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中国简史（看西方人研究中国历史的经典著作，换个视角解读自己的历史和文明） (时间的轨迹-不可遗忘的历史系列 34)
★亚洲史研究界的泰斗，法国史学家、汉学家勒内·格鲁塞以研究中亚和远东著称，本书是他研究中国历史的成果展现与代表性作品，也是西方人研究中国历史的经典著作之一。
★看多了中国人写的历史，也换一种视角，将中华文明的发展历程放入全球视野下，看看西方人眼中的东方文明，从中国开始认识世界，由世界重新认知中国。
★本书虽然是学术著作，但行文风格轻松，语言通俗易懂，其中不乏生动的细节描写，另外，书中新增了几十幅精美插图，使本书显得更加精美和完善。
★本书不是常见的通史，而是有着自己的侧重点。全书按照时间顺序，以朝代的更迭、军事进程为主线，穿插艺术、哲学、经济等取得的成就，又根据每个朝代的特点着重讲述了其中成就最大的部分。
法国史学家、汉学家格鲁塞所写的这本《中国简史》，是西方人研究中国历史的经典著作之一。
书中，作者以重大的历史事件和历史人物为点，串连起中国上下几千年的历史；又以这些点为基础展开画面，截取出一个个角度独特的视觉面，从华夏的起源一直写到了清王朝的覆灭。
同时，作者也不是孤立地来写中国历史，而是将其放入了整个世界历史的大环境当中，通过横向和纵向的对比，从另外一个角度更客观地来看待中国的历史与文明，展现给我们一部不同于以往视角的中国历史。
勒内• 格鲁塞（1885~1952）
法国历史学家，亚洲史研究界的泰斗，以研究中亚和远东著称。
格鲁塞一生潜心研究东方的历史与文化，著述颇丰，主要作品有《亚洲史》《亚洲的觉醒》《成吉思汗》《草原帝国》《佛陀的足迹》等十几部，且其中多数都是世界历史名著。
格鲁塞对中国历史发展进程的研究也颇为深入，本书正是这一研究成果的展现与代表。
★看多了中国人写的历史，也换一种视角，将中华文明的发展历程放入全球视野下，看看西方人眼中的东方文明，从中国开始认识世界，由世界重新认知中国。
★本书虽然是学术著作，但行文风格轻松，语言通俗易懂，其中不乏生动的细节描写，另外，书中新增了几十幅精美插图，使本书显得更加精美和完善。
★本书不是常见的通史，而是有着自己的侧重点。全书按照时间顺序，以朝代的更迭、军事进程为主线，穿插艺术、哲学、经济等取得的成就，又根据每个朝代的特点着重讲述了其中成就最大的部分。
法国史学家、汉学家格鲁塞所写的这本《中国简史》，是西方人研究中国历史的经典著作之一。
书中，作者以重大的历史事件和历史人物为点，串连起中国上下几千年的历史；又以这些点为基础展开画面，截取出一个个角度独特的视觉面，从华夏的起源一直写到了清王朝的覆灭。
同时，作者也不是孤立地来写中国历史，而是将其放入了整个世界历史的大环境当中，通过横向和纵向的对比，从另外一个角度更客观地来看待中国的历史与文明，展现给我们一部不同于以往视角的中国历史。
勒内• 格鲁塞（1885~1952）
法国历史学家，亚洲史研究界的泰斗，以研究中亚和远东著称。
格鲁塞一生潜心研究东方的历史与文化，著述颇丰，主要作品有《亚洲史》《亚洲的觉醒》《成吉思汗》《草原帝国》《佛陀的足迹》等十几部，且其中多数都是世界历史名著。
格鲁塞对中国历史发展进程的研究也颇为深入，本书正是这一研究成果的展现与代表。
351 pages, Kindle Edition
Published September 1, 2016
About the author
René Grousset
205 books23 followersRené Grousset (September 5, 1885 – September 12, 1952) was a French historian specializing in Asiatic and Oriental history.
He was born in Aubais, Gard in 1885.
Having graduated from the University of Montpellier with a degree in history he began his distinguished career in the French Ministry of Fine Arts soon afterward. He served in the French army during World War I. In 1925 Grousset was appointed adjunct conservator of the Musee Guimet in Paris and secretary of the Journal asiatique. By 1930 he had published five major works on Asiatic and Oriental civilizations. In 1933 he was appointed director of the Cernuschi Museum in Paris and curator of its Asiatic art collections. He wrote a major work on the Chinese buddhist medieval pilgrim Huien Tsang, particularly emphasising the importance of his visit to the northern Indian buddhist university of Nalanda.
Before the outbreak of World War II, Grousset had published his two most important works, Histoire des Croisades (1934-1936) and L'Empire des Steppes (1939). Dismissed from his museum posts by the Vichy government, he continued his research privately and published three volumes on China and the Mongols during the war. Following the liberation of France, he resumed his curatorship of the Cernuschi Museum and in addition was appointed curator of the Musee Guimet. In 1946, Grousset was made a member of the French Academy. Between 1946 and 1949 he published four final works, concentrating on Asia Minor and the Near East.
-Wikipedia.
He was born in Aubais, Gard in 1885.
Having graduated from the University of Montpellier with a degree in history he began his distinguished career in the French Ministry of Fine Arts soon afterward. He served in the French army during World War I. In 1925 Grousset was appointed adjunct conservator of the Musee Guimet in Paris and secretary of the Journal asiatique. By 1930 he had published five major works on Asiatic and Oriental civilizations. In 1933 he was appointed director of the Cernuschi Museum in Paris and curator of its Asiatic art collections. He wrote a major work on the Chinese buddhist medieval pilgrim Huien Tsang, particularly emphasising the importance of his visit to the northern Indian buddhist university of Nalanda.
Before the outbreak of World War II, Grousset had published his two most important works, Histoire des Croisades (1934-1936) and L'Empire des Steppes (1939). Dismissed from his museum posts by the Vichy government, he continued his research privately and published three volumes on China and the Mongols during the war. Following the liberation of France, he resumed his curatorship of the Cernuschi Museum and in addition was appointed curator of the Musee Guimet. In 1946, Grousset was made a member of the French Academy. Between 1946 and 1949 he published four final works, concentrating on Asia Minor and the Near East.
-Wikipedia.
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