The Armistice of 1918 brought ceasefire to the war on the Western Front, but ‘the Great War’ would not as hoped be ‘the war to end all wars’. In this affecting selection, the Poet Laureate, Carol Ann Duffy, guides us deep into the act and root of ‘armistice’: its stoppage or ‘stand’ of arms, its search for truce and ceasefire. In 100 poems, our most cherished poets of the Great War speak alongside those from other conflicts and cultures, so that we hear some of the lesser-heard voices of war, including wives, families, those left behind. These poems of war and peace memorialise the horror and the tragedy of conflict. At the same time, in armistice, they become a record of renewal and a testimony to hope.
Dame Carol Ann Duffy, DBE, FRSL is a Scottish poet and playwright. She is Professor of Contemporary Poetry at Manchester Metropolitan University, and was appointed Britain's Poet Laureate in May 2009.
She is the first woman, the first Scot, and the first openly LGBT person to hold this position.
Her collections include Standing Female Nude (1985), winner of a Scottish Arts Council Award; Selling Manhattan (1987), which won a Somerset Maugham Award; Mean Time (1993), which won the Whitbread Poetry Award; and Rapture (2005), winner of the T. S. Eliot Prize.
Her poems address issues such as oppression, gender, and violence, in an accessible language that has made them popular in schools.
This is a superb collection. The cover describes it as a Laureate's Choice of Poems of War and Peace and I very much enjoyed Carol Ann Duffy's selection of a hundred poems. I first heard some of the commissioned works as they were broadcast on Radio 4 on the 100th anniversary of Armistice in the First World War and they are very good. What makes this book particularly special is that it includes some of the best known and loved poems in the English language so that you come upon them anew, with a gasp. I almost don't want to say what they are without a spoiler alert. There are too poems in translation: I found Seiichi Niikuni's few characters particularly hit the spot.
There's a brief, good, foreword by the editor. I sometimes wanted to know more but have reflected since that I can go away and research myself, that the poetry was best left as it was to speak for itself.
"Human beings suffer. They torture one another. They get hurt and get hard. No poem or play or song Can fully right a wrong Inflicted and endured.
History says, Don't hope On this side of the grave But then, once in a lifetime The longed-for tidal wave Of justice can rise up, And hope and history rhyme.
So hope for a great sea-change On the far side of revenge. Believe that a farther shore Is reachable from here. Believe in miracles And cures and healing wells.
Call miracle self-healing, The utter self-revealing Double-take of feeling. If there's fire on the mountain And lighting and storm And a god speaks from the sky
That means someone is hearing The outcry and the birth-cry Of new life at its term. It means once in a lifetime That justice can rise up And hope and history rhyme.
Poems, not just concerning international war and its cessation but also the more personal or individual side of conflict and what it takes to get us through it. Needless to say there are a few which see any kind of armistice as something only temporary in nature. Favorites include Jo Shapcott's Phrase Book, Sheiichi Niikuni's Anti-War and Zaffar Kunial's Poppy, but there are many other great poems selected for this book.