Seeking the safety of suburbia, Lynn and Barry Schulman fled Manhattan following 911 and moved to Riverside, New York, a slow-paced, soccer mom community where Lynn had attended high school and several of her long-time friends still resided. All seemed to be going well until the headless body of a woman surfaced on the river beside the train station, terrifying local commuters and sending the small town into turmoil.
The body turned out to be Lynn’s best friend, and the small-town detective assigned to investigate the murder was Lynn’s high school boyfriend, Mike, who still had an unhealthy flame for Lynn and a distain for the lifestyle she chose over him many years ago. The socio-economic division that existed between the multigenerational families of Riverside and the nouveau riche who’d recently claimed the town widened as the investigation of the murder proceeded.
The book got off to a fast start, rapidly building the background of the characters and the mystery surrounding the murder. I was instantly intrigued and excited about the prospect of a page turning thriller. Unfortunately, what I discovered was I would need to turn about 150 more pages before the story returned to its murder mystery roots. Much of the story was about the behind-the-scenes stress and strain faced by the upwardly mobile commuters of Riverside and how their troubled lives intersected the dead woman. You learned that life was not always as it seemed for these families – their companies were losing money, their personal histories were jaded, their relationships were suffering, and their outwardly beautiful homes were barren from within. I wondered at times if the author was writing a murder mystery or providing a documentary on the unseen family trauma associated with suburban life.
In the final third of the book, Peter Bluaner returned to the maniacal infatuation that Mike still had for Lynn, and steamy relationship Mike had pursued with the deceased woman , building him as the prime suspect in her death. Other motives and suspects quickly surfaced as the drama once again built to its thrilling conclusion.
Peter Blauner is undeniably a very talented writer and story teller. It was just a lot of the story he told in THE LAST GOOD DAY didn’t interest me, and it came at a time when I really wanted to be interested. That said, the beginning and end of the novel were suspenseful and well worth a reader’s time.