Author Brian Garfield is best known for his brutal action thriller, Death Wish, in which an average man goes gunning for revenge against the people who destroyed his family. But Garfield has also been a prolific Western writer as well. That's not all that surprising; turn the clock back a century or so, and Death Wish would have made a good Western. In fact, Garfield explored that same theme of revenge in The Last Hard Men, a book that's as brutal in its own way as Death Wish was.
The Last Hard Men is the story of two men on opposite sides of the law who are obsessed with each other. Sam Burgade is a semi-retired lawman in 1914 Arizona, living with his widowed daughter. Any retirement plans he has, however, are put on hold when Zach Provo and eight other hardened convicts escape from Yuma Prison. Burgade sent Provo to prison over a quarter of a century earlier, following a shootout in which Provo's wife was killed. In retaliation, once he gets out of jail, Provo and his gang kidnap Burgade's daughter and go into hiding on the Navajo Indian Reservation, knowing that a posse can't follow them onto Indian land. Provo also knows that Burgade will still follow them on his own, regardless of the odds against him, in order to rescue his daughter..
The Last Hard Men was originally titled Gun Down but was later made into a film under its current name starring Charlton Heston and James Coburn. The book was later retitled to match the film. Under either title, the book is an example of pulp genre writing at its best. It’s a short, lean work, clocking in at under 200 pages with little time for transitional scenes. The book is written in chapters that alternate between Burgade’s and Provo’s points of view, with readers being plunged right into scenes with little explanation, requiring them to catch up. It’s a bit disconcerting at first, but later adds to the book’s relentless pace and building of suspense.
Although The Last Hard Men is primarily an action book, author Garfield doesn’t skimp on the literary touches either. The book contains some wonderfully descriptive language, such as this sentence about a secondary character: “God had made Sheriff Noel Nye as ugly as He could and then hit him in the face with a shovel.” The book has plenty of evocative language like that, and when the action heads into the mountains, readers will have a real sense of the scenery. Garfield also makes The Last Hard Men, to a considerable extent, a duel of wits rather than merely of guns. Over and over, readers get into the heads of both Burgade and Provo as they try to figure out each other’s moves and plan their strategies. While the book is a test of wills between two men who genuinely hate each other and want to bring each other down, it’s not just a quick-draw contest, but a lengthy chess game.
While The Last Hard Men is a good, competent Western, it had the makings of a great one, but the author didn’t follow up on the plot threads he so carefully established. He makes a point to set the story in 1914, but, other than a side reference or two to “modern” technology and current events, it could just as easily taken place 30 years earlier. Similarly, Garfield touches on Burgade’s advancing age and his feelings that he has lost his edge, but, primarily, the author uses that to build suspense in the last section of the story, when Burgade takes on Provo’s gang.
Although Brian Garfield isn’t at Elmore Leonard’s level, especially in regard to his use of dialogue, which is merely serviceable (and contains some annoying intentional misspellings to capture the villains’ “dialect”), The Last Hard Men is a solid short novel that most people will want to finish in one sitting. (I’d also recommend the movie to those who can find it.) Western fiction, especially of the pulp variety, tends to be overlooked, even by fans of action thrillers. The Last Hard Men, however, is one tale worth tracking down.