"You can laugh at the past," says Dorothea Tanning,
"you cannot laugh at the future." Her memoir (no
'ghost' for Tanning) of life with Max Ernst in postwar
Paris and America (she was his 4th wife) is an original
"rumination, souvenir" of a surrealist vision.
This adventurous artist from Galesburg, Ill, fragments
Time & Memory as she recalls Andre Breton, Roland
Penrose, Man Ray. Essentially hers is a personal
story and, as one critic said, "a poetic evocation in
which dream and reality can mingle."
The Left Bank was "a perpetual carnival where disguise
and discretion are one and the same." It contrasts with
a lengthy retreat in Sedona, Arizona, where "an electrical
storm could hang a ball of white fire in the doorway."
Modest luxuries - telling your best ideas to a dog or
crying for fun, she adds - make the small life big.
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Tanning later put this material into a 2d memoir,
"Between Lives."