Anyone curious about the most interesting discography in music history (I mean, the guy won the Nobel Prize for literature, for God’s sakes!) will find this book not only entertaining but also helpful.
Bob Dylan’s vast oeuvre could be described as easy to enjoy but damn near impossible to master. This guide, which covers not only albums but even books and documentaries, is a good tool for those wanting to make the commitment… or even those who have already followed Dylan for some portion of his half-century+ career.
So, in the spirit of this guide, which features multiple lists, I’ll conclude with my own: what I consider the top 5 Bob Dylan non-album tracks:
1. “Talkin’ Bear Mountain Picnic Massacre Blues”
An outtake from The Freewheelin’ Bob Dylan, this is performed in the same singing/talking style as that album’s “I Shall Be Free” and, obviously, “Talkin’ World War III Blues.” It’s so similar to those songs, in fact, that its omission from the final album makes sense. But if you really like that flavor of Dylan, you’ll like this quirky number that’s as delirious as its title.
2. “Positively 4th Street”
Yes this is such an obvious choice as to almost be cheating, but it’s literally my favorite Bob Dylan song. Why it wasn’t included on Highway 61 Revisited is baffling to me. Four minutes of acidic perfection.
3. “Foot of Pride”
Infidels was a bright-spot in Dylan’s most dire decade of music, the ‘80s. This clever, barking-voiced groove didn’t make the final cut, despite Dylan being fixated on getting it just right (the Rolling Stone guide states the song was recorded “a whopping 44 times.”). “Foot of Pride” would probably be better known if it wasn’t overshadowed by the album’s more lauded outtake, “Blind Willie McTell.”
4. “High Water (For Charley Patton) [Live 2003]”
This creepily brilliant song is a highlight of one of my favorite Dylan albums, Love and Theft. This live version, taken from Vol. 8 of the Bootleg Series, puts an uproarious spin on “High Water,” rendering it somehow both bluesy and upbeat. Also a good example of how Dylan famously changes up his songs for live performances.
5. “Catfish”
An outtake from Desire, “Catfish” is a lethargic ode to a real-life baseball player. The opening line, “Lazy stadium night,” sets the mood for three minutes of thoroughly enjoyable, well, laziness.