Reading Garnier’s short novels side by side allows his profound and darkly comic tapestry of human experience to be fully appreciated.
Volume 1 includes: - The A26, in which a new Picardy motorway brings modernity close to a flat in which a brother and sister live together, haunted by terminal illness and the events of 1945; - How’s the Pain?, the tale of an ageing ‘pest exterminator’ taking on one last job on the French Riviera; - and The Panda Theory, in which a stranger, Gabriel, arrives in a Breton town and befriends the locals … but is he as angelic as he seems?
Translated from the French by Melanie Florence and Emily Boyce.
Original titles: L'A26 (Zulma, 1999) Comment va la douleur ? (Zulma, 2006) La Théorie du panda (Zulma, 2008)
Pascal Garnier, who died in March 2010, was a talented novelist, short story writer, children’s author and painter. From his home in the mountains of the Ardèche, he wrote fiction in a noir palette with a cast of characters drawn from ordinary provincial life. Though his writing is often very dark in tone, it sparkles with quirkily beautiful imagery and dry witted humour. Garnier’s work has been likened to the great thriller writer, Georges Simenon. Gallic books has now published many of his titles, including - The Panda Theory, How’s the Pain?, The Islanders, Moon in a Dead Eye, and The Front Seat Passenger.
VERDICT: French noir at its best! Garnier’s writing is excellent and he has this unique gift at twisting things quickly around. I like his strong and bleak images, and will definitely be most happy to keep discovering his work (he wrote over 60 books) with the upcoming Gallic volumes.
Only for those of us who like to explore the darker side of humanity. The protagonists of these three novellas are uncannily easy to identify with - and the characters finely-drawn with simple and subtle strokes. Garnier's metaphors are so strikingly beautiful, I had to stop and read them again, say the words out loud. The stories are disturbing but eerily believable, the endings quite astonishing. In between life is tedious, mundane, poignant, recognisable and extraordinary. Addicted and looking for more!
This first volume of Pascal Garnier's collected noir novellas (maybe called novels in France - they tend to call shorter works novels often) contains 3 of them: "The A26", "How's the Pain?" and "The Panda Theory". While the 3 were very different from each other, they are all bleak and almost hopeless - which seems to be the usual mode for Garnier's noir tales (with some weird humor here and there, made even funnier by where it is and what happens at the time when it is used).
"The A26" (original title L'A26, 1999, translated by Melanie Florence) introduces us to two loners - a brother and a sister who live in a house where nothing had changed for decades. Some time during WWII, the sister, Yolande, had been hurt (more mentally than physically) and she reacted by closing herself in her house and never leaving it again - becoming a hoarder in the process and forcing her brother Bernard to take care of her while working for the railroads. And that's not their lives went on - up to the current times, sometime in the 90s, when a new motorway is getting built close by. Garnier takes that change and uses it to show the lives of the two siblings - making you wonder in places who is the crazier one. The seemingly sane Bernard ends up being a murderer (and worse); the sister who is always there seems to be sinking more and more into her seclusion. But somewhere there are also the Roland and Jacqueline - the old flame of Bernard and her current husband and while the siblings' minds dissolve, that old human connection becomes the trigger for the worst in them - from Yolande's memories of the past (when we learn what did happen to her) to Bernard's final delusions - it almost feels like his present and Yolande's past feed each other. The end is as expected as it is devastating. And you are only left wondering if things could have ended differently if someone somewhere had been a bit more human.
"How's the Pain?" ("Comment va la douleur ?", 2006, translated by Emily Boyce) is the lightest of the 3 novellas, even if it is dealing with a man's decision to die. Simon Marechall is about to get his last job before retirement when he ends up in a small town, too sick to continue his travel. No, it is not the kind of story where a man meets someone else and is happily ever after with them. He does meet someone, a local youth called Bernard, but their connections is closer to mentor and student (or an owner and a pet maybe). Simon needs help - he needs to drive to the seaside to finish that last job so Bernard comes at the best time - becoming his driver and in the process almost becoming Simon's son, pet and nurse (rolled into one). The older man claims to be a vermin exterminator - and that is partially true - except that the vermin he hunts can walk and talk (and that is very clear from very early in the novella if one is paying attention). What follows is almost black comedy although the style keeps is serious enough to never slide into it - the last job ends up being a bit of a mess, there is a woman with a child (and our very naive Bernard falls for both of them) and somewhere in there, Simon lives out the last days of his live. But as with most of his previous actions, his exit will be on his terms - even if it leaves other people in a bit of precarious position (the novella ends with the death - it technically also starts with it even if the act waits to the end.
"The Panda Theory" ("La théorie du panda", 2008, translation credited only to Gallic Books) starts just like the previous novella - a stranger arrives in a small town. Gabriel is a disturbed man - we learn why as the novella progresses but at the start he seems like a normal man who just has nowhere to go so he comes to a town he knows noone in and makes connections - with the receptionist, with a bistro owner (who then ends up with his worst nightmare on his hands and it is Gabriel who helps him and becomes the strong shoulder Jose needs), with a couple down on their luck. He spends his money liberally, helps people and becomes a friend (and almost a patron) to anyone he meets. Except that there is darkness underneath all that - even when he is at his best, his thoughts can be a bit disturbing. Once we know what had driven him to where he is now, we at least can understand why. But even that does not make the end less cruel. You know something must be coming but even with all the backstory the final act is shocking. And somewhere in there, there is a panda teddy-bear and if one wants to understand the story, they may want to think about the meaning of Gabriel's name.
All 3 stories are good in different ways but I liked "How's the Pain?" the most. It is the most streamlined of the 3 in some ways (all 3 use flashbacks and play with the time and sequences) but it was also the one which did not seem to try to get to worse and worse depravities as the story went along. All of them are worth reading though if you like the style and I plan to read more of these noir tales by Garnier - even when they don't entirely work for me, there is something in there that makes me want to read more.
Exceptional. Really. Reading these short novels is like drifting through a dream which always teeters on the edge of nightmare. The same feeling one experiences when reading Shirley Jackson.
This entire review has been hidden because of spoilers.
3 short stories - first time reading a 'noir' style. Was good, I did take a very long break between the stories so I guess not super engaging? But still good