Starfire makes a crushing discovery, Beast Boy uncovers a shocking betrayal, and Cyborg and Wonder Woman are forced to make decisions that will have devastating repercussions for all four teams…and potentially for those they left behind on Earth.
Prior to his first professional work, Tynion was a student of Scott Snyder's at Sarah Lawrence College. A few years later, he worked as for Vertigo as Fables editor Shelly Bond's intern. In late 2011, with DC deciding to give Batman (written by Snyder) a back up feature, Tynion was brought in by request of Snyder to script the back ups he had plotted. Tynion would later do the same with the Batman Annual #1, which was also co-plotted by Snyder. Beginning in September 2012, with DC's 0 issue month for the New 52, Tynion will be writing Talon, with art by Guillem March. In early 2013 it was announced that he'd take over writing duties for Red Hood and the Outlaws in April.
Tynion is also currently one of the writers in a rotating team in the weekly Batman Eternal series.
Very ugly art, the artists don't only need to be fired... No, we need to collect all physical copies of this issue, make a hill out of them, with the artist standing in front of the hill, and then we burn the issues as a soldier reads the sentence: execution by firing squad because they made us see this ugly shit.
The plot in this one was really good, but oh my god the art in this was really bad I am so shook by it. I don't know who the artist is but I hope they aren't on any of the new Justice League books.
The art in the first half is not great. The plot was a bit easier to digest in this issue, likely due to Tynion. I’ve found his writing to be more my speed than Snyder’s is.
Again, enjoying the concept, but I'm not a fan of this version of Snyder. That version being "gee whiz, we're all friends and if we believe in each other, we can do anything!" Metal was like that too. It's just too campy. I love Snyder at his darkest, most horror-like state, which is why Batman was so perfect. I wonder if Tynion has been more of the script itself, because this just doesn't feel like Snyder. If it is, however, the jury for him writing Justice League is still out for me.
If I were a comic writer, I would hate inconsistent artists. The way they’re switched up, (in even the same issue), is distracting at best. Weak sauce.
The third issue of 'Justice League: No Justice #3', is another solid issue regarding the story as the heroes continue with their struggle of saving the planet of Colu from the 'Omega Titans'. But the art suffers from the hectic schedule, as the changed artists fail to convey the massive scope of the conflict unlike 'Manapul' did in the past two issues.
This issue starts with Vril Dox explaining some of the hidden machinations of Brianiacs plans and the actual direness of the situation to the heroes. Then we get again some excellent banter and specific teams trying to accomplish their goals separately. I really loved how some of the characters who could have been easily sidelined gets their time in the limelight. And although the issue does slow down a bit too little for me, the progression as a whole is well measured enough to keep me very interested in the last issue as Earth's fate hangs in the balance (we know it will survive though).
I really loved the character of Starro and Martian Manhunter in this issue. I do hope Starro survives his ordeal somehow and we get to see more of this new aspect of his character. It was quite apparent that the authors were trying to give center stage to the characters involved in the upcoming Justice League series' at times, but despite this the overall character dynamic was once again a very strong point of this issue.
For the negative, the art really does seem lackluster here. 'Riley Rossmo' and 'Marcus To' never really seemed to grab my attention as much as Manapul did in the last two issues. The first half of the issue, especially, seems to have many poorly drawn and overall the issue has squarish character drawings (Wonder Woman looks so ghastly and too much like a macho man) that never really conveys facial expression at all. Even the delightful coloring from 'Hi-Fi' from the previous issues falls rather flat on this one.
Nevertheless, this issue did manage to set the stage rather comprehensively for the finale next week, despite its drawing not being up to the mark at all. This gets 3 out of 5 stars from me, which quite honestly could have been much higher with the previous artist on board I think.
The writing seems to pick up a bit, but the artwork seems... lacking. Wonder Woman especially seems poorly drawn. I’m not saying that she’s not revealing too much, but in a few panels she looks like Conan the Barbarian with accessories.
We see some strings here and there to make it fall into places, but definitely better then the previous issue. A most then galactical epic story happening here and it have potential, we'll see how well it's develop but it look promising after this one!
The art took a dive off the cliff this issue rendering some characters like Wonder Woman grotesque. Story-wise it's a let's all talk until the antagonists show up suddenly issue.