Winner of the 2018 Richard Wall Memorial Award from the Theater Library Association
Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.
A largely unheralded but vitally important chapter of Hollywood and cinema history finally gets its due in Montañez Smukler's impressively researched study. Over the course of reading I compiled a long list of filmmakers and films to track down, and it has already yielded numerous treasures and additional avenues to explore.
"One of the challenges of writing a history of women directors in Hollywood is balancing the push and pull between stark discrimination and progress, often of the smallest kind." ~ Maya Montañez Smukler
In "Liberating Hollywood," Ms. Montañez Smukler does a masterful job distilling this comprehensive history into a balanced and engaging page-turner. Women still have a long way to go in Hollywood (and beyond), but we're on our way -- even though the progress feels painfully slow.
Great book! My complaints are few, mostly that I found the author's writing style (or perhaps more accurately the stylistic guidelines) a bit frustrating and that I would've appreciated a less technical description of the legal issues in chapter 4.