Jessica Jones: Blind Spot

Jessica Jones by Kelly Thompson

by Kelly Thompson, Mattia de Iulis (Illustrator/Colorist), Marcio Takara (Illustrator)

Jessica has just faced her greatest fears - her most dangerous enemy - and won! Surely everything is smooth sailing from here? Nope! Instead she finds a corpse in her office - the body of a woman who came to Jessica for help years ago with a case Jessica failed to solve. And now she's being framed for the woman's murder! As Jessica reopens her investigation in hopes of bringing Dia Sloane's killer to justice, she finds herself caught in the web of a serial killer intent on murdering women with powers. Can Jessica figure out how all the pieces connect before the killer claims their next victim? The Sorcerer Supreme, Doctor Strange, is not being helpful - shocker. But how is monster hunter extraordinaire Elsa Bloodstone tied up in this whole mess?

Genres: Comics, Graphic Novels, Marvel, Superheroes, Comic Book, Graphic Novels Comics, Fiction

136 pages, Paperback

First published November 13, 2018

About the author

KELLY THOMPSON has a degree in Sequential Art from The Savannah College of Art & Design. Her love of comics and superheroes have compelled her since she first discovered them as a teenager. Currently living in Portland, Oregon with her boyfriend and the two brilliant cats that run their lives, you can find Kelly all over the Internet where she is generally well liked, except where she's detested.

Kelly has published two novels - THE GIRL WHO WOULD BE KING (2012) and STORYKILLER (2014) and the graphic novel HEART IN A BOX from Dark Horse Comics (2015). She's currently writing ROGUE & GAMBIT, HAWKEYE, and PHASMA for Marvel Comics and GHOSTBUSTERS for IDW. Other major credits include: A-Force, Captain Marvel & The Carol Corps, Jem and The Holograms, Misfits, Power Rangers Pink, and the creator-owned mini-series Mega Princess.

Kelly's ambitions are eclipsed only by her desire to exist entirely in pajamas. Fortunately pajamas and writers go hand in hand (most of the time). Please buy all her stuff so that she can buy (and wear) more pajamas.

Reviews

[James DeSantis · Rating 4 out of 5]

Well I was both excited and nervous for a new writer on Jessica Jones. When Kelly Thompson was announced as writer my exciting part took over. I really wanted to see what she had for our P.I. and she delivered!

So what's Jessica up to lately? Taking care of her kid and loving Luke Cage. It's not a bad life. Then, of course someone is killing d rated superheroes. Then Jessica gets shot in the head. But wait, she is NOT dead. What is happening!?!?!

Good: art is solid throughout. I love the last issue and builds up the next story well. Jessica feels like Jessica and also not as depressing. I love Jessica relationships here.

Bad: the main twist was really easy to see coming.

Overall really fun. I want to see what else Kelly has for Jessica. A 4 out of 5!

[Molly™☺ · Rating 3 out of 5]

Carried by the fun banter that's become rather a staple of Thompson's writing, Blind Spot succeeds in characterisation, but falls rather flat when it comes to plot. The end reveal is the main problem as it feels rather cheap, thus letting down the strong start that promises more mystery than it's able to deliver on. Despite the narrative flaws, it is still enjoyable and worth reading for the characters.

actual rating 3.5 stars

[Oscar · Rating 4 out of 5]

Jessica Jones one of my favorite Marvel series.

[Baba · Rating 4 out of 5]

Kudos to Thompson and De Iulis for achieving the impossible - a smooth transition away from Bendis and Gaydos! A wonderful true detective story that starts with Jessica finding a corpse in her office... going to seeing a serial killer going after lesser know powered females! Thompson also introduces some great new touches, that you'll have to read to appreciate - still loving this series :)

[Amanja · Rating 4 out of 5]

The full review complete with pictures can be found at https://amanjareads.com/2020/04/17/je...

Jessica Jones: Blind Spot is a Marvel digital exclusive that contains three double length issues.

Blind Spot was basically a test for writer Kelly Thompson. Up until this run nobody but Jessica Jones creator Brian Michael Bendis had written Jessica Jones. Thompson was entrusted with this incredible tasks and she nails it.

I'll admit it, I'm biased. I really love Thompson and everything I've read of hers so far. She's a seriously great up and coming author for Marvel and I can't wait to see how high her career will go.

So going in to Jessica Jones I had a kind of high bar set and I think she rose to it. Jessica Jones is a favorite character of mine as well. She's grumpy and disgruntled and resentful of her powers. She's not the sexy one but she's all badass. And she managed to bag Luke Cage, one of the hottest characters in all of Marvel-dom.

Blind Spot starts with Jones finding a dead girl in her private detective office. Of course she's arrested as the killer and brought in for questioning. The cops learn that Jones is only held in chains if she chooses to remain in chains.

She's super strong but she's not an idiot, she knows breaking out of custody is not always the best idea.

She is, however, vulnerable to bullets. A shot to the head takes her down right proper.

The rest of the run follows her as she has no idea how she's alive and is trying to solve the mystery of who is killing D list female heroes in New York. She also doesn't really like being on the so called D list.

She briefly pairs up with Elsa Bloodstone. I had never heard of her before but after seeing her in action here I really want to see more of her.

You can't beat that level of awesome. She just backflip kicked a monster's head off! Look at that grace!

As a whole the run is a solid mystery story with plenty of action and drama. Jones is her usual balance of sarcastic and competent as she follows clues to find the bad guy.

She is the star here. The spotlight is on her the whole time and Thompson does a great job with setting up Jones' future.

The end of the run does have a strong cliffhanger so I can't wait to read the next one to see what happens next. Of course The Purple Man will be involved and he's one of my all time favorite villains so keep an eye out for a future review at some point.

If you love strong female protagonists who aren't diminished by their male counterparts then look no further! Jessica Jones willl continue to grow in popularity and I don't see her books going anywhere for the foreseeable future. She is the future.

[Shannon Appelcline · Rating 4 out of 5]

I must admit that I was worried about the new Jessica Jones series, since she's really never been written by anyone but Bendis. Kelly Thompson (who did great work on Hawkeye) has taken my concerns away.

Oh, her Jessica Jones isn't quite the same as Bendis'. He focused more on noir, while I see more of a feminist twist from Thompson. But Thompson also carries over the core of Jessica's personality, does a great job writing her relationship with Luke, and also carries over the mystery well, even if it has a slightly different feel. Overall, this is a very good take on Jessica.

As for the main mystery: it's good, though it overstays its welcome by about one issue of fighting at the end. But it's got good twists and a good structure before that. Then the birthday issue at the end is terrific.

I find Marvel's whole digital-first on-again, off-again structure for Jessica Jones publication puzzling, but whatever ... as long as I get my new volumes of the comic every six months I don't care how it gets there.

[Scott Rhee · Rating 5 out of 5]

Six years ago, Jessica tried to help a girl named Dia with an abusive boyfriend. She failed. She nearly forgot about the case until, one day, she walked into her office to find the girl's dead body on her floor.

So begins Kelly Thompson's graphic novel "Jessica Jones: Blind Spot", which was the first JJ series not written by Brian Michael Bendis. No worries, though, because Thompson offers a fresh and exciting new perspective in JJ's world. (This book immediately follows Bendis's "Return of Purple Man" and precedes Thompson's "Purple Daughter". I read them out of order. Silly me.)

In this issue: Jessica is shot in the head; miraculously survives; finds out that she is one of four other super powered women in the city to also have been fatally shot in the head; discovers that Dia is alive and has a weird superpower; finds out who her killer is; and solves the case.

A lot more stuff happens (Jessica kills monsters, pisses off Dr. Strange, and battles a supervillain named Lone Shark in her apartment as she's setting up a birthday party for her daughter), but I don't want to give away too many spoilers...

[Katherine (Kat) · Rating 4 out of 5]

3.5/5

[George · Rating 4 out of 5]

I love the idea of doing longer form standalone stories like this in comics, meant to go directly to the shelves as trade paperbacks. Marvel should lean into this kind of thing. The biggest criticism I have with Blindspot is that it still kind of sticks to the traditional issue format, even switching artists at one point, perhaps because it was originally greenlit as an ongoing series or something. But otherwise it feels like Kelly Thompson is telling one story from beginning to end and I really like that. She gets Jessica Jones as a character, she’s taken some cues from the show (this could have easily been season 4 or something of the Netflix series if it hadn’t been cancelled). It’s a story with plenty of intrigue, action and things to say and I can’t wait to read the next one.

[Alex Sarll]

Another character who can sustain a TV show but not a regular comic, the page version of Jessica Jones has the additional hurdle of remaining strongly identified with one writer, her co-creator, who's now under exclusive contract to the competition. This is, I believe, her first post-Bendis miniseries, initially digital-only. Kelly Thompson writes, which makes sense; why wouldn't you give a female lead with an engaged crossover audience to a female writer, and one with form writing a sort-of-superhero female PI at that? Although Jones is a somewhat more scuffed-up, not to mention more competent, investigator than Kate Bishop, and this series is definitely a bit darker in tone than Thompson's Hawkeye or West Coast Avengers, opening as it does with Jones tied up in another hero's costume by an unseen assailant, then flashing back to her finding a body in her office, which turns out to be a former client on whose boyfriend she previously failed to dig up any real dirt. The direction it takes from there is interesting, at once much as you'd expect (a story about shitty, entitled men and the women they harm) and really not (because this is, after all, a superhero universe, where weird shit happens as a matter of course). Indeed, the power level of the threat initially feels like a misstep, something liable to unbalance a fundamentally street-level character, before the degree to which it ties in with her backstory and recurring themes clicks, and the whole thing is revealed as a wonderfully crafted piece. It feels more actively feminist, not to mention more deeply into detective skills, than the previous Jones comics – but these are very much tweaks, rather than any major reinvention. Similarly, the art from Mattia de Iulis and Marcio Takara is often very reminiscent of the work of Jones' other co-creator, Gaydos, which helps maintain a sense of continuity. Still, I can't picture any of those other runs teaming Jones up for a couple of issues with foul-mouthed monster-hunter Elsa Bloodstone (whose Nextwave swearing protocols are maintained – and I'd love to know what she said to those snakes). Because for all that it's a serious book, there is still a carefully sustained element of comedy here too, not least in the domestic dynamic with Luke Cage. Pretty much exactly what you'd want from a 616 Jessica Jones book (or at least what I'd want from same), and I know there's at least one sequel already available - set up in the last issue of this, which until then has been a fun coda about baby Dani's birthday party - but I really hope more are in the works from the same team.

[James · Rating 4 out of 5]

Really enjoyed this one. Jessica Jones has an old case that she never closed come back around to bite her. She jumps knee deep back into it to figure out what the hell is going on. Some nice cameos, nice action and some funny banter add the the enjoyment. Plus the art was really nice. The last issue was like a fun one-shot that sets up the next volume which I am looking forward to.

[Guilherme Smee · Rating 4 out of 5]

Kelly Thompson, a escritora de quadrinhos com duas fotos apenas, ficou responsável por substituir Brian Michael Bendis nas histórias de Jessica Jones. Essas histórias fora criadas primeiro de forma digital e depois, foram publicadas em formato físico. Thompson consegue conduzir a história de modo bastante convincente, usando alguns truques de narrativa como Bendis costumava fazer. A história, mais uma vez gira em torno de abuso feminino e abuso de poderes extranormais e Jessica Jones e outra mulheres poderosas e B do universo Marvel estão envolvidas, como Misty Knight e Elsa Bloodstone. A narrativa chega a ser melhor que algumas de Bendis na primeira fase dele em Alias, mais interessante e mais envolvente. Os desenhos de Mattia de Iulis são bastante realistas e feitos no digital, bem diferentes dos desenhos de Michael Gaydos na publicação. Porém, o fato destoante da publicação é a última história, que é a comemoração do aniversário de Danielle Cage e é desenhada pelo brasileiro Marcio Takara. O problema não é a arte, mas a história, que incia o que parece ser um novo arco de histórias, completamente separado do anterior e que finaliza em um gancho não explicado. Bastante frustrante. Em geral, o quadrinho é muito bom, mas essa última história destoa demais do resto em clima, ação, visual e intenção.

[Logan · Rating 2 out of 5]

Started off good, but it fell off towards the end. I love Kelly Thompson as she's one of my favorite modern comic book writers and I loved Jessica Jones: Purple Daughter by her. This book starts off interesting with an old client of Jessica's showing up dead in her apartment, and now she has to find out what's going on. The mystery was good but it wore off towards the end and the reveal of the bad guy was just confusing and anti-climatic. It's also very dialogue heavy plus Jessica's thoughts boxes, which I know is comics in a nutshell, but it made some of the issues feel very long winded and I needed to take a break after reading an issue. The artwork is pretty good, though it changes in the last issue, which is its own one shot tale and doesn't have anything to do with the main story. I actually thought this was a mini-series but it seems to have been an ongoing.

[Craig · Rating 3 out of 5]

I liked this a lot. The artwork was great, although it aped the style of Bendis/Maleev's take on this character far too closely--you need to do something different, something to set your story apart. Also, the solution to the main mystery was really simplistic and rather downright silly when it came down to it. Still, there's a lot to like here, particularly the relationship between Jessica and Luke Cage and daughter Dani. And the final issue, about a birthday party gone wrong, was a nice palate cleanser. Here's hoping the next volume can build on this promising beginning.

[Zedsdead · Rating 3 out of 5]

Jessica finds a corpse in her office and is immediately busted by overly suspicious cops. It's a setup! Then she gets shot in the head. Time to go to work!

Despite unwelcome cameos by Dr Strange, Spiderman, Thor et al, Blind Spot felt more like a strong Stumptown volume than a Marvel foray through most of the story. Jones is tough, smart, snarky, and relentless, and the central mystery is captivating. Thompson takes a hard feminist run at misogyny here, writing some exasperating male characters obsessed with putting uppity bitches in their place, or you know, just start kissing them, it's like a magnet, don't even wait cuz when you're a star they let you do it. This volume has a message.

Sadly, Thompson tanks the ending Marvel-style. All consequences are retracted, all the murder victims magically returned to life without so much as a scar. The universe reverts to status quo ante so that the next volume can be churned out sans world-building or plot advancement. The Blind Spot events might as well never have occurred.

One other significant complaint: the moronically asterisked-out cursing. Be a book for adults, or don't. This have-it-both-ways shit fails on both fronts.

This was a worthy attempt at a noir P.I. story in a powers setting. And it came distressingly close to being quite good.

[Owen Townend · Rating 2 out of 5]

An intriguing mystery that ends a little soft for my liking. Maybe I'm too used to Jessica Jones being a world-weary PI dealing with gritty atrocities, but Blind Spot didn't quite hit the spot for me.

It begins with a cold case resurfacing in the form a client's dead body at Jessica's office. From there we learn about a killer targeting super-powered women, including our protagonist herself.

The first two thirds kept me guessing and hoping for a strange but plausible solution, but I found the ending rather flimsy. Without giving too much away, it plays into the magical element of the Marvel Universe, which is fine though it soon abandons the crime story for deceptive spells and spiritual engagement. This was not what I picked up this particular trade paperback for.

That being said I did like a few things such as De Iulis's artwork and use of shade, and the brief, human cameos from the likes of Daredevil, Dr Strange and Spider-Man. Also I love the family dynamic between Jessica Jones, Luke Cage and their daughter Danielle. This came out particularly well in the extra story at the end. It seems I find Marvel Comics most endearing when they set high-octane action in a domestic setting.

This aside though I did hope for more with this particular mystery. Thompson shows good storytelling instincts here but the payoff needs work. Even so, I recommend Jessica Jones: Blind Spot to fans of ground-level superheroes and tough characters coming out of their shell.

[Thomas · Rating 4 out of 5]

This was a fun story! Kelly Thompson continues to show that she knows how to write the sarcastic, witty female detective type well. She puts her trademark wit to good use writing Jessica Jones as we follow a case that is leaving people with powers dead, including for a short while, Jessica herself. The plot isn't the greatest but there are several delightful laugh-out-loud character moments and lines, and that is what I came for and this book delivered!

The last part of the volume is a side story that features a few other heroes and villains dropping by as Luke Cage and Jessica try to get their place decorated for their daughter's birthday party. I need more She-Hulk in my life and she got a few featured pages, which made me happy.

Definitely worth a read if you enjoyed Bendis' run or the Netflix series, or if you like Thompson's other work.

[Alan · Rating 2 out of 5]

Here's the thing. I really wanted to like this because of the little bit I've watched of Krysten Ritter's portrayal of the character in Netflix's Defenders and Jessica Jones. The problem here is that Thompson doesn't quite get across Jones as an individual reclaiming herself from damage (both inflicted on her and self-inflected) and portraying a healthy relationship between Jones and Cage.

Nope instead the reader gets a pretty standard superhero story (yawn), and almost no Luke, Dani or relationship work until the last issue. For this to be a series one that can, and does standout, whoever gets the assignment from editorial has to stand up and say, " Let's be different and make this about the Jones family and its interactions."

Maybe it wouldn't be a big seller, but at least then it would be different.

[TJ · Rating 5 out of 5]

This was my first Jessica Jones comic, and I loved it! Kelly Thompson is fantastic, so I was excited to see her rendition of Jessie; it didn’t disappoint! The mystery was intriguing, the dialogue was fun, and the art was some of the best I’ve seen lately. I highly recommend this to anyone interested in Jessica’s character, some previous knowledge of the character needed though. I’ve only watched the Netflix show, but I feel like that’s good enough; although one day I do plan on binge reading Bendis’ Alias volumes. Until then, Thompson’s run is doing it for me! 5/5 stars.

[Todd Glaeser · Rating 5 out of 5]

I didn't think anyone but Bendis could write Jessica Jones. I was wrong. I'm glad they are continuing the book reality, and not just doing the TV show. And I can't wait to see the rest of the Birthday party!

[Lenny · Rating 4 out of 5]

The newest Jessica Jones series, headed up by Thompson and de Iulis, started out as a digital three part story arc on Comixology, along with a bunch of other exclusively digital titles including Iron Fist, Captain Marvel and Luke Cage (the three “parts” were double sized issues). I’m curious how the sales piece is working out for Marvel (releasing issues digitally and trades in print seems like a bit of a risk), but I’m glad they’re at least willing to try with popular characters and especially Jessica’s case, a top of the line writer too.



Thompson and de Iulis take the best things about Bendis’ Jessica Jones run (see here: Alias, Vol. 1 Omnibus) and, for the most part, make it better. Thompson has a great handle on the voice and inner turmoil of Jessica (without Bendis’ walls of text), even though her bad habits are somewhat mediated now that she has a family with new hubby Luke Cage and daughter Dani. (Does she even have a drink this whole volume?)

Jessica and Luke have a sweet and protective relationship, and for two people who naturally put up walls, it’s really humanizing for both of them. In the final issue, Luke realizes a mistake he made and tells Jessica she can be vulnerable with him in a really powerful scene. Giving Jessica a loving partner and a safe space with him makes her try harder to be better for her family, and that’s more interesting than where she started.



In Blind Spot, one of Jessica’s old clients, who ended as a cold case, literally turns up cold on her office floor. Jessica goes from murder suspect to PI with a vengeance, to one of the victims herself. The mystery is interesting with some unexpected twists, and of course lots of cameos – at this point, just expect Strange and Carol cameos in every Marvel comic.

Jessica also teams up with Elsa Bloodstone, a monster hunter constantly bleeped out with tiny skulls for letters. This was my introduction to the character and her no nonsense badassery made her a great pair with Jessica. Their banter during a squelchy fish monster battle in the Hudson River (yes you read that right) was a highlight of the book.



The story was definitely propelled not just by Jessica but other women whether they help Jessica get a phone number (Kate! Nico! Karolina!), kill fish monsters, or get in her way (Misty Knight). It’s a good balance since women are also all the victims, and it doesn’t feel too forced. The end brings in some #metoo metaphors that might be on the nose for some but considering Jessica’s personal history and the theme of the book, it absolutely works.



This is my first time seeing de Iulis’ art and it reminded me a bit of Cat Staggs’ also awesome work in Crosswind. The realistic style definitely works in Jessica’s world and was especially cool during the fighting scenes, but other times characters looked a bit wooden and lacked enough expression – very rarely did characters have creases on their foreheads and around the eyes so it looked really polished, but not too expressive. Jessica’s observations come in the form of black and white photos overlaying what she’s seeing with a short explanation, a cool visual addition that also reminded me of a similar style from Leonardo Romero’s Kate Bishop run. Movement was also an issue, the few panels above with Elsa tossing the axe and Jessica flying through the aren't as exciting or kinetic as they should be.

Rosenberg's art in #6 was very off putting but that might have also been because it was so jarring from de Iulis - where de Iulis is exact, Rosenberg was a bit looser, and going from one to the other it felt all over the place. I might not have felt that Rosenberg's art was sloppy and difficult to put up with - especially with the good one shot story - had it not come at the end of de Iulis' art.



Blind Spot finishes with a surprising cliffhanger. Looking forward to volume two and I’m thrilled that even with this experimental media format, Jessica Jones remains an excellent title.

More reviewing fun on my blog, Reading Art!

[Anna (Bananas) · Rating 4 out of 5]

First thought, this was a lot of fun. I don’t usually read superhero comics and I kind of forget that Jessica lives in that world. So there are some ridiculous villains and a few action scenes, which I normally could care less about, but here it’s handled with humor.

There are also nuanced and poignant moments throughout the story. The plot itself isn’t anything amazing but it’s in the details and the little moments that the author and artist show heart. Issues of self-doubt, responsibility, and truly learning from your mistakes may not sound exciting but they are human. They’re relatable, which is exactly what a superhero story needs. Jessica has a lot to be vulnerable about lately, with a loving husband and daughter in her life.

I enjoyed all the fun cameos throughout the story - Runaways characters (yay!!!), Captain Marvel, Dr. Strange, Kate Bishop, She-Hulk, Elsa Bloodstone (never heard of her before but I like her now), and maybe the best part, a pop-in from the original author Bendis. This is another aspect of superhero stories that’s rather nice. There’s a whole pool of characters to pull from to spice up a story.

So yeah I really enjoyed this one.

[Dev · Rating 3 out of 5]

This was okay but definitely not as good as some other Jessica Jones stories. As I've said before I think her character works best when the stories are 'smaller' and less complicated and this one seems to be kind of all over the place to me. The new art style is also a lot to get used to after coming off of Bendis' run. There's nothing 'wrong' with the art and it's actually very good but it's just such a different style that I almost feel like I'm reading about a different character.

I think they were trying to make her look more like the actress in the TV series but while I do love the show the look is a bit bland to me here. I think that in the original series the art gave her more of a weight and a presence and Krysten gives her that same weight with her acting presence despite actually being fairly small herself but here she just looks incredibly generic most of the time. Anyway, looking forward to the next volume because I feel like the Purple Man stuff is generally better so hopefully that will be a better read for me.

[Jaye Berry · Rating 5 out of 5]

I love her.

So we have Jessica just trying to live her life but then she comes across an old client in her office- dead. Then Jessica herself gets shot in the head, but somehow doesn't die. She wasn't the only powerful female superhero to get shot either so she digs to get to the bottom of what is going on.

Love love. I'm so serious when I say this is exactly the vibe I wanted. It does get a little bit too magical BUT it really was just Jessica doing her PI work and kicking ass.

I'm absolutely obsessed with the feminist side of the entire plot too which is hilarious coming from this author because I remember getting so mad at one of the plots she had for her Captain Marvel run. 💀

The art was gorgeous ughhh. After trying to read another Jessica run with the most ugly art ever known to man, this was a gift. The art changes in the last issue but that one was mostly stand-alone set up to the next one. Seeing Luke and Jess trying to set up a birthday party for their daughter + their bonding moments aww. 🥺

We get a bunch of cameos from a whole bunch of people but they fit so nicely and I want Elsa Bloodstone to step on my neck actually.

[Sean · Rating 4 out of 5]

I love this Jessica Jones by Kelly Thompson. She's still tough and sarcastic but talented, smart, and loveable. While the skillset of the big bad makes the whole thing wonky, this book was fun. It showed what Jessica is capable of and how many people she has a positive effect on. The art by Mattia de Iulis was really good. Overall, an entertaining book that builds to more.

[William · Rating 5 out of 5]

I was wary of any series with Jessica Jones not written by Brian M Bendis, but as it turns out, this is terrific work. Different, but in a good, distinctive way. Intriguing story, excellent characterization. Well done.

[Amy! · Rating 4 out of 5]

This was great! If you like Jessica Jones, you will like this book. I'm really glad Kelly Thompson is writing so much for Marvel; she's got such a good handle on the characters, and her stories are always so enjoyable.

[Zach Rust · Rating 4 out of 5]

Love how Kelly Thompson captures Jessica Jones’ gives-no-f**** attitude. The murder mystery plot is excellent as well, with plenty of good twists.

Also, I need Kelly Thompson to write more Elsa Bloodstone. Marvel, get on it.

[Danica · Rating 5 out of 5]

Love Kelly Thompson writing Jessica Jones.

[gabriela ✦ · Rating 5 out of 5]

i'm about to let marvel have rights