Whooo boy. This is an offering by N. L. Paradox and it starts off with a bang. A teen boy is violently forced to appear as a girl, and as he suffers indignities that no woman…no person…should experience, he is left without a choice but to become a girl for life. After that bombshell, the story develops as we follow her adjustment to her new life…the highs and lows of being a young woman, dealing with hormonal changes, questioning her identity in every sense of the word, and dealing with PTSD from the trauma she experienced…all while navigating one of the most challenging crucibles on earth: High school.
That’s the non-spoiler summary of the book. You can find out more specific teasers by reading the book jacket, or you can read the whole book and enjoy the roller coaster ride designed by Paradox…and it is quite a ride. To describe my emotional reaction to the book, I would have to say that it had me holding my breath from when things started all the way through to the climax. Seriously, once I passed the climax of the book, I felt myself take a deep and shaky breath from the anxiety I had been holding on to all throughout. It’s not so much that every page was a nailbiter…but every page was begging to be turned to find out what happened next, even for the mundane activities and experiences that the protagonist, Erika, was navigating. The pacing of the story was superb. The interpersonal and intrapsychic dynamics explored by the author were masterfully managed. The characters felt real, even if a bit idealized. And the struggles…the struggles were visceral. Every smile, every tear, every panic attack…I hesitate to use the word “perfect” because nothing is perfect, but I’ll be damned if I didn’t feel as though I was right there listening to Erika (the protagonist) tell her story, hanging on every word. One of the biggest challenges I found, as a reader, was traveling the journey with the characters, wanting things to work out for the best but knowing that there still had to be some major dilemma that had to happen before the story could be resolved. And Paradox could not have handled that push/pull any better.
One of the smart things Paradox did was take sex out of the equation. By writing about teens, you know it's not going to be a book focused on sex with a transgendered person. That both relieves the pressure and elevated the writing. Story became paramount and it was easy to get sucked in to the tale she told. This doesn't mean that there's no sex at all. I mean, hello…teenage hormones and all. (And an unfortunate but necessary “bang” to start the story.) It's just that it becomes…tertiary to the internal experiences and social adjustments of the protagonist.
Perhaps might biggest critique of the book was that the support offered, from friends, from parents, was almost too perfect. There were other elements, like finances needed for medical treatments, that also were not a factor thanks to the success and hard work of Erika’s parents. It doesn’t mean that these factors were unrealistic. They just didn’t feel like they reflected some segments of society as fully. That is, if Erika wasn’t coming from a privileged background, how would the outcome have been different? That’s not a ding on the book or on the author’s writing however. It simply reflects a different script that exists in MY head as the reader based on my experiences and interactions with people who struggled and would see this type of writing as purely fictional, fantastical, and something they couldn’t identify with because it didn’t capture some of the realism that they had to navigate in their daily lives.
When it came to the mental health experiences of someone with PTSD, that was where Paradox’s research really showed and it paid off wonderfully. I mean, it’s not wonderful that a teenage girl had to deal with PTSD so severe that she needed a service animal to manage. But it IS wonderful that Paradox did not shy away from the topic…from describing the emotional and mental experiences of someone that had been severely traumatized, from addressing family and community support to the importance of therapy (which she also did superbly in “High Heels in a Minefield”), from triggers to treatments and everything in between. The way Paradox handled PTSD, even comparing it with the typical association of the illness to those that have survived combat or other violent situations, made me consider this as a book I would consider using with some of my clients. It’s something I’m definitely considering because even though everyone may not be comfortable with transgender characters, the emotional struggles transcend gender and person and exemplify an illness that is often misunderstood.
All that being said, Paradox creates a world that I would want to live in. A world grounded in love and support, communication and understanding. A world where intolerance and ignorance is unearthed and not excused or overlooked. It's not an ideal world, but it is perfect in its imperfections and in the communication that allows everyone to learn and grow and live and love. And I want to thank her for creating it, for sharing it, and inviting the readers to join her there. Thank you Paradox…with all my heart.