Besides bringing the male dominated Bengali society and the exploitation of women at the bottom of the family structure, Ashapurna Devi brings the irony and hypocrisy of the society and specifically, the reader himself. In fact this is the most striking feature in each of her stories where the viewer is challenged for his or her social bias. Be it the old and frail but freshly emancipated Hemangani, the Silent and toiling Supriya or the vocal and outgoing Anupama, through all of them Ashapurna Devi questions our own social and gender biases directly. These stories are not remarkable just for the picturization of the family lifestyles, their society or the settings in which these events takes place but for the shock and awe the reader faces when his slowly accepting mentality is questioned which is least expected.