I decided only to read the first two plays in this collection, though I may come back to it some day.
Factory Girls: This is a fairly good play about the difficulties of establishing a united worker's front among female factory workers. In particular, it is more challenging for female workers to have their voices heard when male-run labor unions work with factory owners or managers, rather than putting the actual workers at the center of the discussions. However, the women in this play--for all their bickering, arguing, and sometimes deep-seated mistrust--stand together against a management plan to extort more work, lower wages, and fewer workers.
Observe the Sons of Ulster Marching Toward the Somme: A pretty good WWI play, I'd actually perhaps write about this play alongside Tom Stoppard's Travesties, which is a similar WWI memory play. McGuinness' play follows a group of eight Protestant Ulstermen who volunteer for the British army in WWI and end up at the Battle of the Somme in 1916. Through the pairings--the 8 characters divide into 4 pairs--various cultural norms and psychological problems are explored. One pairing problematizes religion, which is really interesting among the fiercely Protestant Northern Irish soldiers; one pair deals with homosexuality and social class; one pair explores how the experience of the trenches confronts narratives of nationalism; and one pair deals with shell shock.
Theatrically interesting and of some considerable accomplishment. Observe the Sons is the clear triumph in this collection. A moving and compelling experience. However, how much of that is in herent in the subject matter of a group of young, innocent lads leaving there homes in Northern Ireland to experience the horrors of the Somme, and how much of it is derived from character and language. I fear I think it weighs to the former; but still very worth consideration.
McGuinness certainly is a distinctive voice in contemporary Irish Theatre. In Baglady I feel we see all to clearly the difference between an able writer and the genius of Beckett.
I'm really only reviewing "Carthaginians" but I couldn't find an edition of just that play by itself. Anyway, "Carthaginians" is a fabulous play . . . only Frank McGuiness could write such an accessible story about a group of Irish misfits camped out in a graveyard on the anniversary of Bloody Sunday, waiting for the dead to rise. Led by a fearless drag queen called Dido, these troubled, funny and realistic characters argue and share their stories and connect in this dark, passionate and quintessentially Irish play. A beautiful, beautiful story.