Delightful.
No wonder this has sold over 24 million copies in Japan since the 1960s. (It was first published serially in newspapers.) Also that it’s been the basis of TV serials, movies and video games. Swashbuckling right left and center. Swordfights in every chapter (only a slight exaggeration). Beautiful girls in every other chapter. Some of them just as revolutionary as the men.
But also an easy way to grasp the essence (and the details, if you’re so inclined) of the downfall of the Tokugawa shogunate. History with sugar sprinkles on top--it goes down so easily.
And yet the information sticks with you. I finally understand a lot more about Japanese geography and somewhat more about the levels of shogunate society. Ryotaro spent years on his research, so his rollicking hero frequently has to sit out for a few paragraphs while the author fills us in on the family and political position of a new character. These are succinct and gradually fill in the various interests and parties that Ryoma will move among in his efforts to restore imperial primacy, widen political participation, and strengthen Japan for a new role in the world.
The two main factions are:
1) the vast majority of the daimyo or regional rulers who owed their land and income to the Tokugawa who came to power in 1603. Some, as in the Tosa domain that Ryoma came from on Shikoku island, displaced former rulers who had supported the army defeated by the Tokugawa. They concurred with the Shogunate’s decision to cede during the 1850s to the demands of the US and other countries for more access to Japanese ports and trade, because they had a sense of the military weakness of the isolated country.
2) the younger samurai, mostly from the secondary level of samurai scorned by the upper level, who had a romantic and mostly uninformed view of Japan’s situation, who resented their treatment and wanted to expel the outsiders by returning power to the Emperor and his advisors.
Ryoma, by the end of this first of five volumes of the story, has come to a middle position. He wants to end the Shogunate, but also to open Japan to the West and take the best it offers. The value of the book is that you understand in more depth the strengths and weaknesses of the arguments and the players on both sides of the question.
Ryoma himself is a most unusual hero. He could be described as lazy and uncouth, but also very original in his thinking. A very large man, he was a legendary sword fighter. This first volume develops his character, kendo training, and the background of his naval knowledge, because later he went on to build a major naval force for Japan. It also contrasts his approach to conflict, which is to use his charm to defuse tense situations and find solutions, to the combative stance of many of the other major players in the drama to come.
I will admit that the Japanese names are a stumbling block. But persist. The important ones recur. And, because Ryotaro was writing newspaper columns, he often reintroduces a character we haven’t seen in a while to refresh your memory. There is a short glossary in the back of the book.
Two comments: at present this is only available as a Kindle book. Presumably as part of Amazon’s commitment to more translation. I commend them on this one. I hope they are going to bring out the whole series.
Two, if you can find it at the library or on line, there is a book that helped me stay afloat:Biographical Dictionary of Japanese History, by Seiichi Iwao and translated by Burton Watson, published by Kodansha International Limited. Many of the characters in Ryoma have entries, or are identified in the thumbnail biographies of those who do have entries. (Comprehensive index) This covers all of Japanese history, so no matter what period you’re reading about in the future, this will be a useful reference.