the carved wooden figure that becomes a more valuable chess piece, not a plastic nor the ivory ones. It is the Vinyl records that have greater shelf life, not the gramophones nor the laser discs.
Read
January 23, 2024DNF @ 51%
can’t tell if it’s the book, or me🫨 may revisit in the future!
can’t tell if it’s the book, or me🫨 may revisit in the future!
May 13, 2020
I wish I read this during Christmastime because this was a perfectly atmospheric wintery read!
Milo is excited that it's Christmas break. Not only does he get school off, but he lives at the Greenglass House - an inn where it's very quiet over Christmas. That's why it's highly unusual why a load of strangers would check in when it's supposed to be dead. Then, things start to go missing, and stories about the Greenglass House and its history begins to circulate. There's a mystery afoot and it's going to take Milo to some unexpected places.
I loved this book. I'm so glad I finally listened to Lexi who simply adores this book. I see why - the cosy atmosphere in this is infectious due to the well-written prose. I really wanted to curl up with a hot chocolate and read this well into the night. I would recommend reading this more closer to Christmas though as this really put me in the mood for the festive season.
Milo is excited that it's Christmas break. Not only does he get school off, but he lives at the Greenglass House - an inn where it's very quiet over Christmas. That's why it's highly unusual why a load of strangers would check in when it's supposed to be dead. Then, things start to go missing, and stories about the Greenglass House and its history begins to circulate. There's a mystery afoot and it's going to take Milo to some unexpected places.
I loved this book. I'm so glad I finally listened to Lexi who simply adores this book. I see why - the cosy atmosphere in this is infectious due to the well-written prose. I really wanted to curl up with a hot chocolate and read this well into the night. I would recommend reading this more closer to Christmas though as this really put me in the mood for the festive season.
December 31, 2013
I wish Greenglass House was a real place!
February 4, 2024
I read Greenglass House on the recommendation of my 10-year-old cousin. He said it was great!! I don't personally share his enthusiasm for the book but it wasn't horrible.
I obviously somewhat enjoyed it having finished it, at 400 pages there was plenty of opportunity to quit, but the more I think about it the more things I find to dislike. How was my 10-year-old cousin able to keep this massive cast of characters and their individual back story's straight and I wasn't? The cast could have been cut in half and told the same story. It never stops adding characters either. Need a piece to fit into the already complex plot but can't make it work with the current cast, don't worry just add another character, who cares if the story is wrapping up. I won't delve into all the things that bothered me, but there are more than a few.
It's a kids' book and my polluted, overactive, overcritical, analytical adult brain ruined it for me. Hopefully, you enjoy it more than I did.
I obviously somewhat enjoyed it having finished it, at 400 pages there was plenty of opportunity to quit, but the more I think about it the more things I find to dislike. How was my 10-year-old cousin able to keep this massive cast of characters and their individual back story's straight and I wasn't? The cast could have been cut in half and told the same story. It never stops adding characters either. Need a piece to fit into the already complex plot but can't make it work with the current cast, don't worry just add another character, who cares if the story is wrapping up. I won't delve into all the things that bothered me, but there are more than a few.
It's a kids' book and my polluted, overactive, overcritical, analytical adult brain ruined it for me. Hopefully, you enjoy it more than I did.
December 2, 2018
During the Christmas holidays, Milo hopes to be spending some time alone with his parents who run a guest house mainly used by the smuggling community of Nagspeak. With only days to go before Christmas, the guest house fills with guests, all with their story to tell. When Milo makes friends with the cook's daughter they soon become involved in a role play game that seeks to find out the mysteries and thefts that involve the guests and the history of the house and the past and present occupants.
We loved the descriptions of the history around the house, the hiding places and life living in the guest house. We liked the way the stories of the guests tied in together and how the book Milo was reading echoed the events and stories which blended with the plot of the story. We appreciated the child characters imaginative play, I imagine readers into role play games would really enjoy this element of the book.
Minor downsides for me was that the book seemed very long, perhaps it felt that way because the chapters were quite long. I felt there were too many mentions of drinking hot chocolate, we began to laugh it happened so much, and the word 'kiddo' sounded awful to our UK ears!
We enjoyed the twist towards the end, we didn't see that coming! An enjoyable whodunit that kept us guessing until the end.
We loved the descriptions of the history around the house, the hiding places and life living in the guest house. We liked the way the stories of the guests tied in together and how the book Milo was reading echoed the events and stories which blended with the plot of the story. We appreciated the child characters imaginative play, I imagine readers into role play games would really enjoy this element of the book.
Minor downsides for me was that the book seemed very long, perhaps it felt that way because the chapters were quite long. I felt there were too many mentions of drinking hot chocolate, we began to laugh it happened so much, and the word 'kiddo' sounded awful to our UK ears!
We enjoyed the twist towards the end, we didn't see that coming! An enjoyable whodunit that kept us guessing until the end.
November 26, 2014
Summary (amazon.com)
It was supposed to be winter vacation. Though Milo’s parents run an inn with a clientele that tends to include more than your average number of smugglers, he can always count on winter vacation to be bereft of guests. Yet in spite of the awful icy weather, a guest appears. Then another. Then two more. All told more than five guests appear with flimsy excuses for their arrival. Some seem to know one another. Others act suspiciously. And when thefts start to take place, Milo and his new friend Meddy decide to turn detective. Yet even as they unravel clues about their strange clientele there are always new ones to take their places. Someone is sabotaging the Greenglass House but it’s the kids who will unmask the culprit.
What I liked:
The setting – Green Glass House itself, is spectacular – an old smugglers’ inn noted for its beautiful stained glass windows, sitting at the top of a cliff reached by funicular. It’s Christmas and the beautiful old house is decorated for the holidays. Green Glass House, with its many floors, secret spaces and treasures within, is almost a character in itself. A snowstorm rages outside, and the power goes out isolating the owners and guests and creating the perfect atmosphere for something mysterious and dangerous to occur. The vocabulary in the story is purposely high level – puissance, glazier, raconteur, - I had to Google these words among others. The book has gorgeous cover art perfectly suited to the story.
What I didn’t like
There were too many characters, each with his/her own back-story. None were particularly likeable and their stories were long, and confusing. At one point, I started a list to keep things straight, but quickly gave up. There is not much fun in reading a book when you have to make a cheat sheet. When Meddy and Milo begin their role-playing game of Odd Trails, they take character names, which make things even more confusing since they are then referred to by their real and character names.
I have never participated in any role-playing games, so I did not connect with this part of the story, and how the game characters have certain powers and characteristics that help them succeed. I even began to Google some of the game names and terms; e.g.-Odd Trails, tiercer signaler, in the hope that I would gain some fresh insight or interest in the story. No such luck.
The pacing was excruciatingly slow. The chapters were excruciatingly long. It took forever for something to happen and I quickly lost interest. Green Glass House is one of the few children’s books I could not finish – although I read the ending so see how the mystery resolves.
What Confused Me:
There is timelessness to the story, which suits the plot, but left me a bit confused. Is this set in modern times? There are no real modern conveniences, such as computers, texting, cell phones, or television. The location of the story is never clearly defined. Where is Green Glass House? Likewise, the history of smugglers in the area. When I think of smugglers, I think of them in the past tense. Are there still smugglers, and why is Green Glass house a haven for smugglers? Mr. and Mrs. Pine seem to be thoroughly up right characters that would not cater to smugglers. It took me several searches on Google to figure out that the setting for Green Glass House might be located in Nagspeak, a fictionalized town created by the author, Kate Milford on her website nagspeake.com. In some ways, this book came across as a hybrid realistic fiction/fantasy mix but it was obviously much more fantasy, especially with the surprise ending that Meddy is really the ghost daughter of the notorious old smuggler Doc Holystone. (Who I also goggled – I did far too much goggling for this book.)
In Conclusion:
For me this was a very peculiar and confusing book. The premise was good and reminded me of an Agatha Christie type book – a group of characters isolated in an old mansion where something mysterious/murderous is going to happen. Green Glass house was highly reviewed by many (adults) and is even mentioned as a Newbery contender. However, because of the sophisticated vocabulary, confusing location, drawn out plot and many characters, I very much doubt that this book will have any kind of mass appeal with kids. There is no bad language or situations in this book. I think it could be read by both boys and girls in 5th grade and up.
It was supposed to be winter vacation. Though Milo’s parents run an inn with a clientele that tends to include more than your average number of smugglers, he can always count on winter vacation to be bereft of guests. Yet in spite of the awful icy weather, a guest appears. Then another. Then two more. All told more than five guests appear with flimsy excuses for their arrival. Some seem to know one another. Others act suspiciously. And when thefts start to take place, Milo and his new friend Meddy decide to turn detective. Yet even as they unravel clues about their strange clientele there are always new ones to take their places. Someone is sabotaging the Greenglass House but it’s the kids who will unmask the culprit.
What I liked:
The setting – Green Glass House itself, is spectacular – an old smugglers’ inn noted for its beautiful stained glass windows, sitting at the top of a cliff reached by funicular. It’s Christmas and the beautiful old house is decorated for the holidays. Green Glass House, with its many floors, secret spaces and treasures within, is almost a character in itself. A snowstorm rages outside, and the power goes out isolating the owners and guests and creating the perfect atmosphere for something mysterious and dangerous to occur. The vocabulary in the story is purposely high level – puissance, glazier, raconteur, - I had to Google these words among others. The book has gorgeous cover art perfectly suited to the story.
What I didn’t like
There were too many characters, each with his/her own back-story. None were particularly likeable and their stories were long, and confusing. At one point, I started a list to keep things straight, but quickly gave up. There is not much fun in reading a book when you have to make a cheat sheet. When Meddy and Milo begin their role-playing game of Odd Trails, they take character names, which make things even more confusing since they are then referred to by their real and character names.
I have never participated in any role-playing games, so I did not connect with this part of the story, and how the game characters have certain powers and characteristics that help them succeed. I even began to Google some of the game names and terms; e.g.-Odd Trails, tiercer signaler, in the hope that I would gain some fresh insight or interest in the story. No such luck.
The pacing was excruciatingly slow. The chapters were excruciatingly long. It took forever for something to happen and I quickly lost interest. Green Glass House is one of the few children’s books I could not finish – although I read the ending so see how the mystery resolves.
What Confused Me:
There is timelessness to the story, which suits the plot, but left me a bit confused. Is this set in modern times? There are no real modern conveniences, such as computers, texting, cell phones, or television. The location of the story is never clearly defined. Where is Green Glass House? Likewise, the history of smugglers in the area. When I think of smugglers, I think of them in the past tense. Are there still smugglers, and why is Green Glass house a haven for smugglers? Mr. and Mrs. Pine seem to be thoroughly up right characters that would not cater to smugglers. It took me several searches on Google to figure out that the setting for Green Glass House might be located in Nagspeak, a fictionalized town created by the author, Kate Milford on her website nagspeake.com. In some ways, this book came across as a hybrid realistic fiction/fantasy mix but it was obviously much more fantasy, especially with the surprise ending that Meddy is really the ghost daughter of the notorious old smuggler Doc Holystone. (Who I also goggled – I did far too much goggling for this book.)
In Conclusion:
For me this was a very peculiar and confusing book. The premise was good and reminded me of an Agatha Christie type book – a group of characters isolated in an old mansion where something mysterious/murderous is going to happen. Green Glass house was highly reviewed by many (adults) and is even mentioned as a Newbery contender. However, because of the sophisticated vocabulary, confusing location, drawn out plot and many characters, I very much doubt that this book will have any kind of mass appeal with kids. There is no bad language or situations in this book. I think it could be read by both boys and girls in 5th grade and up.
This entire review has been hidden because of spoilers.
Read
May 22, 2015What a lovely, lovely book! All my life I have adored books about huge houses full of secrets, and this one adds smugglers and mystery and a search, and a delightfully spiky but tender friendship between a couple of lonely kids full of questions and longings. Their problems are very different, but each does his or her best for the other and they make a terrific sleuth team. I loved the central family--indeed, what the book had to say about families.
I loved the peculiar characters, each of whom developed over the course of the book, and then there was the breathtaking twist.
I hate to say more, lest I tread into spoiler territory, but this was such a satisfying read.
I loved the peculiar characters, each of whom developed over the course of the book, and then there was the breathtaking twist.
I hate to say more, lest I tread into spoiler territory, but this was such a satisfying read.
August 19, 2014
Greenglass House is a winter book. It makes me think about cozy blankets and hot chocolate and snow days, very much like The Dark is Rising does - to the extent that when I snapped out of my reading haze, I was surprised to realize it was still summer and there wasn't snow on the ground.
So, setting and atmosphere. That's the first distinguished aspect of the novel. (In case the word "distinguished" makes you think of the Newbery: well, yes. Someone give this book a medal, please.)
Greenglass House isn't only about atmosphere. Its primary goal is to tell a great story, and so it's got a fabulous mystery, too, tied up in Milo's family and the inn that's the family business and the smugglers who are the primary guests. It's an intriguing blend of old and new elements - smugglers and ships and creaking train cars, lanterns and backup generators and role-playing games - and a timeless bit of secrecy and petty thievery. The book is clearly inspired by books that preceded it, and yet it's also its own beast, its own unique reading adventure.
And it is an adventure. It's a perfectly balanced, compulsively readable, wonderful adventure with an independent child protagonist who never strains plausibility.
Which brings me to the spoiler I want to discuss - and this is a big spoiler, so read the book and then come talk to me about this:
I do want to point out that there are certain inconsistencies from chapter to chapter - flames blown out twice, hats removed twice - which ordinarily would bother me a lot. And it's not that they don't bother me; it's just that the novel is so good at what it does that I can look away from the inconsistencies. Especially when there are lines like this:
I haven't finished reading the Newbery manual, so I can't make a case for a medal armed with all the criteria - but the medal should honor great stories. And this is a great one.
So, setting and atmosphere. That's the first distinguished aspect of the novel. (In case the word "distinguished" makes you think of the Newbery: well, yes. Someone give this book a medal, please.)
Greenglass House isn't only about atmosphere. Its primary goal is to tell a great story, and so it's got a fabulous mystery, too, tied up in Milo's family and the inn that's the family business and the smugglers who are the primary guests. It's an intriguing blend of old and new elements - smugglers and ships and creaking train cars, lanterns and backup generators and role-playing games - and a timeless bit of secrecy and petty thievery. The book is clearly inspired by books that preceded it, and yet it's also its own beast, its own unique reading adventure.
And it is an adventure. It's a perfectly balanced, compulsively readable, wonderful adventure with an independent child protagonist who never strains plausibility.
Which brings me to the spoiler I want to discuss - and this is a big spoiler, so read the book and then come talk to me about this:
I do want to point out that there are certain inconsistencies from chapter to chapter - flames blown out twice, hats removed twice - which ordinarily would bother me a lot. And it's not that they don't bother me; it's just that the novel is so good at what it does that I can look away from the inconsistencies. Especially when there are lines like this:
"Nobody said it had to be a story with an ending all neatly tied up like some ridiculous fairy tale. This story's true, and true stories don't have endings, because things just keep going."
I haven't finished reading the Newbery manual, so I can't make a case for a medal armed with all the criteria - but the medal should honor great stories. And this is a great one.
October 8, 2026
"This story's true, and true stories don't have endings, because things just keep going."
The Greenglass House is a beautiful inn, full of rich history and...smugglers. Lots and lots of criminals (probably) (there's some plausible deniability).
Milo has lived for as long as he can remember in the inn, with his parents taking good care of it, and one thing he knows for certain is that the Christmas holidays means NO guests.
Until it does.
"There is a right way to do things and a wrong way, if you're going to run a hotel in a smugglers' town."
Hands tied, his family welcomes guest after guest on the blustery, snowy night.
At first, Milo was disappointed by his holiday traditions changing but then he meets a new friend, Meddy, and soon they find a mystery of their own to solve - one of which will change the trajectory of their lives forever.
I rather liked this story! This is one of the ones on my Ivonne Recs and I never quite know what I will get into when I pick up one of her books!
One thing that really stood out to me about this book is the character growth and building moments. Milo starts off quite unsure of himself and his place in this world - he loves his adoptive parents but it's also hard to come to terms with what his adoption means. He does have another family out there, but he also has one with him now.
I really liked how the roleplaying game between Milo and Meddy allowed him to break out of his shell and find ways to feel more like he belongs.
The mystery element was quite fun as well though about halfway through it did start feeling like a bit of a stretch to me (though, to be fair, the book did wrap up rather neatly!).
Overall, I rather liked this one! Onwards to the sequel!
November 30, 2025
The perfect middlegrade to cozy up with by the fire in the days before Christmas. I would have been OBSESSED with this when I was 12. I did figure out the major plottwist very early but then again, I’m not 12 anymore. Such a good mix of being heartwarming, quirky and an actual exciting plot though.
January 10, 2022
3.5 stars - This was such an imaginative version of a middle grade mystery! I'm not sure how I felt about the speculative elements that ended up being incorporated, but the setting/atmosphere and characters were really lovely. This felt very cozy, so if you can read this while it's nice and snowy out :)
Did Not Finish
November 22, 2014Dear Greenglass House,
I am so very sorry, but it's just not working. I thought we were made for each other- smugglers, a creaky old stained-glass inn, winter vacation, mysterious thefts- it looked like everything I could want in a cozy little book. But as I read more and more, I just couldn't get into you. It seemed to be just kids dressing up and spying on guests, and while that's all well and good, I was looking for a more... mature relationship. I wanted a plot twist, or a hidden truth finally uncovered, something to move the story along from the wandering, meandering, overly leisurely pace it was taking. And I hate to say this, but- I just didn't care. Maybe it was the humid summer air, or the other books sending me seductive, beckoning glances from my to-read shelf, but by the hundredth page, I knew it was too late for us, Greenglass House.
I hope that someday I'll be able to try again. But for right now, I think we're better off apart. Another time, another place, another lifetime- maybe we'll be together then.
All my love,
Mia
I am so very sorry, but it's just not working. I thought we were made for each other- smugglers, a creaky old stained-glass inn, winter vacation, mysterious thefts- it looked like everything I could want in a cozy little book. But as I read more and more, I just couldn't get into you. It seemed to be just kids dressing up and spying on guests, and while that's all well and good, I was looking for a more... mature relationship. I wanted a plot twist, or a hidden truth finally uncovered, something to move the story along from the wandering, meandering, overly leisurely pace it was taking. And I hate to say this, but- I just didn't care. Maybe it was the humid summer air, or the other books sending me seductive, beckoning glances from my to-read shelf, but by the hundredth page, I knew it was too late for us, Greenglass House.
I hope that someday I'll be able to try again. But for right now, I think we're better off apart. Another time, another place, another lifetime- maybe we'll be together then.
All my love,
Mia
December 10, 2022
✩ 4.5 stars
~
such a perfect magical read for the holidays!💝
~
this was:
hot chocolate with a drizzle of a cozy mystery, a snowy, xmas setting & a group of jolly, merry characters with a bit of a bittersweet/sentimental feeling ☕️🎄🎁❄️
~
also the authors note was precious 🥹 <3
~
such a perfect magical read for the holidays!💝
~
this was:
hot chocolate with a drizzle of a cozy mystery, a snowy, xmas setting & a group of jolly, merry characters with a bit of a bittersweet/sentimental feeling ☕️🎄🎁❄️
~
also the authors note was precious 🥹 <3
December 31, 2018
Oh, Greenglass House, I wanted to love you so. I did love you, you were a five-star book, poised to be my favorite of the year... then came the last four chapters, and kinda burst my bubble.
But, I will start with the positives. I really loved the writing style. It was so immersive, filled with wonderful atmosphere, the house is almost a character and all the characters who come to visit it are distinct and interesting. As for whether this is a "Christmas book" -- I would say that it definitely is, in so much as we have lots of snow, Christmas trees, hot chocolate, sledding, Christmas presents... Milo (our protagonist) really, really wishing he could spend the holiday with just his parents and not an Inn full of strangers. Also, one of the messages of the book is the joy of giving. That said, I feel it could be read at any time of year as none of the main plot points have anything to do with Christmas. The writing felt so effortless -- sometimes with books you can feel the author behind the words, trying to be clever or something -- I just felt instantly part of the world and sympathetic to Milo. The character names are great, too. Some writers just have a knack for picking names for their characters. In many cases, the writing style reminded me a bit of J.K. Rowling. I thought for awhile that the mystery might live up to her standards, but it fell short for me in the end.
I loved that what happened (until the end) never felt to out-there in terms of a real twelve-year-old handling it. Milo is smart and observant and knows a lot about the Inn. He has hidden talents just waiting to be harnessed. But he is not some genius, he does not suddenly discover he has magical powers... he's just a normal kid. And the situations he handled didn't feel to astronomically out-there (once you accept that his parents run an Inn that primarily caters to smugglers...) I worried that the role-playing game would get annoying, but fortunately it did not get in the way of the story and enhanced Milo's character development. I appreciated that some of his troubles were so real-world and I also appreciated that the aspect of his adoption was handled with such sensitivity.
I really enjoyed the cast of characters at the Inn. I know some reviewers mentioned it felt like too many characters, but I'm a fan of some of those old mystery stories where the guests are all stranded at an Inn (hello, Agatha Christie!) so I liked that aspect here. I felt each character was distinct and each ended up bringing something different to the story. It is interesting that the characters were almost all adults yet they interacted with Milo in a way that felt very real and didn't make me miss the usual parcel of other similar-aged kids around. A few instances felt a bit too coincidental but I was willing to let it play out and see if something amazing happened at the end to show it wasn't really a coincidence after all.
I also loved Milo's relationship with his parents. It was so refreshing to see a middle grade story in which 1) the parents are alive 2) the parents are present and 3) the parents are loving and attentive. Usually this can never be because "it doesn't allow the protagonist to grow" if Mommy and Daddy are right there to take care of everything. But, especially as a parent myself, I really appreciated that this story makes it work! Milo has plenty of opportunities to solve the mystery without his parents, but he doesn't really have to lie to them or do anything dangerous to do it. His parents are preoccupied with the sudden influx of guests, dealing with the storm, etc. but they are always around if needed and make a point to reach out to Milo making sure he is doing okay with all the changes. It is clear that this is a loving family who genuinely enjoy one another's company. So refreshing! (I suppose the "family angst" aspect is that Milo often wonders about his birth family and has some longing there, even though that makes him feel disloyal to his mom and dad.)
So, what didn't work for me? The ending. The tone just suddenly changed and made the story much darker and sadder, and also less kid-friendly (some violence that just seemed to come completely out of nowhere). Oh, it's not nearly as bad as what is in a lot of middle grade books these days. Probably nothing that would have been out of place even in the earlier Harry Potter books. But it just felt really jolting here because up until that point it had been such a cozy, sip-your-hot-chocolate-in-compfort sort of read. I was also quite annoyed at one of the plot twists because it seemed more of a trick than a reveal. In mysteries I like a reveal that makes you feel elated, like, oh my goodness, the author was so brilliant! the clues were totally there and I just missed them duh! oh wow, that was genius *standing ovation* This one made me feel more like, heyyyyy, no fair!
Still, I really did love most of the book and, knowing now the author's tricks, I will likely proceed a little more cautiously, but still optimistically, into the sequels at some point. Maybe some of my problems/unsolved questions will be satisfyingly addressed in the sequel.
Major spoilers to follow:
But, I will start with the positives. I really loved the writing style. It was so immersive, filled with wonderful atmosphere, the house is almost a character and all the characters who come to visit it are distinct and interesting. As for whether this is a "Christmas book" -- I would say that it definitely is, in so much as we have lots of snow, Christmas trees, hot chocolate, sledding, Christmas presents... Milo (our protagonist) really, really wishing he could spend the holiday with just his parents and not an Inn full of strangers. Also, one of the messages of the book is the joy of giving. That said, I feel it could be read at any time of year as none of the main plot points have anything to do with Christmas. The writing felt so effortless -- sometimes with books you can feel the author behind the words, trying to be clever or something -- I just felt instantly part of the world and sympathetic to Milo. The character names are great, too. Some writers just have a knack for picking names for their characters. In many cases, the writing style reminded me a bit of J.K. Rowling. I thought for awhile that the mystery might live up to her standards, but it fell short for me in the end.
I loved that what happened (until the end) never felt to out-there in terms of a real twelve-year-old handling it. Milo is smart and observant and knows a lot about the Inn. He has hidden talents just waiting to be harnessed. But he is not some genius, he does not suddenly discover he has magical powers... he's just a normal kid. And the situations he handled didn't feel to astronomically out-there (once you accept that his parents run an Inn that primarily caters to smugglers...) I worried that the role-playing game would get annoying, but fortunately it did not get in the way of the story and enhanced Milo's character development. I appreciated that some of his troubles were so real-world and I also appreciated that the aspect of his adoption was handled with such sensitivity.
I really enjoyed the cast of characters at the Inn. I know some reviewers mentioned it felt like too many characters, but I'm a fan of some of those old mystery stories where the guests are all stranded at an Inn (hello, Agatha Christie!) so I liked that aspect here. I felt each character was distinct and each ended up bringing something different to the story. It is interesting that the characters were almost all adults yet they interacted with Milo in a way that felt very real and didn't make me miss the usual parcel of other similar-aged kids around. A few instances felt a bit too coincidental but I was willing to let it play out and see if something amazing happened at the end to show it wasn't really a coincidence after all.
I also loved Milo's relationship with his parents. It was so refreshing to see a middle grade story in which 1) the parents are alive 2) the parents are present and 3) the parents are loving and attentive. Usually this can never be because "it doesn't allow the protagonist to grow" if Mommy and Daddy are right there to take care of everything. But, especially as a parent myself, I really appreciated that this story makes it work! Milo has plenty of opportunities to solve the mystery without his parents, but he doesn't really have to lie to them or do anything dangerous to do it. His parents are preoccupied with the sudden influx of guests, dealing with the storm, etc. but they are always around if needed and make a point to reach out to Milo making sure he is doing okay with all the changes. It is clear that this is a loving family who genuinely enjoy one another's company. So refreshing! (I suppose the "family angst" aspect is that Milo often wonders about his birth family and has some longing there, even though that makes him feel disloyal to his mom and dad.)
So, what didn't work for me? The ending. The tone just suddenly changed and made the story much darker and sadder, and also less kid-friendly (some violence that just seemed to come completely out of nowhere). Oh, it's not nearly as bad as what is in a lot of middle grade books these days. Probably nothing that would have been out of place even in the earlier Harry Potter books. But it just felt really jolting here because up until that point it had been such a cozy, sip-your-hot-chocolate-in-compfort sort of read. I was also quite annoyed at one of the plot twists because it seemed more of a trick than a reveal. In mysteries I like a reveal that makes you feel elated, like, oh my goodness, the author was so brilliant! the clues were totally there and I just missed them duh! oh wow, that was genius *standing ovation* This one made me feel more like, heyyyyy, no fair!
Still, I really did love most of the book and, knowing now the author's tricks, I will likely proceed a little more cautiously, but still optimistically, into the sequels at some point. Maybe some of my problems/unsolved questions will be satisfyingly addressed in the sequel.
Major spoilers to follow:
September 21, 2015
Cozy and lovely and clever, set in an intriguing world we only see a corner of. I loved it as an adult and would've loved it as a kid.
November 9, 2013
Sure, Greenglass House barreled its way into the top spot for my Middle Grade picks of the year for a number of reasons. It’s gorgeous artwork, it’s beautifully crafted mystery, it’s stories and friendships and love–these are all reasons I adored this book, but there was one that stood out to me: Greenglass House is a book about adoption…and it’s not.
I myself was adopted as a baby, and grew up knowing as much. After seeing any number of made for TV dramas (Felicity anyone?) in which the grown child finds out their parents are not truly “their own” and then spiral into an unparalleled identity crisis and cesspool of betrayed feelings, I’m quite grateful for the openness of my family. And not in a “This is our adopted daughter, Margot.” kind of way. My parents made it special, giving me “Heidi Day”, the day I was adopted, as a sort of second birthday to celebrate each year. We still do, if only through a phone call.
Like Milo in Greenglass House, I never felt a lack of love because of my adoption, in fact, I felt an overabundance of it. My parents wanted me in their lives so badly they waited years to make me a part of their family. They went through the emotional roller coaster and red tape of adoption (not once, but twice–my older brother is adopted as well), to make certain that I had a the best home and family they could give. I never once felt like my biological mother didn’t love me, quite the opposite. I knew that she loved me so much she was willing to give me up because she couldn’t provide the home and family she wanted for me.
I’ve never known much about my biological parents–they were always some vague statistics on a certificate to me. Height, age, hair and eye color, ethnic origin (which is “mixed European” and doesn’t do much for one’s ethnic identity btw), that’s about it. Honestly, I’ve given very little thought to my biological father. I know that my mother was 19, and a freshman in college, and I can’t help but assume that he wasn’t really in the picture. My mother, on the other hand, I’ve considered a great deal. One of the things that has meant the most to me in life was a letter written to me by my biological mother that my parents gave to me on my 16th birthday, when they knew I was old enough to grasp everything therein (I was, after all, only 3 years younger at the time than the woman who wrote it). In the letter, my bio mother explained to me why she made the decision she did, and suffice it to say it came from a place of vast love rather than a place of not wanting.
This is the thing that meant so much to me about Greenglass House–the wondering. Milo loves his parents unquestionably–they’re his family. But as the adopted son of a different culture, he can’t help but wonder about his parents. And in Greenglass House, Kate Milford assures us that it’s okay to wonder. Sure, my identity crisis was a bit easier than Milo’s. While my biology is not almost entirely Norwegian and German like my family’s, I’m still white. We match in a way that I would have to tell someone for them to know that I was adopted (and frequently did as a child, much to my brother’s chagrin who hated people knowing we were adopted). But still–as I enter the phase of trying to create my own family, I can’t help but feel this astounding craving to have someone in my life who looks like me (to which my sister has laughed and pointed out that she puts red highlights in her hair just so people will stop asking if her daughter is adopted–she’s not, just doesn’t look like her mom at all). Milo–I get you.
Over the past couple of months, thanks to a wedding gift from a friend, I’ve joined 23 and Me which has given me an interesting look at my true ethnic history. Has it helped me feel identified? No, not really–I still identify as ethnically Norwegian, even though I’m only 6.9% Scandinavian, but it’s opened up a world of potential connections to me that I can’t help but find interesting and tempting. I don’t plan to use 23 and Me (or anything else) to actively track down my biological mother, but I’m open to the possibility that it could happen. Prior to reading Greenglass House, this always felt like a bit of a betrayal to my adoptive family, particularly my father. I don’t ever want to hurt him or have him feel as if I don’t love him more than anything by finding out about life before him. But in Greenglass House, which is in its way a letter to the Milford’s future adopted child, Milo is assured that his parents know he wonders, and more than that–they’re okay with it. I’m just betting, despite never having had the conversation, my dad’s okay with it too. greenglass
I’ve only ever read two books I can think of in which the main character was adopted (and I mean adopted at birth, not in a tragic orphan finds a home Anne Shirley kind of way), and Greenglass House was one of them. Everyone in our community speaks toward the need of diverse books and one of the driving reasons is that everyone deserves to see a major part of themselves in a book. Not always–we use books to escape, and having different characters that we don’t relate to broadens our mindset and worldview–but each and every one of us deserves that at some point. For me, Greenglass House was able to reflect back a part of myself I’ve rarely had the opportunity to see.
I’m not sure I can really express how much that makes this book mean to me personally, but I’ve tried. It means even more that while being adopted was a big part of Milo’s identity, it wasn’t really what Greenglass House was about. It’s not really what I’m about either–it’s just a building block, one piece of who I am as a person. An important one, but not everything.
So thank you, Kate Milford, for writing this book. For making adoption a part of it, and for telling me that it’s okay to wonder.
~~~~~~~~~~~~~~
Greenglass House is available now from Clarion Books, and I couldn’t encourage you more to go read it. It’s beautiful, fun, suspenseful, and touching. It’s been nominated for the Cybils Awards (even before I got to it), and has been long listed for the National Book Award.
I myself was adopted as a baby, and grew up knowing as much. After seeing any number of made for TV dramas (Felicity anyone?) in which the grown child finds out their parents are not truly “their own” and then spiral into an unparalleled identity crisis and cesspool of betrayed feelings, I’m quite grateful for the openness of my family. And not in a “This is our adopted daughter, Margot.” kind of way. My parents made it special, giving me “Heidi Day”, the day I was adopted, as a sort of second birthday to celebrate each year. We still do, if only through a phone call.
Like Milo in Greenglass House, I never felt a lack of love because of my adoption, in fact, I felt an overabundance of it. My parents wanted me in their lives so badly they waited years to make me a part of their family. They went through the emotional roller coaster and red tape of adoption (not once, but twice–my older brother is adopted as well), to make certain that I had a the best home and family they could give. I never once felt like my biological mother didn’t love me, quite the opposite. I knew that she loved me so much she was willing to give me up because she couldn’t provide the home and family she wanted for me.
I’ve never known much about my biological parents–they were always some vague statistics on a certificate to me. Height, age, hair and eye color, ethnic origin (which is “mixed European” and doesn’t do much for one’s ethnic identity btw), that’s about it. Honestly, I’ve given very little thought to my biological father. I know that my mother was 19, and a freshman in college, and I can’t help but assume that he wasn’t really in the picture. My mother, on the other hand, I’ve considered a great deal. One of the things that has meant the most to me in life was a letter written to me by my biological mother that my parents gave to me on my 16th birthday, when they knew I was old enough to grasp everything therein (I was, after all, only 3 years younger at the time than the woman who wrote it). In the letter, my bio mother explained to me why she made the decision she did, and suffice it to say it came from a place of vast love rather than a place of not wanting.
This is the thing that meant so much to me about Greenglass House–the wondering. Milo loves his parents unquestionably–they’re his family. But as the adopted son of a different culture, he can’t help but wonder about his parents. And in Greenglass House, Kate Milford assures us that it’s okay to wonder. Sure, my identity crisis was a bit easier than Milo’s. While my biology is not almost entirely Norwegian and German like my family’s, I’m still white. We match in a way that I would have to tell someone for them to know that I was adopted (and frequently did as a child, much to my brother’s chagrin who hated people knowing we were adopted). But still–as I enter the phase of trying to create my own family, I can’t help but feel this astounding craving to have someone in my life who looks like me (to which my sister has laughed and pointed out that she puts red highlights in her hair just so people will stop asking if her daughter is adopted–she’s not, just doesn’t look like her mom at all). Milo–I get you.
Over the past couple of months, thanks to a wedding gift from a friend, I’ve joined 23 and Me which has given me an interesting look at my true ethnic history. Has it helped me feel identified? No, not really–I still identify as ethnically Norwegian, even though I’m only 6.9% Scandinavian, but it’s opened up a world of potential connections to me that I can’t help but find interesting and tempting. I don’t plan to use 23 and Me (or anything else) to actively track down my biological mother, but I’m open to the possibility that it could happen. Prior to reading Greenglass House, this always felt like a bit of a betrayal to my adoptive family, particularly my father. I don’t ever want to hurt him or have him feel as if I don’t love him more than anything by finding out about life before him. But in Greenglass House, which is in its way a letter to the Milford’s future adopted child, Milo is assured that his parents know he wonders, and more than that–they’re okay with it. I’m just betting, despite never having had the conversation, my dad’s okay with it too. greenglass
I’ve only ever read two books I can think of in which the main character was adopted (and I mean adopted at birth, not in a tragic orphan finds a home Anne Shirley kind of way), and Greenglass House was one of them. Everyone in our community speaks toward the need of diverse books and one of the driving reasons is that everyone deserves to see a major part of themselves in a book. Not always–we use books to escape, and having different characters that we don’t relate to broadens our mindset and worldview–but each and every one of us deserves that at some point. For me, Greenglass House was able to reflect back a part of myself I’ve rarely had the opportunity to see.
I’m not sure I can really express how much that makes this book mean to me personally, but I’ve tried. It means even more that while being adopted was a big part of Milo’s identity, it wasn’t really what Greenglass House was about. It’s not really what I’m about either–it’s just a building block, one piece of who I am as a person. An important one, but not everything.
So thank you, Kate Milford, for writing this book. For making adoption a part of it, and for telling me that it’s okay to wonder.
~~~~~~~~~~~~~~
Greenglass House is available now from Clarion Books, and I couldn’t encourage you more to go read it. It’s beautiful, fun, suspenseful, and touching. It’s been nominated for the Cybils Awards (even before I got to it), and has been long listed for the National Book Award.
May 18, 2014
By now this book has a bazillion reviews, but I do want to mention a few of the things I really liked.
For starters, it's nice to read a MG story that has two loving and present parents for the MC. I understand why this often isn't the case as a plot device, but it's certainly nice to run into an exception.
I very much enjoyed the MC and friend pretending they were in a role playing game while sleuthing to solve the mysterious events at Greenglass house. It added charm and fun, and helped make the kids feel like real kids.
I also appreciated the fact that there is a positive message here about kids who are adopted, as well as honest feelings from an adopted kid, without being a "message" story. I think many writers can learn from books like this one how to incorporate thoughts and feelings kids can relate to, with positive, compassionate affirmation of those feelings, without resorting to making such things the main focus of the story. I find this treatment of an issue much more enjoyable, as it's more organic.
For the most part this story has a feel of being a bit fantastic while at the same time it's really doesn't contain any elements of Fantasy, with one notable exception we learn at the end.
For starters, it's nice to read a MG story that has two loving and present parents for the MC. I understand why this often isn't the case as a plot device, but it's certainly nice to run into an exception.
I very much enjoyed the MC and friend pretending they were in a role playing game while sleuthing to solve the mysterious events at Greenglass house. It added charm and fun, and helped make the kids feel like real kids.
I also appreciated the fact that there is a positive message here about kids who are adopted, as well as honest feelings from an adopted kid, without being a "message" story. I think many writers can learn from books like this one how to incorporate thoughts and feelings kids can relate to, with positive, compassionate affirmation of those feelings, without resorting to making such things the main focus of the story. I find this treatment of an issue much more enjoyable, as it's more organic.
For the most part this story has a feel of being a bit fantastic while at the same time it's really doesn't contain any elements of Fantasy, with one notable exception we learn at the end.
November 5, 2019
This book is absolutely phenomenal. I don't know why no one told me about this book before? It is extremely under hyped. This is a book that everyone should read! It is heart warming, parts of it are very hard hitting, and it feels like Christmas the entire time! So much hot chocolate is consumed and now I am completely in the mood for the holidays.
October 23, 2014
This book started out great, the writing was cute and the setting was fun. But the story quickly showed it had no steam. What was the mystery? Why did it need to be solved? There's a map--so what? What's at stake? NOTHING. I tried to get my 10 yr old daughter to read it and she said it was boring.
Worse, there is a twist about 30 pages from the end that is not believable based on the story as written up to that point. In addition the main character Milo was supposed to be 12 but acted about six. The lesson about adoptive children sounded like what adoptive parents would worry about but not the kids themselves. And the mystery solution at the end was pathetic.
This book is full of atmosphere but no meat to the story. Pretty disappointing.
Worse, there is a twist about 30 pages from the end that is not believable based on the story as written up to that point. In addition the main character Milo was supposed to be 12 but acted about six. The lesson about adoptive children sounded like what adoptive parents would worry about but not the kids themselves. And the mystery solution at the end was pathetic.
This book is full of atmosphere but no meat to the story. Pretty disappointing.
April 6, 2023
This book is everything you want in a mystery. The atmosphere! The house! Coziness! Spookiness! Feasts! Cool characters! Puzzles! Games! Danger! Love! High adventure!
If I had read this when I was eight I guarantee it would have been one of my most favorite books.
Heck, I’m 53 and it is one of my most favorite books.
Also ~ it helped me out of a great big reading slump.
If I had read this when I was eight I guarantee it would have been one of my most favorite books.
Heck, I’m 53 and it is one of my most favorite books.
Also ~ it helped me out of a great big reading slump.
June 18, 2021
This book had been on my list for a long time and I have many GR friends who’ve enjoyed it so I decided to read it and stick with it no matter how I felt about it. I’d been on a streak of reading nothing but great books right for my mood at the time but recently I’d been having a hard time finding a book I wanted to read. Either they didn’t feel worth picking up or I started them and could feel no enthusiasm for continuing. I’m in the mood for certain books not yet available. I know there must be many books that would be working for me but I haven’t been able to think of them.
I enjoyed this book but until I was far into the book it did not call to me and it was a chore to pick it up. That was my mood more than the book. Once again I found it harder to want to start reading because of the very long chapters (maybe 30 minutes each, perfect for bedtime stories but not for me these days.) I did end up enjoying it though and I’m really glad I read it.
I loved the humor.
The foods & drinks described was scrumptious, especially all the hot chocolate.
I hated the violence. I wish the bad guy(s) had been less villainous. It seemed a bit over the top, especially for this story.
I knew that there was a supernatural aspect to this book but until the reveal I couldn’t quite figure out precisely what it was. There were certainly abundant clues but they went right over my head. It’s tempting to reread it (someday) to know from the beginning what is going on.
I found the game tedious at times and fun at times.
This is a great book about the adoption and I found the author’s note in the back of the book affecting.
Even though I was enjoying the book, I didn’t think I’d be interested in reading any sequel and I probably won’t, but I found the last two chapters touching and fun and I could be being interested enough to read beyond this book.
This would be a good book to read around Christmastime.
For much of the book I thought it would be a 3 star book but it ended up being a solid 4 star worthy book for me.
I enjoyed this book but until I was far into the book it did not call to me and it was a chore to pick it up. That was my mood more than the book. Once again I found it harder to want to start reading because of the very long chapters (maybe 30 minutes each, perfect for bedtime stories but not for me these days.) I did end up enjoying it though and I’m really glad I read it.
I loved the humor.
The foods & drinks described was scrumptious, especially all the hot chocolate.
I hated the violence. I wish the bad guy(s) had been less villainous. It seemed a bit over the top, especially for this story.
I knew that there was a supernatural aspect to this book but until the reveal I couldn’t quite figure out precisely what it was. There were certainly abundant clues but they went right over my head. It’s tempting to reread it (someday) to know from the beginning what is going on.
I found the game tedious at times and fun at times.
This is a great book about the adoption and I found the author’s note in the back of the book affecting.
Even though I was enjoying the book, I didn’t think I’d be interested in reading any sequel and I probably won’t, but I found the last two chapters touching and fun and I could be being interested enough to read beyond this book.
This would be a good book to read around Christmastime.
For much of the book I thought it would be a 3 star book but it ended up being a solid 4 star worthy book for me.
November 8, 2018
I really, really, really wanted to love this book, believe me! I was drawn in by everything upfront - the charming cover, the intriguing blurb, the whimsical title, the gazillion reviews, high ratings and awards, everything!
I'll start with the positive:
I did really enjoy the beginning, the setup of the story, the enigmatic characters introduced one by one, and the protagonist and his family before everything started going downhill for me. I loved the quiet style of writing, it definitely gave off the whole "cozy, curl up with some tea and a blanket in front of a fireplace" vibe.
I absolutely loved that the parents were present, that family was a big player in the story rather than taken out completely as they usually are in children's books. Milo's parents were such loving characters and the whole family dynamic was heartwarming to see.
Among the guests, my favorite was Mrs. Hereward. Her perpetually miffed personality and endless irritation at everyone around her was so funny to see and it set her apart from everyone else; it also made for some great comedic scenes, such as when she's trying to bake a cake with another guest who obviously does not like doing things as prim and proper as she does. Plus, seeing her go from always annoyed to slowly thawing and becoming softer toward Milo and the others was also nice to see. I have a soft spot for characters like that.
The setting was also charming - the inn and the winter were always described lovingly so it was easy to visualize and put myself right into the story. It's a perfect winter book, so much that it would almost feel wrong reading this in the summer!
Now, as I can see that many people loved this book, I'll talk about what didn't work for me aka what stopped me from loving this as much as I wanted to - I promise I didn't just read this and decide I didn't like it! There were many reasons:
Characters. There were so many! So many names to keep up with, and even when we were close to the end of the book, I was surprised when even MORE new characters came up! How to keep track?! And it wasn't like any of them were extremely distinct from each other either so when they would pop up, I'd have to keep flipping back to remind myself - who's the one with the blue hair again? who's the one who runs a lot? who's the one with the glasses? - and that made it hard to connect with anyone because I was just so busy simply trying to remember who they were.
Names. Some characters' names would be mentioned in the beginning but then completely dropped for the next 30 pages or the next couple chapters or so and then suddenly their name would come back up - like Lizzie, the chef's older daughter - and I'd have to remind myself who that is. Sometimes, they wouldn't even do anything substantial in the story or even have a dialogue until waaay later and by that time, I'd have forgotten who they were. That was frustrating.
Also, the fact that Milo and Meddy would go by their roleplay-game names, Sirin and Negret, and then the book would switch from those names to their real names, sometimes in the same page, sometimes in the same paragraph! Same with the mythical Doc Holystone character - he would be referred to by different names at different times and I'd have no idea who we were talking about. Some characters would have aliases and then be referred to by their alias but 15 pages later, be referred to by their real name and I'd be thrown off yet again.
And the worst part? When a certain character who already has two names is revealed to have yet ANOTHER name that's their real name! TWO NAMES WERE ENOUGH BUT NOW WE HAVE THREE NAMES FOR ONE CHARACTER???? And they would be referred to by all three names at times and it kept taking me out of the book and bothering me and that was so :(
The roleplay game. As soon as that came up, I felt the book starting to lose me. It would've been fine maybe if they just stuck with little things but Milo and Meddy got so immersed into the game that they started using all these terms and language and rules that sounded confusing, things I was unfamiliar with and would have to keep looking up. Not fun. I want to read a book, not keep turning to Google every few pages to understand one word.
The VERY specific descriptions. Okay, look, this one's a hit or miss. Sometimes you over-describe things and risk annoying the reader and sometimes you under-describe things and risk confusing the reader. Well, this one was a case of the first one. Drawings, maps, features of the house, were SO over-described that it would baffle me and sound so complicated that I'd have to go back and read the paragraph like three times to really visualize what the heck it was describing. And if I couldn't, I'd just give up and continue on.
I felt like the author had these really specific images in her head of what she was seeing and wanted the readers to visualize it the EXACT same way. And I understand that. But the truth is, when you're reading a book, everyone is going to visualize things differently and that's the fun part! You know? Just say it's a glass chandelier and go. We don't need to know about the indescribable piece of the chandelier of the brass tube that's shaped like a square on top of a rectangle that's placed where a quarterdeck would be with a seam and a hole and a place for a lid....just....what a mouthful!!!! How do you even visualize that? Why is it important that it's shaped like a square on top of a rectangle? How many shapes do we need? Why not just a square?
Another particularly puzzling description (with shapes yet again) was of a window with "a rectangular shape drawn at the bottom, cut in half by the line of metal separating the panes. The shape was surrounded on all sides by roughly triangular peaks that swooped up over it like mountains drawn by a little kid, and a single line ending in an arrow meandered through them to point at the right-hand side of the rectangle they surrounded" (page 283).
What??? I was SO lost. I had to read that three times to actually get what the drawing even WAS. There are so many pointers in just two sentences that my head spun. And it felt rather extra - why not just say rectangle instead of "rectangular shape" and then there's "triangular" and "single line" and "arrow" and "right-hand side" and oh, "rectangle" again, and "line" shows up twice, and there's some "meandering" going on and oh, there's also a simile....sigh. Let's just move on.
Meddy, the cook's daughter. I liked Milo as a character. Meddy, not so much. Milo's head was interesting to be in and he was likable, realistic, sometimes endearing, and kind. It seemed the other characters agreed with me for almost all the guests warmed to Milo and his interactions with his parents were just as warm.
Meddy, on the contrary, was decidedly unlikable. It was almost as if she was being unlikable on purpose. Was she trying to come off as this strong, spunky girl? Because that's not what I got. I didn't like the way she treated Milo sometimes; she could be rather mean. I didn't like her brashness or rudeness and pushy, overbearing behavior; nothing about her was endearing at all. Every time she appeared, I never really enjoyed it.
And while we were supposed to believe that Milo and Meddy build a friendship, it never felt much like a friendship to me - just some sort of partnership where they either order each other around, go clue-hunting or consult each other for information. Milo never shared many touching scenes with her; he had more meaningful interactions with the guests.
The crying. Lol, this is just a small thing but I thought I'd put it in anyway because I've read books where characters have cried in different situations and I've always felt something for them. For this one though, I was just like...??? There are maybe two or three instances where characters cry: Milo cries because he got a gift from someone he didn't even know, one of the guests cry because the guy she liked learned something about his heritage, etc.
I think this could've been done better - it was clearly meant to be these really touching, emotional scenes where you're just like awww but it was just so sudden and out of place that I was just sitting there like why are you crying? What's there was to cry about? It's great that the guy I like discovered something about his heritage but if he's not crying, why am I crying?
And the instances where Milo cried felt contrived - there is literally nothing wrong or unhappy about Milo's life. He has a loving family and home, great food, great books to read, people to talk to, people who care about him, he's not depressed or damaged...he's just sensitive about his heritage and wonders about his birth parents every now and then. That's it. It's natural. But I don't know if it's natural for a 12-year-old boy to cry over a stranger's gift like he did unless Milo is just THAT sentimental.
I mean, Harry Potter didn't cry tears of joy at 11 when he was finally taken to Hogwarts and could leave the Dursleys, who were abusive, mean, insulting...I mean, if Harry cried tears of joy at that time, I'd completely understand. But he didn't. Why is Milo crying? Milo also cries tears of joy again toward the end for one of the other characters, not even for himself. How many boys of that age cry tears of joy? Heck, how many girls even? Tears of sadness, yeah. Tears of happiness over something that abstract? I don't know.
The plot. The biggest reason for why I couldn't love this one. I will hand it to the author for creating a mystery involving SO many characters and SO many clues and threads - that couldn't have been easy as a writer, considering that for a reader, it wasn't easy to follow at all. All I got from it was wow. This is so CONFUSING.
Yet again, just like for the names, I'd have to keep going back and trying to figure out how the heck this connected with this and when this happened and why this happened and gah! It was so frustrating. This was NOT a book I could put down for a few days and come back to because if I did, I would be SO lost. Yet, that's what I found myself repeatedly doing because it was so, so hard for me to get into the story and become invested. I really pushed myself to finish it, hoping something would come together, but nothing did.
There were SO many plot points and strange clues and characters with aliases and real names and other things to keep track of that at some point, I stopped trying to understand how everything worked. It just got so tiring. This book made me, as a reader, work more than a reader should just to understand the story, and that was one of the biggest roadblocks for me.
In fact, I more enjoyed the lulls in the action that had nothing to do with the tale, such as when Milo just nods off reading in front of the fireplace or when he and his dad go sledding; those parts helped me take a breather from trying to figure out whatever mess was going on in the rest of the mystery.
All in all, I'm quite sure adults would enjoy the nuances of this one more than kids. I wanted to love this but due to all the times I had to keep going back just to remind myself what the heck was going on and who in the world just popped up, and all the times I had to keep rereading sentences and figuring out all the complicated clues and who was involved where made it so that this one was sadly just not a winner in my book (wait, does that count as a pun?).
I was hoping for a lot more than what this book turned out to be. Still, I'm glad it found such a huge audience and that people still loved it, even when I didn't!
I'll start with the positive:
I did really enjoy the beginning, the setup of the story, the enigmatic characters introduced one by one, and the protagonist and his family before everything started going downhill for me. I loved the quiet style of writing, it definitely gave off the whole "cozy, curl up with some tea and a blanket in front of a fireplace" vibe.
I absolutely loved that the parents were present, that family was a big player in the story rather than taken out completely as they usually are in children's books. Milo's parents were such loving characters and the whole family dynamic was heartwarming to see.
Among the guests, my favorite was Mrs. Hereward. Her perpetually miffed personality and endless irritation at everyone around her was so funny to see and it set her apart from everyone else; it also made for some great comedic scenes, such as when she's trying to bake a cake with another guest who obviously does not like doing things as prim and proper as she does. Plus, seeing her go from always annoyed to slowly thawing and becoming softer toward Milo and the others was also nice to see. I have a soft spot for characters like that.
The setting was also charming - the inn and the winter were always described lovingly so it was easy to visualize and put myself right into the story. It's a perfect winter book, so much that it would almost feel wrong reading this in the summer!
Now, as I can see that many people loved this book, I'll talk about what didn't work for me aka what stopped me from loving this as much as I wanted to - I promise I didn't just read this and decide I didn't like it! There were many reasons:
Characters. There were so many! So many names to keep up with, and even when we were close to the end of the book, I was surprised when even MORE new characters came up! How to keep track?! And it wasn't like any of them were extremely distinct from each other either so when they would pop up, I'd have to keep flipping back to remind myself - who's the one with the blue hair again? who's the one who runs a lot? who's the one with the glasses? - and that made it hard to connect with anyone because I was just so busy simply trying to remember who they were.
Names. Some characters' names would be mentioned in the beginning but then completely dropped for the next 30 pages or the next couple chapters or so and then suddenly their name would come back up - like Lizzie, the chef's older daughter - and I'd have to remind myself who that is. Sometimes, they wouldn't even do anything substantial in the story or even have a dialogue until waaay later and by that time, I'd have forgotten who they were. That was frustrating.
Also, the fact that Milo and Meddy would go by their roleplay-game names, Sirin and Negret, and then the book would switch from those names to their real names, sometimes in the same page, sometimes in the same paragraph! Same with the mythical Doc Holystone character - he would be referred to by different names at different times and I'd have no idea who we were talking about. Some characters would have aliases and then be referred to by their alias but 15 pages later, be referred to by their real name and I'd be thrown off yet again.
And the worst part? When a certain character who already has two names is revealed to have yet ANOTHER name that's their real name! TWO NAMES WERE ENOUGH BUT NOW WE HAVE THREE NAMES FOR ONE CHARACTER???? And they would be referred to by all three names at times and it kept taking me out of the book and bothering me and that was so :(
The roleplay game. As soon as that came up, I felt the book starting to lose me. It would've been fine maybe if they just stuck with little things but Milo and Meddy got so immersed into the game that they started using all these terms and language and rules that sounded confusing, things I was unfamiliar with and would have to keep looking up. Not fun. I want to read a book, not keep turning to Google every few pages to understand one word.
The VERY specific descriptions. Okay, look, this one's a hit or miss. Sometimes you over-describe things and risk annoying the reader and sometimes you under-describe things and risk confusing the reader. Well, this one was a case of the first one. Drawings, maps, features of the house, were SO over-described that it would baffle me and sound so complicated that I'd have to go back and read the paragraph like three times to really visualize what the heck it was describing. And if I couldn't, I'd just give up and continue on.
I felt like the author had these really specific images in her head of what she was seeing and wanted the readers to visualize it the EXACT same way. And I understand that. But the truth is, when you're reading a book, everyone is going to visualize things differently and that's the fun part! You know? Just say it's a glass chandelier and go. We don't need to know about the indescribable piece of the chandelier of the brass tube that's shaped like a square on top of a rectangle that's placed where a quarterdeck would be with a seam and a hole and a place for a lid....just....what a mouthful!!!! How do you even visualize that? Why is it important that it's shaped like a square on top of a rectangle? How many shapes do we need? Why not just a square?
Another particularly puzzling description (with shapes yet again) was of a window with "a rectangular shape drawn at the bottom, cut in half by the line of metal separating the panes. The shape was surrounded on all sides by roughly triangular peaks that swooped up over it like mountains drawn by a little kid, and a single line ending in an arrow meandered through them to point at the right-hand side of the rectangle they surrounded" (page 283).
What??? I was SO lost. I had to read that three times to actually get what the drawing even WAS. There are so many pointers in just two sentences that my head spun. And it felt rather extra - why not just say rectangle instead of "rectangular shape" and then there's "triangular" and "single line" and "arrow" and "right-hand side" and oh, "rectangle" again, and "line" shows up twice, and there's some "meandering" going on and oh, there's also a simile....sigh. Let's just move on.
Meddy, the cook's daughter. I liked Milo as a character. Meddy, not so much. Milo's head was interesting to be in and he was likable, realistic, sometimes endearing, and kind. It seemed the other characters agreed with me for almost all the guests warmed to Milo and his interactions with his parents were just as warm.
Meddy, on the contrary, was decidedly unlikable. It was almost as if she was being unlikable on purpose. Was she trying to come off as this strong, spunky girl? Because that's not what I got. I didn't like the way she treated Milo sometimes; she could be rather mean. I didn't like her brashness or rudeness and pushy, overbearing behavior; nothing about her was endearing at all. Every time she appeared, I never really enjoyed it.
And while we were supposed to believe that Milo and Meddy build a friendship, it never felt much like a friendship to me - just some sort of partnership where they either order each other around, go clue-hunting or consult each other for information. Milo never shared many touching scenes with her; he had more meaningful interactions with the guests.
The crying. Lol, this is just a small thing but I thought I'd put it in anyway because I've read books where characters have cried in different situations and I've always felt something for them. For this one though, I was just like...??? There are maybe two or three instances where characters cry: Milo cries because he got a gift from someone he didn't even know, one of the guests cry because the guy she liked learned something about his heritage, etc.
I think this could've been done better - it was clearly meant to be these really touching, emotional scenes where you're just like awww but it was just so sudden and out of place that I was just sitting there like why are you crying? What's there was to cry about? It's great that the guy I like discovered something about his heritage but if he's not crying, why am I crying?
And the instances where Milo cried felt contrived - there is literally nothing wrong or unhappy about Milo's life. He has a loving family and home, great food, great books to read, people to talk to, people who care about him, he's not depressed or damaged...he's just sensitive about his heritage and wonders about his birth parents every now and then. That's it. It's natural. But I don't know if it's natural for a 12-year-old boy to cry over a stranger's gift like he did unless Milo is just THAT sentimental.
I mean, Harry Potter didn't cry tears of joy at 11 when he was finally taken to Hogwarts and could leave the Dursleys, who were abusive, mean, insulting...I mean, if Harry cried tears of joy at that time, I'd completely understand. But he didn't. Why is Milo crying? Milo also cries tears of joy again toward the end for one of the other characters, not even for himself. How many boys of that age cry tears of joy? Heck, how many girls even? Tears of sadness, yeah. Tears of happiness over something that abstract? I don't know.
The plot. The biggest reason for why I couldn't love this one. I will hand it to the author for creating a mystery involving SO many characters and SO many clues and threads - that couldn't have been easy as a writer, considering that for a reader, it wasn't easy to follow at all. All I got from it was wow. This is so CONFUSING.
Yet again, just like for the names, I'd have to keep going back and trying to figure out how the heck this connected with this and when this happened and why this happened and gah! It was so frustrating. This was NOT a book I could put down for a few days and come back to because if I did, I would be SO lost. Yet, that's what I found myself repeatedly doing because it was so, so hard for me to get into the story and become invested. I really pushed myself to finish it, hoping something would come together, but nothing did.
There were SO many plot points and strange clues and characters with aliases and real names and other things to keep track of that at some point, I stopped trying to understand how everything worked. It just got so tiring. This book made me, as a reader, work more than a reader should just to understand the story, and that was one of the biggest roadblocks for me.
In fact, I more enjoyed the lulls in the action that had nothing to do with the tale, such as when Milo just nods off reading in front of the fireplace or when he and his dad go sledding; those parts helped me take a breather from trying to figure out whatever mess was going on in the rest of the mystery.
All in all, I'm quite sure adults would enjoy the nuances of this one more than kids. I wanted to love this but due to all the times I had to keep going back just to remind myself what the heck was going on and who in the world just popped up, and all the times I had to keep rereading sentences and figuring out all the complicated clues and who was involved where made it so that this one was sadly just not a winner in my book (wait, does that count as a pun?).
I was hoping for a lot more than what this book turned out to be. Still, I'm glad it found such a huge audience and that people still loved it, even when I didn't!
January 16, 2017
Utterly charming, with an old-fashioned vibe that gives the impression that it was the inspiration for The Westing Game rather than the other way round. I love all the made-up books and games and words... but I'm glad to learn that The Holly-Tree Inn by Charles Dickens is real, and I will be reading that. The name of Milo, of course, must be from The Phantom Tollbooth.
I love all the individual characters. Some are more simply sketched than others, but all add value. One, for example, just shows us how to offer comfort: "He didn't ask if Milo was okay, or if he needed a tissue, or if he wanted to be left alone for a little. He just stayed there and kept Milo company." Love that the parents are very present, very loving, but that Milo still gets to have as much adventure as if he were the stereotypical MG orphan.
The plot and the setting are fantastical, but in a good way, with the dichotomy of the juicy historical fantasy contrasted with the actual setting of the 'present day', but in an inn that apparently doesn't have TV or access to a cell-phone tower... it's all rather slippery....
I bet the audio is pretty good, but I'd avoid it. You don't want to miss the little illustrations, or the ability to flip back and check on something. You also want to have a cup of hot chocolate, or at least cider, while reading this, as the winter storm, and the measures the characters take to alleviate the chill, are characters in their own right. There's also an author's note explaining the background of the story, including an explanation of Milford's pending adoption of a Chinese orphan. (I wonder if it's gone through, and business w/ that is slowing down production of the sequel.)
Normally I read only the first book of an adventure series because I don't like adventures and am just reading it for the world-building. But this is much more than an adventure, and so I'm thrilled to learn that a sequel to this is planned, and will reread this when I can get that. Also I learned that the author's other books are set in the same world and so I will investigate them.
I feel like I'm not doing the book justice, but rather than struggle to say something more, let me just highly recommend this to interested readers, with the caveat that it may not have universal appeal.
I love all the individual characters. Some are more simply sketched than others, but all add value. One, for example, just shows us how to offer comfort: "He didn't ask if Milo was okay, or if he needed a tissue, or if he wanted to be left alone for a little. He just stayed there and kept Milo company." Love that the parents are very present, very loving, but that Milo still gets to have as much adventure as if he were the stereotypical MG orphan.
The plot and the setting are fantastical, but in a good way, with the dichotomy of the juicy historical fantasy contrasted with the actual setting of the 'present day', but in an inn that apparently doesn't have TV or access to a cell-phone tower... it's all rather slippery....
I bet the audio is pretty good, but I'd avoid it. You don't want to miss the little illustrations, or the ability to flip back and check on something. You also want to have a cup of hot chocolate, or at least cider, while reading this, as the winter storm, and the measures the characters take to alleviate the chill, are characters in their own right. There's also an author's note explaining the background of the story, including an explanation of Milford's pending adoption of a Chinese orphan. (I wonder if it's gone through, and business w/ that is slowing down production of the sequel.)
Normally I read only the first book of an adventure series because I don't like adventures and am just reading it for the world-building. But this is much more than an adventure, and so I'm thrilled to learn that a sequel to this is planned, and will reread this when I can get that. Also I learned that the author's other books are set in the same world and so I will investigate them.
I feel like I'm not doing the book justice, but rather than struggle to say something more, let me just highly recommend this to interested readers, with the caveat that it may not have universal appeal.
January 6, 2024
3,66 stars upped to 4
This has been a lovely story, something that would have captivated me as a child and still entertained and interested me as an adult.
It is also a very fitting winter/Christmas read.
This has been a lovely story, something that would have captivated me as a child and still entertained and interested me as an adult.
It is also a very fitting winter/Christmas read.
December 2, 2023
A very winter-y book, which I had bounced off before due to wrong season, but finally we had a mood match. YA or maybe middle grade, the child of innkeepers in a fantastically cozy inn which gets a lot of surprise, mysterious guests just in time for Christmas, with some past smuggler treasure in the background. Stained glass windows, RPG play, mysteries, adoption as themes around.
It should have been precisely my cup of tea but somehow I kept putting this down and having trouble really connecting to the characters or plot all round. And no idea why. But there was pay-off indeed and I am glad I did persist.
A few random observations:
- I had some trouble with the universe. It is ours, kind of, references to 20th century, and 18th century, and tv and telephones. There are printed (40 years before at least) RPG game books and all. But it seems to be no real country, smuggling (Seedlings?) is important, not clear why, or from where. I ignored it mostly but I think it lurked in the background and it added to my difficulty relating to this story, universe.
- Incidentally, I wonder if the authors of This is How You Lose the Time War read this! Red and Blue! Totally different kind of book and plot, but that detail reminded me of it.
- About a supernatural element in the story, ah, well played, worth keep reading. Though in the end I had quibbles .
In all, interesting read and I liked it a lot. I will probably not read any more of the series since I do not even know what stopped me connecting to it.
It should have been precisely my cup of tea but somehow I kept putting this down and having trouble really connecting to the characters or plot all round. And no idea why. But there was pay-off indeed and I am glad I did persist.
A few random observations:
- I had some trouble with the universe. It is ours, kind of, references to 20th century, and 18th century, and tv and telephones. There are printed (40 years before at least) RPG game books and all. But it seems to be no real country, smuggling (Seedlings?) is important, not clear why, or from where. I ignored it mostly but I think it lurked in the background and it added to my difficulty relating to this story, universe.
- Incidentally, I wonder if the authors of This is How You Lose the Time War read this! Red and Blue! Totally different kind of book and plot, but that detail reminded me of it.
- About a supernatural element in the story, ah, well played, worth keep reading. Though in the end I had quibbles .
In all, interesting read and I liked it a lot. I will probably not read any more of the series since I do not even know what stopped me connecting to it.
July 31, 2020
I LOVE mysteries, and this book seriously delivered! The atmosphere was fun but intriguing, and the characters were enjoyable too. Wasn't a fan of the ending, but the story itself was really good for the most part.
(Also that cover is sooo prettyyyyy)
(Also that cover is sooo prettyyyyy)
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