Sabine Poppée, épouse de Néron, est jalouse de l'influence de Sénèque sur son élève. Elle essaie de perdre le philosophe, qui a refusé de prendre part à une conspiration, bien qu'il sache sa vie menacée. Les conjurés découverts, Néron soumet à la question les coupables, qui avouent, sauf la courageuse Épicharis. Persuadé par Sabine de la complicité de Sénèque, Néron lui donne l'ordre de s'ouvrir les veines.
Gloomily reflecting on literature and its meaning in my life, I all of a sudden remember a play I read at university, at least fifteen years ago.
The Death of Seneca just reappeared miraculously in my labyrinthine bookish mind, and I felt happy knowing that it was still there, safely stored in my memory.
I read Tristan L'Hermite's complete oeuvre for a French literature class at university. We had a fantastic professor who was convinced that the magnificent plays would be completely forgotten if our small group did not spend a whole term comparing "La Mariane" and "La Mort de Sénèque" to the more frequently read plays by Corneille and Racine.
What a lovely term that was.
I think it triggered my interest both in theatre and in literary discussions. "Polyeucte", "Britannicus", "Phèdre", "Le Cid", they were all compared and contrasted to the half-forgotten Tristan L'Hermite.
As we relied on the university library (in a city I have long left) for copies of the plays, I do not have any of his plays at home, but I just found his autobiographical novel Le Page disgracié in my Folio Classique collection, and I will certainly reread parts of it. I wonder if the plays are still available at any of the online bookstores that deliver French literature to Sweden.
It is quite funny how you all of a sudden remember a past reading experience and realise that it still means a lot to you. I certainly still know that we were very engaged in the different characterisations of Nero in "Britannicus" and "La Mort de Sénèque", and that I thought I had very mature opinions about that - something I rather doubt now! I would love to be able to follow my own tracks back in time and evaluate what I thought was a game-changing experience back then. If I still had the notes I took during the lessons, that would be like time travelling to an awkward, cringe-worthy, but enlightening place.
I still vividly feel my stuttering when trying to put my naive thoughts into rudimentary French, hoping to get my point across. It was my first encounter with high literature in comparison, and I drew from my history classes to understand the authors' approaches to Nero. I was nervous and passionately in love with reading and writing, blushing every time I forced myself to speak up. I did it to please the professor whose knowledge and enthusiasm I admired beyond reason. She was a mother of three, probably about forty - thus pretty much like me now. But I still believe in my heart that it is impossible to acquire her level of understanding in literature. She introduced Dante and classical drama in my life.
This sudden memory also makes me realise that an enthusiastic teacher or professor makes all the difference, and I feel grateful for her passionate approach to the drama of l'âge classique, as it evidently rubbed off on me, giving me a purpose in my professional life. There is nothing I believe in more than making literature and history come alive, - making it meaningful for the next generation.
I am aware this review is not so much about the play itself as about my reaction to it and the long-term effect it had on my reading and teaching habits! I will hopefully be able to fill in more details if I get hold of a copy to reread it!
However, this memory did something else for me today. It gave me back my naive happy love for classical literature, half-forgotten excitement resurfacing when despair is lurking.
Finding Tristan L'Hermite in the hidden corner of my memory is a bit like Shelley's Ozimandias rising from the desert sands, again proudly residing over his ancient lands, exclaiming:
"My name is Ozimandias, King of Kings, Look on my works, ye mighty, and despair! ... Nothing besides remains..."
But it is more than enough! A glimpse of greatness past!
Absolute dodo Heureusement Epicaris la baddie a carry ma lecture parce que j’étais à deux doigts de téj ce livre chiantissime Qu’est ce que la prepa ne me fait pas faire ? Je retourne lire Tom Tom et Nana, j’ai enfin fini la liste 🐺
I'm actually stunned by how good this is. It moves quickly; it's filled with interesting cliffhangers and dynamic dramaturgy; it has a superior pair of characters in Nero and Epicharis; and it has the Roman Empire! This is surprisingly excellent. This is not Racine. In other words, it's not interesting from a literary or poetic point of view, which is perhaps why it has received no accolades, but as drama, La Mort de Sénèque is great.
“- Ah ! Ne meurs point si tôt. - Je ne saurais plus vivre. - Vis pour me contenter. - Je mourrai pour vous suivre.”
Tristan qui en 1 page sans trop présenter les personnages ni rien nous drop une déclaration d’amour 50x plus puissante et intéressante que celle de Madame de La Fayette avec ses 200 pages de “je t’aime moi non plus” tous niais.
ct enervé je pense pas avoir lu de pièces avec autant de punchlines et la versification était super fluide, Epicaris est juste la baddie of all time (la scène de son proces, le discours sur l’enfer et les piques dans le dernier acte wow) …juste ça doit manquer d’action sur scène et Seneque reste un pnj et ils font que mytho tous mais bon à part ça l’ambivalence morale toussa est super
“Te puis-je préférer l’auteur de ma naissance ? / Il m’a donné la vie, et toi la connaissance.” - Néron
“Nous avons eu qu’un lit, nous n’aurons qu’un tombeau.” - Pauline
“Menace-moi plutôt de vivre sous ton règne.” - Epicaris *drops dah damn mic*
Quelle reine Epicaris. La punchline qu’elle nous lâche face à cette vipère de Sabine mdddr je m’en remettrai jamais. Sabine : « l’impudente ! La terre est-elle bien capable de porter un moment ce monstre insupportable » / Epicaris : « Elle peut sans horreur porter Epicaris, puisqu’elle porte bien la femme aux trois marins » HAHAHHAHAHAHA le shade de malade (Sabine a littéralement épousé de suite au calme Rufus, Crispinus, Othon et donc Néron)
Sans plus hein, je sais pas pq le titre c'est "la mort de Sénèque" alors que c'est le sujet que du dernier acte, pourquoi focus que sur Sénèque et pas sur Epicharis par exemple? Fin bref ct bien mais c oubliable
le meilleur livre du programme de français de l'ENS sah y'a full potin et Néron la grosse merde qui en plus d'etre détestable se fait bully par sa femme alors qu'il kiffe trop sénéque c'est bien drôle
Une tragédie des plus classiques mais qui, Tristan oblige, contient certaines tirades des plus poignantes et livre, à travers une galerie de personnages d'un courage tout cornélien (Épicaris 👌), une pièce frappante sur la violence tyrannique, quasi digne du poète et martyr qui l'a inspirée.
J’ai beaucoup ri mais de nullité dramatique, je n’ai malheureusement pas réussi à prendre au sérieux le tragique… Du coup c’est devenu une lecture chouette
Avis du 29 juillet 2026 (2 etoiles) Olalalalaaaa plus jamais L'opéra etait bcp plus fun mais bon il fallait s'y attendre cette pièce etait ennuyante pitié Bon Epicharis reine mais alors le reste argl je suis grv deg j'aime trop lire du théâtre initialement en plus Bref jai lu ca en écoutant le 1er album de lana del rey c'était une DA interessante ma foi pourquoi pas
Avis du 09 octobre 2026 (4 etoiles) My bad j'avais pas la vision ct incrrr vive la relecture Par contre passer en kholle dessus cest NON